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Bloodlust

Through the Eyes of the Dead 形式: CD

4.9 27個の評価

仕様

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新品

中古品

CD, CD, リミックス含む, 2005/10/25

"もう一度試してください。"

CD, インポート

—

￥678

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曲目リスト

1	Intro
2	Two Inches from a Main Artery
3	When Everything Becomes Nothing
4	Bringer of Truth
5	Beneath Dying Skies
6	The Black Death and It's Aftermath
7	Truest Shade of Crimson
8	With Eyes Ever Turned Inward
9	Force Fed Trauma
10	The Decaying Process
11	Outro

商品の説明

Through the Eyes of the Dead is that rare band that comes around once a decade that resets the bar for extreme music. Their new album BLOODLUST is steeped in the tradition of metal legends such as Morbid Angel and Napalm Death. Features the track "Two Inches from a Main Artery."

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メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 14.27 x 12.5 x 1.02 cm; 108.86 g
メーカー ‏ : ‎ Prosthetic
EAN ‏ : ‎ 0656191002820, 0065619100282
商品モデル番号 ‏ : ‎ 656191002820
オリジナル盤発売日 ‏ : ‎ 2005
レーベル ‏ : ‎ Prosthetic
ASIN ‏ : ‎ B000BC8T78
ディスク枚数 ‏ : ‎ 1

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4.9 27個の評価

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I am perplexed by all these old metalheads who dislike deathcore. I'm in my mid-thirties-- I AM an old-school metalhead and this deathcore-hating makes me wonder if other folk my age are losing their memory already. Deathcore saved us by ousting that bloated metalcore plague that contaminated the first half of the 00's! Remember? NO clean vocals, hello!?!?!

All right, all right, there are some tremendously talented metalcore bands, they just occupy a very small slice of my metal pie chart. "The End of Heartache" sounded great when the credits rolled at the end of Resident Evil: Apocalypse. But I wouldn't listen to it if I was falling in love or kicking off a wild roadtrip. I would be listening to some classic Judas Priest and Pepper-era Corrosion of Conformity and Avenged Sevenfold, all of which is essentially good old-fashioned rock & roll. By the same toke-n, I'm usually not listening to metalcore when I am sitting in a dark room with a couple shots and a... cigarette and a program on my C.D. player. In that latter scenario I am listening to death metal or deathcore, because I know it will rivet me to the floor with its rhythmic intensity and then inject musical tesseracts into my third-eye until I explode. Maybe I am not your average music consumer, having a highly-trained and compartmentalized approach to love, dr*gs and rock & roll honed to perfection by decades of hedonism, but I do think some folks out there will hear what I am saying, and it is to you whom I speak.

When I began seriously getting into death metal, circa 1998, magazines would occasionally make a list of the "classic" death metal albums. "Slowly We Rot" by Obituary would usually make the cut, and "Beneath the Remains" by Sepultura would be cited as a death-thrash crossover milestone. At the time Obituary was my favorite DM band, but it was because of Allen West's ludicrously catchy riffs on then-current album "Back From the Dead", rather than the band's sludgy, underground debut album.

I would eventually come to revere "Slowly We Rot", but for a long time I wondered why it was considered so great. I mean, the newer stuff had the most magnificently fuzzy guitar tone and a complement of highly accessible songs. The old stuff was crude and impenetrable by comparison. Now I think I know what happened. I wasn't *there* when death metal was born, and I didn't understand what made those early releases so mindblowing to those who were.

This time around though, with deathcore, I *was* there. I was still a late-comer-- I am not the guy who needs to be the first to hear a band-- but I saw what the musical climate was like before All Shall Perish, Through the Eyes of the Dead, Suicide Silence, Annotations of an Autopsy, et al. showed up and gave metalcore a good spanking. And even though I love the ridiculous catchiness of Malice and Skepsis, Bloodlust has a special place in my heart. It was a real breakthrough, and together with Job For a Cowboy's Doom EP and A.S.P.'s Hate.Malice.Revenge album, created the deathcore blueprint. Hardcore could have urban influences, but only deathcore made it sound like a cabal of street shamans opening a gate to the Abyss in a concrete viaduct. Those albums unveiled the connection between a sub-bass breakdown and the future-primitive beats of drum & bass and dubstep: a totally cutting-edge development that heralded a new era for death metal. Those three albums probably have the best breakdowns ever recorded, in fact-- it never got any better, there was just more of it.

When archaeologists in hazmat suits unearth the plastic disks of the 00's, "Bloodlust" will be put in the history books as one of the classic albums of its time.

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David D Smyth

Good record

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Boyfriend loves it

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Angelino Pinanez Galeano

Four Stars

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good

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Amazon Customer

Great product. Better seller

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Quick arrival. Great product. Better seller. Thanks!

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Bloodlust

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