お届け先を選択

Porgy & Bess (1935)

3.7 5つ星のうち3.7 8個の評価

仕様
価格
新品 中古品
CD, インポート, 2006/9/12 インポート
¥10,994 ¥149

K-POPストア
K-POPアーティスト情報をまとめてチェック K-POPストアはこちら

商品の説明

Amazonレビュー

This is the first recording of George Gershwin's classic to incorporate the composer's final revisions for the 1935 premiere. Apparently it differs from the original published score though it won’t sound all that different to a layman who’s heard the versions dating from the 1970s onward, which replaced spoken dialogue with the sung recitatives Gershwin wanted. Musicology aside, there are gains and losses in this new set. The gains are a tighter, more focused narrative line due to the cuts, which amount to about half-an-hour of music. But those cuts are losses too, since they include some familiar and well-loved numbers. The performance is a good one though, if not necessarily preferable to previous recordings by Maazel, DeMain, and Rattle, all of which have their own shortcomings. Alvy Powell makes for a finely honed Porgy, and while one could ask for a bigger-voiced Bess, Marquita Lister sings and acts well. Many of the smaller roles are admirable too, with Lester Lynch scoring as a menacing Crown but Nicole Cabell, the Clara, has a wide vibrato on sustained high notes marring her "Summertime," here performed in the faster tempo of the 1935 score. --Dan Davis

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ はい
  • 製品サイズ ‏ : ‎ 12.7 x 14.61 x 1.14 cm; 199 g
  • メーカー ‏ : ‎ Decca
  • EAN ‏ : ‎ 0028947578772
  • レーベル ‏ : ‎ Decca
  • ASIN ‏ : ‎ B000H0MGTG
  • ディスク枚数 ‏ : ‎ 2
  • カスタマーレビュー:
    3.7 5つ星のうち3.7 8個の評価

カスタマーレビュー

星5つ中3.7つ
5つのうち3.7つ
8グローバルレーティング

この商品をレビュー

他のお客様にも意見を伝えましょう

上位レビュー、対象国: 日本

日本からの0件のレビューとお客様による0件の評価があります

他の国からのトップレビュー

すべてのレビューを日本語に翻訳
Calicokid
5つ星のうち5.0 A Brilliant Idea!
2013年9月19日にアメリカ合衆国でレビュー済み
Amazonで購入
As a long time fan of Gershwin as a great Broadway and Hollywood composer and his ventures into 'classical' instrumental music, I must admit that I have had a problem with his attempt at an opera, even after having attended two live performances. I was perfectly content to listen to the hit 'arias' from 'Porgy and Bess' and leave it at that. This recording omits much of what bothers me when viewing and/or listening to a live performance or any of the recent 'complete' performances available ... and for me, that's all to the good. I often felt that some of the dissonant 'moderne' episodes Gershwin wrote to string the together the beloved 'hits', while interesting and certainly stunning, was just so much 'showing off' and only added to the longeurs (partly the fault of the libretto) which only a few conductors successfully iron out. Those issues don't concern us here, with some 40 minutes of music excised from the complete score to give us about a two-hour replica of 'Porgy and Bess' as it was first heard when it premiered on Broadway in 1935. The talented John Mauceri understands the music and conducts a lively, earthy and respectful performance using some of the best talent available. The two leading singers may not be on the level of Leontyne Price and William Warfield (on an earlier abridged recording) but they do an extremely fine job on a slightly different (less operatic) level. The Nashville Symphony Orchestra, the other soloists and chorus are fully up to the task at hand. They made me love the work even more and I hope they do the same for many others.
7人のお客様がこれが役に立ったと考えています
レポート
William S. Oser
5つ星のうち2.0 A Huge Disappointment
2006年10月5日にアメリカ合衆国でレビュー済み
Amazonで購入
If I were to have only one recording of Porgy and Bess, it would definately be the Houston Grand Opera recording on RCA. It is COMPLETE and wonderfully cast and conducted. The cuts, albeit sanctioned by George Gershwin are very bothersome. While the main characters are a bit more focused, they lose depth because they are no longer an integral part of a rich tapestry of community life. Other reviewers mentioned specific cuts that they regretted. I will second that opinion, I miss what was cut as well. The casting would be fine for a performance in a regional opera house, but not the stuff of great recordings. Even though the principals in Houston's recording did not have major careers in major American Opera Houses, they all rose to levels of greatness. Simon Rattle's Glynbourne recording is cast with singers who had and have major careers and next to this recording, it shows. With all that said, I prefer John Mauceri's conducting over Rattle's which can be a bit idiosyncratic. American Popular music is not mother's milk to Sir Simon Rattle, and while he conducts decently in all the major moments, he does not make transitions as well as he might. This is Mauceri's strength, he knows how this music should go and how to make it flow because it is part of him and has been for many years. Oh what he could have done with a complete recording and a first rate cast. First choice among Porgy and Bess Recordings is definately Houston Grand on RCA, second choice for me is Lehman Engle in a 1950s mono performance for Columbia, which although badly cut is brilliantly sung and conducted. Simon Rattle is for those for whom Porgy is a singer's opera, which is not me. It is the most gloriously sung and has much to recommend it. Beyond these three recordings, the rest are major disappointments.
16人のお客様がこれが役に立ったと考えています
レポート
Kenneth W. Kassen
5つ星のうち5.0 Have always loved Gershwin
2017年3月27日にアメリカ合衆国でレビュー済み
Amazonで購入
Have always loved Gershwin. A must have to my collection. Great seller, too.
Alan Montgomery
5つ星のうち2.0 The "real version"? - not really.
2007年8月28日にアメリカ合衆国でレビュー済み
Amazonで購入
The big hype on this recording is that it is the Porgy and Bess that Gershwin really wanted. Well here's a strange problem to consider. In 1936 Gershwin recorded excerpts from Porgy and Bess, and Lawrence Tibbett sang "The Buzzard Song" with Gershwin conducting. (This is a must for anyone loving this opera: Helen Jepson, Lawrence Tibbett and Gershwin conducting. Wow.) Now if Gershwin didn't want it in the score, why did he record it? BECAUSE THE 1935 VERSION IS WHAT HE HAD TO SETTLE FOR. Some of the reworked sections are nothing more than rewrites to facilitate cuts. Reorchestrations are another matter. They should be studied. But to claim this is Porgy as it should be performed is erroneous.

The performances are not bad. I wouldn't walk out of a performance sung in this fashion. But frankly, most of these singers would never be hired to sing other opera. The voices spread, the top notes are iffy, and the diction is spotty. Mauceri is also rather boring. I bought it hoping that at least the performances would be good. Sorry, but they aren't. This is a pity, since no other operas are getting studio recordings. This one is up against the Houston Grand, Sir Simon Rattle's account and even Maazel, all of whom have performance stars above this meager effort.
6人のお客様がこれが役に立ったと考えています
レポート