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Symphony No 8

4.7 5つ星のうち4.7 30個の評価
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曲目リスト

ディスク： 1

1 Allegro Impetuoso: Veni Creator Spiritus
2 A Tempo. Etwas (Aber Unmerklich) Gemassigter; Immer Sehr Fliessend: Imple Superna Gratia
3 Etwas Drangend-Noch Einmal So Langsam. (Nicht Schleppend): Infirma Nostri Corporis
4 Tempo I (Allegro, Etwas Hastig)
5 Sehr Fliessend-Noch Einmal So Langsam Als Vorher. Nicht Schleppend: Infirma Nostri Corporis
6 Plotzlich Sehr Breit Und Leidenschaftlichen Ausdrucks-Mit Plotzlichem Aufschwung: Accende Lumen Sensibus
7 Veni Creator Spiritus
8 Wieder Frisch: Gloria Sit Patri Domin

ディスク： 2

1 Poco Adagio
2 Piu Mosso (Allegro Moderato)
3 Wieder Langsam. Chor Und Echo: Waldung, Sie Schwankt Heran
4 Moderato. Pater Ecstaticus: Ewiger Wonnebrand
5 Allegro (Allegro Appassionato). Pater Profundis: Wie Felsenagrund Mir Zu Fussen
6 Allegro Deciso (Im Anfang Noch Nicht Eilen). Chor Der Engel: Geretet Ist Das Edle Glied Der Geisterwelt
7 Molto Leggiero. Chor Der Jungeren Engel: Jene Rosen Aus Den Handen
8 Schon Etwas Langsamer Und Immer Noch Massiger-Wie Die Gleiche Stelle Im I. Tiel. Die Vollendeteren Engel: Uns Bleibt Ein Erdenrest
9 Im Anfang (Die Ersten Vier Takte) Noch Etwas Gehalten. Die Jungeren Engel: Ich Spur' Soeben Nebeind Um Felsenhohh. Doctor Marianus: Hier Ist Die Aussicht Frei. Chor Seligen Knaben: Freudig Empfangen Wir
10 Sempre L'istesso Tempo. Doctor Marianus: Hochste Herrscherin Der Welt!
11 Ausserst Langsam. Adagissimo: Dir, Der Unberuhrbaren. Chor Der Busserinen Und Una Poenitentium: Du Schwebst Zu Hohen Der Ewigen Reiche
12 Fliessend. Magna Peccatrix: Bei Der Liebe, Die Den Fussen
13 Mulier Samaritana: Bei Dem Bronn, Zu Dem Schon Weiland
14 Maria Aegyptiaca: Bei Dem Hochgewihten Orte
15 Una Poenitentium: Neige, Neige, Du Ohnegleiche
16 Unmerklich Frischer Werden. Selige Knaben: Er Uberwachst Uns Schon//Una Poenitentium: Vom Edlen Geisterchor Umbegen
17 Sehr Langsam. Mater Gloriosa: Komm! Hebe Dich Zu Hohern Spharen!/Hymnenartig (Ungefahr Im Selben Zeitmass Weiter). Doctor Marianus: Blicket Auf Zum Retterblick, Alle Reuig Zarten
18 Sehr Langsam Beginnend. Chorus Mysticus: Alles Vergangliche Ist Nur Ein Gleichnis

商品の説明

Amazonレビュー

This new, budget recording rises right to the top of the list of available Mahler Eighths. Not only does Conductor Antoni Wit appreciate the work for its breadth and enormity; the superb recording--and apparently Wit's ear--captures a wealth of detail that is simply inaudible in most other recordings. It is one of the few recordings I can think of in which the organ does not sound overdubbed into the performance, mandolins and harps make just the right impression, and string parts are clear and clean. In addition, Wit's tempi seem ideal, neither rushed nor too leisurely. The choruses are superb--and superbly recorded--and the vocal soloists are, simply, the best on record. Most tenors sound strained, most of the time the soprano works too hard: here there's none of that. Vocal lines are finely sung, and the voices merge well, both with eachother and the choral and orchestral fiber. This is ravishing: very highly recommended. --Robert Levine

登録情報

  • 製品サイズ ‏ : ‎ 15.01 x 14.3 x 1.09 cm; 113.97 g
  • メーカー ‏ : ‎ Naxos
  • EAN ‏ : ‎ 0730099553322
  • 製造元リファレンス ‏ : ‎ 0730099553322
  • オリジナル盤発売日 ‏ : ‎ 2006
  • SPARSコード ‏ : ‎ DDD
  • レーベル ‏ : ‎ Naxos
  • ASIN ‏ : ‎ B000EQHS14
  • 原産国 ‏ : ‎ アメリカ合衆国
  • ディスク枚数 ‏ : ‎ 2
  • カスタマーレビュー:
    4.7 5つ星のうち4.7 30個の評価

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星5つ中4.7つ
5つのうち4.7つ
30グローバルレーティング

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上位レビュー、対象国： 日本

ｺｰｷﾛﾏﾝﾊ
5つ星のうち5.0 最高の音源!!
2011年12月24日に日本でレビュー済み
Amazonで購入
大変に素晴らしい演奏です!! やはり欧州のｸﾗｼｯｸ音楽の層の厚さを実感します。オケのアンサンブルは終始乱れず、合唱は澄んだ清流をみるよう。独唱も暖かく響き、録音も奥行きと残響がよく捕らえられています。ヴィトの解釈も終始一貫テンポの乱れも一切感じられません。この曲はショルティ･シカゴ響とノイマン･チェコフィルが随一と考えていましたが、考えを改めました。こんな素晴らしい演奏を発掘して記録してくれたNAXOSさんに脱帽です。
10人のお客様がこれが役に立ったと考えています
役に立った
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すべてのレビューを日本語に翻訳
Eric J. Matluck
5つ星のうち5.0 Vision and Ecstasy
2006年5月30日にアメリカ合衆国でレビュー済み
Amazonで購入
It would be easy to say that this is the single greatest performance of the Mahler Eighth ever recorded; I believe it is. But it would be difficult to say that and have it mean something, because after experiencing this colossal achievement, the competition (including, alphabetically, Abbado, Bernstein, Chailly, Haitink, Horenstein, Kubelik, Nagano, Olson [Colorado Mahlerfest], Solti, and Tennstedt, among others) suddenly seemed far less impressive than they once had. What sets this Mahler Eighth so far apart from virtually every other is its sense of ecstasy; of a transcendent vision being communicated, of a religious fervor. Mahler had an extraordinary plan in putting together what he considered his most important work, such that he could bring us to the brink and say, "There. It's out there. You can't see it, but you can divine it" (and call "it" what you will: "God" or "Love" or some all-embracing power outside of ourselves). Most performances miss the mark, then, in one of two ways: by remaining resolutely earthbound or by trying to capture that vision in terms we can understand. The problem, of course, is that if we can understand it, it's no longer a vision, it's something mundane. In the closing pages of Wit's extraordinary (and that word, as well as any other, hardly begins to do it justice) performance you become aware of that vision existing just beyond your comprehension. You know it's there only because you're willing to take that leap of faith. And that's what I mean when I say he brings the piece a sense of religious fervor. There is nothing dogmatic about the kind of religion I'm referring to here.

So let's look at the basic components of the performance, element by element:

The sound: Spectacularly natural and all-encompassing. The soloists emerge from the overall sonic image like members of the orchestra, and the chorus, orchestra, and organ blend to perfection.

The soloists: To a letter the finest group I have ever heard. There's a distinctly Slavic sound that seems altogether appropriate given Mahler's Bohemian roots, and a refreshing lack of self-importance. No operatic grandstanding here. And for the first time ever I felt as though I was missing something by not following the words (no libretto is provided, though it is available online and can be found easily enough elsewhere) because everyone sounded like they cared dearly about what they were singing. They weren't going through the motions, making pretty sounds. They had something imperative to communicate and wanted us to know it. To be honest, part II has often bored me to tears (with Chailly's performance being particularly offensive in this regard) but here I was literally on the edge of my seat throughout, impatient to hear what (and who) came next. And throughout it all, so importantly, there was a sense of spiritual ascent from beginning to end.

The choruses: Easily the best I've ever heard. The way they rip into "Hostem repellas longius" with their shrieks in the great double fugue of part I is unforgettable, and the fugue itself, which has never reminded me more of the "rabble" section from the first movement of Mahler's Third, literally had my spine tingling throughout its entire course. That's nothing. I got chills right at the beginning of the Chorus Mysticus and six and a half minutes later they had not abated! I have NEVER experienced anything like that before. Ever. And I don't just mean while listening to music.

The conductor: What can I say? He holds the symphony together with a tautness and logic that nobody ever credited this work with having before. How? I have no idea, but when the start of part II doesn't jar, as it usually does, you know you're in for something special. Maybe it's because the orchestral prelude there seems faster than usual, or because he finds so much inwardness in the first part (the first entry of the soloists, for instance, is so raptly caressing).

The orchestra: While they don't have the "Mahler sound" that the Concertgebouw or Vienna Philharmonic may produce, there's an earthiness (but never sloppiness) that sets them far apart from the bleached, sterile sound of too many American orchestras that make Mahler sound not like Mahler.

To sum up, then, I could not speak for an hour after hearing this recording, and still burst into tears at the mere thought of it, especially those radiant, visionary, and extraordinary closing pages. Record of the year; record of the century! It crowns not merely my Mahler collection but an entire lifetime of listening to great music.
80人のお客様がこれが役に立ったと考えています
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Scriabinmahler
5つ星のうち5.0 Surprisingly Rich & Rewarding 8th!
2007年8月26日に英国でレビュー済み
Amazonで購入
I've already own most of the great recordings of 8th, Horenstein, Solti, Kubelik (DG&Audite), Sinopoli, Abbado etc, but intrigued by many praises by Amazon.com reviewers, I tried this one conducted by Antoni Wit and found it surprisingly rich and rewarding experience.

What makes this recording so outstanding is the way conductor and recording engineer balance orchestra, solists, choirs & organ to perfection without losing the sense of enormity of the whole. ( No opera diva blasting whole orchestra or no feeble sounding choirs here ) Combined with the conductor's masterful choice of flexible tempi, the result is magical, revealing amazingly rich and diverse originality of the score.

Part 1 of this symphony often sounds chaotic even under great conductors, but this recording convinced me that the 1st part is no less greater than the 2nd part. Part 2 is filled with many sublime moments especially with wonderful singing by sopranos. Huge emphasis on bass and organ adding to the sense of large space. The tension dipps slightly at the climax when all brass instreuments join but the ending is very powerful and overwhelming. Overall, this is very special and revelatory performance of 8th to add to your collection.
20人のお客様がこれが役に立ったと考えています
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H. Powders
5つ星のうち5.0 Wonderful!
2023年9月16日にアメリカ合衆国でレビュー済み
Amazonで購入
There are certain musical compositions that are simply unsurpassed in greatness: Bach’s WTC; Beethoven’s Hammerklavier Piano Sonata and Missa Solemnis and Mahler’s eighty minutes of pure ecstasy which is his Eighth Symphony. As close to rapture as I will ever get. This performance does it justice. Urgently recommended! Get this!
2人のお客様がこれが役に立ったと考えています
 レポート
Mr. Mark A. Meldon
5つ星のうち5.0 Competes with the Best
2008年9月14日に英国でレビュー済み
Amazonで購入
Antoni Wit recorded this work with the Warsaw National Philharmonic Choir & Orcestra in 2005 and the CD was released to some acclaim in 2006. Naxos' Mahler cycle is far better than some might have you belive and, anyway, at their prices you can afford to experiment. This Mahler 8 is up there with the very best, regardless of price. just goes to show that value is a more important word than price!

Although Mahler's 8th Symphony is not my favourite of his works, I do have several versions on my shelf and Wit probably ranks just behind Nagano on Harmonia Mundi and equal to Gielen on Hanssler for me amongst current-day recordings. Naxos has captured the symphony in quite stunning sound, way ahead of most versions that are available.

Very much worth getting!
19人のお客様がこれが役に立ったと考えています
 レポート
Mark Zimmerman
5つ星のうち5.0 Naxos budget price for great performance and sound.
2008年5月12日にアメリカ合衆国でレビュー済み
Amazonで購入
If you shy away from budget labels, such as Naxos, because you're afraid of them then the fault is all yours. Naxos has all their CDs in listed in their downloadable catalog in pdf format. And, in it they not only list all their titles but where and in what journals or sites the particular recordings have received glowing reviews. If, like me, you're on a budget (Heck, I ain't no spring chicken any more, and am on Social security now that I'm retired) you'll find many great recordings there. Now Naxos makes up more than 10% of my entire collection. If I remember right this particular set got the highest both the Absolute Sound and Stereophile give to a recording. And fabulous it is. Great sound (as is typical for what Naxos gives conductor Antoni Wit and his orchestra) and performance to match. As is usual with the M8 Part 1 is on Disc 1 with Part 2 on Disc 2.

If you want more info on an additional 5 M8's check out my review under Mahler 8 Shaw Telarc (another budget recording). Best thing is that Amazon carries all 6 recordings!

Best,

Mark Zimmerman, the Bipolar Bear!
5人のお客様がこれが役に立ったと考えています
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