スケアクロウ [DVD]
仕様 | 価格 | 新品 | 中古品 |
フォーマット | 色, ワイドスクリーン, ドルビー |
コントリビュータ | アル・パチーノ, ドロシー・トリスタン, ジェリー・シャッツバーグ, ジーン・ハックマン |
言語 | 英語 |
稼働時間 | 1 時間 52 分 |
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商品の説明
Amazonより
ジーン・ハックマンとアル・パチーノ。演技派で知られるふたりが共演した、ジェリー・シャッツバーグ監督の名作。刑期を終えたマックス(ハックマン)は、故郷のピッツバーグでカー・ウォッシュの開業を目論む。一方のもと船員・ライオン(パチーノ)は5年前に妊娠中の妻を残してきたデトロイトに帰る途中だった。カリフォルニアのハイウェイで知り合ったふたりは、徐々に心を通い始め、奇妙な道中を共にする…。
アメリカン・ニューシネマからパニック映画へとハリウッド映画の流れが変わる、その端境期。他人を信用しないマックスに、お調子者だが心に深い傷を持つライオンのふたりは、殺伐としたアメリカを歩んでいく。いわゆる「ロードムービー」「バディ・ムービー」的なルックの作品だが、旅の途中で出会う事件や人などとの関わりにより、ふたりのキャラクターが微妙に変化していくあたりを、ハックマンとパチーノが見事に演じている。
カンヌ映画祭でパルム・ドール受賞。我が国でも70年代初頭の映画青年の胸を熱くした「スケアクロウ」だが、製作後30余年を経た今日鑑賞しても、そのやるせない感動は健在。必見。(斉藤守彦)
レビュー
製作: ロバート・M.シャーマン 監督: ジェリー・シャッツバーグ 脚本: ギャリー・マイケル・ホワイト 出演: ジーン・ハックマン/アル・パチーノ/ドロシー・トリスタン
-- 内容(「CDジャーナル」データベースより)
登録情報
- アスペクト比 : 2.35:1
- 言語 : 英語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 83.16 g
- EAN : 4988135567246
- 監督 : ジェリー・シャッツバーグ
- メディア形式 : 色, ワイドスクリーン, ドルビー
- 時間 : 1 時間 52 分
- 発売日 : 2006/1/27
- 出演 : ジーン・ハックマン, アル・パチーノ, ドロシー・トリスタン
- 字幕: : 英語, ポルトガル語, スペイン語, 日本語, 韓国語, 中国語
- 言語 : 英語 (Mono)
- 販売元 : ワーナー・ホーム・ビデオ
- ASIN : B000DZJJ9A
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 223,160位DVD (DVDの売れ筋ランキングを見る)
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
ロードムービー・・・数あるロードムービー作品見ましたが、いまだに駄作と言う映画に
お目にかかったことがありません。 オープニングでの主人公が、ラストまでに、
色々な出来事を交え、どのように変化していくのか・・・いつもドキドキしながら見て、
そしてまた、人間味に溢れて・・・映画によって、様々な終わり方がありますが、
本作では、人を信用しなかったマックスが、ライオンと旅することで心情が変化していく様が良く、
二人の信頼と友情に、とても胸が熱くなりました!
個人的には、音楽にもこだわりがあるので、フレッド・マイローのテーマ曲♪
いかにも70年代の雰囲気で、そして二人の旅路にピッタリで最高です!
気になっていた映画。
何年もたってとある大学祭で16㍉上映会が催され鑑賞にこぎつけた。
アル・パ・チーノとジーン・ハックマン
見かけも性格も極端に対照的で
みるからにデコボコしたふたりの旅模様。
後付けで“ロード・ムーヴィー”という言葉も知った。
イロイロあって、精神を病んでしまったパチーノのために
動こうとするハックマンの決意の表れのように
溶暗した画面に鳴り響く靴音。
Blu-rayが出たらまた買いたいです。
名優二人の演技ではアル・パチーノのほうが緻密な役作りをしている。(計算が決まりすぎて鼻につく感じもする)
この作品は有名な割に今回が初見だったのだが(後半だけ深夜テレビで観た)、男二人の友情のロードムービーとしては綺麗にまとまりすぎた感じがする。
撮影時にお二人がすでに高名だったことが、それに拍車をかけているのかもしれない。
作品自体も前述のように技術的な完成度の方に目が行き、その意味でスキのない映画だと一応は言えるのだが、自分としてはもっとニューシネマ的な鮮烈さの方を期待していた。
手頃なのがあって良かった。
他の国からのトップレビュー
Hackman and Pacino play the characters Max Millan and Francis Lionel 'Lion' Delbuchi, respectively, who are two drifters that hook up with each other in the backwoods of California, both headed east as Max, who was recently released from prison, has plans on opening a carwash in Pittsburgh while Francis, who completed a stint at sea, is returning home to Detroit to meet his child for the first time and make some sort of amends to his wife (apparently after his wife got pregnant, Francis got scared, ran off, and joined up with the merchant marines). Anyway, the two couldn't be more different...Max is a gruff, belligerent, short-tempered, mean-spirited, uptight cuss who likes to crack heads, take naps, and doesn't do anything without a plan while Francis is a likeable go with the flow sort, one who enjoys the spotlight if only to make people laugh (he believes you don't have to hit people if you can make them laugh). As I said, the two hook up on the road through a chance meeting, and Max immediately decides to make Francis a partner in his upcoming business venture, that being opening a carwash in Pittsburgh. Seems Max, who's been in the joint for the last six years, has been saving every penny and depositing it in a bank, fastidiously planning every aspect of the operation, pouring over every detail to the point of committing them to memory. As the pair hitch rides, jump trains, and hoof it by foot eastward, they have their ups and downs, eventually making their way to Denver to stop off and see Max's sister Coley (Tristan). Times are good, but quickly sour as Max gets both himself and Francis chucked in the can for a thirty-day stint after a barroom brawl (Max ends up blaming Francis for convincing him to deviate from his `plans', and subsequently the pair are now on the `outs'). Francis makes friends quickly with a trustee (played by Lynch), earning himself some relatively easy work assignments (along with some unwanted attentions), while Max's standoffishness earns him a trip to Pigville (the county pig farm), shoveling manure. Eventually the men reconnect, are released from prison, and back on the road, headed for Detroit for a reunion of sorts with Francis' estranged wife and child...
If you're looking for a straightforward type of story, one that has a distinctive beginning, middle, and an end, then you'd best pass this film up. This is purely a character driven drama with comedic underpinnings, one that, like life itself, tends to get a little messy. The real treat here is watching these two fine actors play off each other, something director Schatzberg encourages given the length of some of the scenes and the unrestrictive atmosphere in general throughout the feature. I'll admit, initially I was a little wary about the pairing of Hackman and Pacino in this sort of `buddy buddy' road picture, but the two completely immerse themselves in their roles, creating a pair of completely believable and identifiable characters. I thought Hackman did particularly well presenting an overly retentive, rigid, suspicious, angry at the world individual obsessed with sticking to his plan, his confidence stemming from the very fact that it was so well thought out (by himself) it couldn't possible fail. There's an exchange in the film that really helps put his character in perspective, as Francis relates how once in Catholic school he got the palm of his hand smacked by a nun with a ruler for clowning around.
Max: How come you didn't pound that old lady in the mouth?
Francis: What old lady?
Max: The one that hit you in the palm with the stick.
Francis: She was a nun!
I thought Pacino also did very well as in his role as the easy going, trusting, sociable type that's everyone's friend, a bit naive at times, always handy with a joke or a pratfall, whose main goal in life seems to try and resolve a past indiscretion that seems to have haunted him for awhile, that of leaving his wife in the lurch (he did send her whatever money he could over the years, but that was more or less out of an effort of support, and not one of amends). At some point he realized the only way to excise the demon that plagues him is to confront it, which is why he's headed to Detroit. The characters are obviously from different ends of the spectrum, but, in their differences, they create sort of a `ying and yang', as Max is the driven man with the plan, along with being the streetwise protector of the pair, his edge slightly offset by Francis' ability to enjoy each moment in the here and now (Max allows Francis quite a bit of leeway in terms of Francis poking fun at Max only because he sees Francis as sort of a child, one whose only desire is to please). My favorite sequence in the film comes while the pair is in prison, after their falling out. Despite the fact that they're now at odds, the bond is still there as Max dishes out the retribution after Francis discovers his new friends like him more than for his comedic repartee. As I said, there's not much of a story here, but I found the characters, relationships, and performances fascinating enough to keep me entertained throughout the nearly two hour running time. The ending is sort of downbeat, and offers very little in the way of resolution, but if you can get past this, you might want to check this movie out. It was definitely worth my time.
The picture quality on this DVD release is decent, presented in widescreen (2.40:1), enhanced for 16X9 TVs, and the Dolby Digital mono audio comes through reasonably well (it did seem a little soft at times). As far as extras, there are English, Spanish, and French subtitles, an original theatrical trailer, and a vintage featurette for the film entitled "On the Road" (3:48).
Cookieman108
By the way, another scene worth seeing this film for is when Max strips off his clothes in order to go to bed...he's wearing like ten shirts, and watching him remove them is like watching the clowns come out of the little car at the circus. For those interested, the cinematographer on the film was Vilmos Zsigmond, who also did such features as Deliverance, Close Encounters of the Third Kind, and The Deer Hunter.
But sure, Pacino was the charmer. Hackman was also interesting in his own loyalty and focused determination. One or two scenes may have been a bit over the top (Hackman strip-teasing in that greasy diner to show Pacino he's not gonna get in another fight?). Still, this movie was a real work of genius. It seems to teach something: Pacino's art of defusing a potential situation (the scarecrow) and Hackman's determination - or as it would manifest in his life (outside of his dreams) - too ready for a fight. The movie is a character study and a study of human nature. Both sides of the coin are represented in these two characters and I could respect the way it ended (remember the last scene? if I was gonna choose one scene to represent Hackman's character, that would be it!).
The substantial slice of their lives which the film gives us is enough to chew on. It's like the story has told us what it wanted to, and then it ends. Perhaps all the details have not been ironed out, but the essence, the "message", or something like that, has been given. Ending it where it did, while not answering all the questions pertaining to the specifics in their stories, leaves you to figure out what the real story is.
Bumming with Max and Lion was great.
Think I'll have breakfast in Hobo Jungle....
care for them and that is a major movie failure!