Penderecki
Symphony No. 7 'Seven Gates of Jerusalem'
Warsaw National Philharmonic Orchestra
Antoni Wit
Recorded: 2003
ペンデレツキという人は、難解な技法を用いる一方、聴衆を楽しませるエンターテインメント的要素を作品に盛り込んだ人ではないかと思う。たとえば「ウトレンニャ(1970 - 71)」という曲も、難解な歌唱の中に、まったく普通の讃美歌のような歌が何度も歌われていて退屈しなかった。この交響曲第7番「エルサレムの7つの門 (1996)」も、第6楽章の歌詞と音楽が面白く効果的であり、それに続く第7楽章のクライマックスは、過去の大作曲家の傑作と同様、祝典的であり楽しめる(第1楽章の主題がその楽章の終わりに再現するところはベートーヴェンの「ミサ・ソレムニス」の「グロリア」「クレド」に似ており、第1楽章の主題が最終楽章に再現するところは、マーラーの第8番に似ている)。この作品は、カール・オルフの「カルミナ・ブラーナ」に似てるかも知れないし(【注】その点については私は「カルミナ・ブラーナ」を恥ずかしながらよく知らないので不明)、ショスタコーヴィチの声楽付き交響曲よりは、間違いなく娯楽的だと思う。ペンデレツキはこの作品をエルサレム建設3000年記念のために作曲。この作品は当初、オラトリオとして作曲されたらしいが、形式的にはちゃんとした交響曲の体裁を持っている。第1楽章のあと、第2、3、4楽章は緩やかで静かな楽章であり、第5楽章は「拡張されたスケルツォ」であり、ユニークな第6楽章に続く第7楽章は全曲を締めくくるにふさわしいポリフォニックで祝典的ムードを持つフィナーレである。この第7楽章は大音量で聴くと、とても迫力あるが、なんといっても、その前の第6楽章(ナレーション)の歌詞が良い。
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Penderecki - Symphony No. 7 "Seven Gates of Jerusalem"
Krzysztof Penderecki
(作曲),
Antoni Wit
(指揮),
Warsaw National Philharmonic Orchestra
(オーケストラ),
Olga Pasichnyk
(演奏),
Aga Mikolaj
(演奏),
Wieslaw Ochman
(演奏),
Ewa Marciniec
(演奏),
Boris Carmeli
(演奏),
Romuald Tesarowicz
(演奏)
&
6
その他 形式: CD
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ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | Magnus Dominus Et Laudabilis Nimis |
2 | Si Oblitus Fuero Tui, Jerusalem |
3 | De Profundis |
4 | Si Oblitus Fuero Tui, Jerusalem |
5 | Lauda Jerusalem |
6 | Facta Es Super Me Manus Domini |
7 | Haec Dicit Dominus |
商品の説明
Jerusalem has special significance for Penderecki, who first visited it in 1974, following the 'Yom Kippur' war. He was commissioned then to write a work for the third millennium celebration of the city of David.
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.91 x 14.3 x 0.99 cm; 85.9 g
- メーカー : Naxos
- EAN : 0747313276622
- オリジナル盤発売日 : 2006
- SPARSコード : DDD
- レーベル : Naxos
- ASIN : B000I2IUTS
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 745,128位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 11,264位現代音楽
- - 47,792位交響曲・管弦楽曲・協奏曲
- - 270,128位輸入盤
- カスタマーレビュー:
他の国からのトップレビュー
Jean-Louis Bigotte
5つ星のうち5.0
L'apogée de la production symphonique de Penderecki
2023年11月25日にフランスでレビュー済みAmazonで購入
Sans doute l'apogée de l'oeuvre symphonique de Penderecki, en puissance, qualité orchestrale et durée (une heure), la symphonie n°7 a été composée pour fêter le 3ème millénaire de Jérusalem. Elle est en 7 mouvements, comme les 7 portes de la ville.
La prise de sons est superbe mais dommage que le label Naxos ne daigne plus proposer une traduction de texte en français !
La prise de sons est superbe mais dommage que le label Naxos ne daigne plus proposer une traduction de texte en français !
R. Miller
5つ星のうち5.0
Penderecki at his best. (How could he not be
2014年9月18日にアメリカ合衆国でレビュー済みAmazonで購入
As moving as it is relevant. Penderecki at his best. (How could he not be, after being selected--think about it--to write the featured music at the 3000th anniversary (yes, the three THOUSANDTH anniversary) of the founding of Jerusalem.
Simon B
5つ星のうち5.0
Deeply Satisfying Symphony from Penderecki
2006年12月9日に英国でレビュー済みAmazonで購入
I remember being almost overwhelmed by Penderecki's St Luke Passion in a performance at the Proms back in the 1980s. A combination of the sheer intensity of sound, the inventiveness of the musical idioms created, and the sheer number of performers on stage added up to a superb musical and theatrical experience. It was impossible top doubt, despite the stark nature of the musical language and the eastern Bloc origins of the composer that this was a deeply felt piece.
Penderecki's `The Seven Gates of Jerusalem' continues the musical development of its composer and retains the same fervour of the earlier work. Nowadays the retreat of the avant garde has allowed music to become melodically fecund once again, and this is reflected in a more tuneful version of Penderecki's earlier style, however he has not sacrificed complexity or imagination in the process.
This hour long work started out as a commission celebrating the third millennium of Jerusalem. As a large-scale oratorio for soloists, choir and orchestra it was given its premier in Jerusalem in 1997. The composer decided to call the piece his Seventh Symphony after its first performance (and before a sixth symphony had been completed!) but it is clear from the way the work is organised that it is symphonic in conception and scope.
The symphony is a significant addition to the repertoire: Penderecki marshals his forces with complete mastery. Whereas his earlier choral works might seem to be exploring tonal effect merely for its own sake, this work does not waste a single utterance.
The composer sets biblical texts in both Latin and Hebrew which highlight the almost organic union between the city of Jerusalem and its people, especially in the proclamation of religious faith. It is unfortunate that the CD does not include the texts and their translations; however these are downloadable as a PDF file from the Naxos website.
Although in seven sections, the symphony can be heard as a traditional four movement piece, including a `slow movement' with a declaimed Hebrew narrative from Ezekiel.
Clearly the symphony is deeply felt from a religious perspective, but don't let that put you off. If religion leaves you cold the symphony works fantastically well on a purely musical level.
There is no weak link amongst the soloists, the choral forces have clear diction and dynamic control. The Warsaw National Philharmonic Orchestra, including a lithe percussion section (listen out for the tubulum in the earlier movements!) play superbly under the direction of Antoni Wit.
Penderecki's `The Seven Gates of Jerusalem' continues the musical development of its composer and retains the same fervour of the earlier work. Nowadays the retreat of the avant garde has allowed music to become melodically fecund once again, and this is reflected in a more tuneful version of Penderecki's earlier style, however he has not sacrificed complexity or imagination in the process.
This hour long work started out as a commission celebrating the third millennium of Jerusalem. As a large-scale oratorio for soloists, choir and orchestra it was given its premier in Jerusalem in 1997. The composer decided to call the piece his Seventh Symphony after its first performance (and before a sixth symphony had been completed!) but it is clear from the way the work is organised that it is symphonic in conception and scope.
The symphony is a significant addition to the repertoire: Penderecki marshals his forces with complete mastery. Whereas his earlier choral works might seem to be exploring tonal effect merely for its own sake, this work does not waste a single utterance.
The composer sets biblical texts in both Latin and Hebrew which highlight the almost organic union between the city of Jerusalem and its people, especially in the proclamation of religious faith. It is unfortunate that the CD does not include the texts and their translations; however these are downloadable as a PDF file from the Naxos website.
Although in seven sections, the symphony can be heard as a traditional four movement piece, including a `slow movement' with a declaimed Hebrew narrative from Ezekiel.
Clearly the symphony is deeply felt from a religious perspective, but don't let that put you off. If religion leaves you cold the symphony works fantastically well on a purely musical level.
There is no weak link amongst the soloists, the choral forces have clear diction and dynamic control. The Warsaw National Philharmonic Orchestra, including a lithe percussion section (listen out for the tubulum in the earlier movements!) play superbly under the direction of Antoni Wit.
J. McDonald 🏴
5つ星のうち5.0
Penderecki - Symphony No 7, 'Seven Gates of Jerusalem'.
2022年3月2日に英国でレビュー済みAmazonで購入
Serious and weighty, this is a choral symphony in contrast to the composer's earlier symphonic works; scored for voices – two sopranos, a mezzo-soprano, tenor, bass and a narrator, chorus and orchestra, Penderecki isn't messing around; originally conceived as an oratorio, most of the texts are in Latin with the narrated passage in Hebrew and are mostly taken from the Psalms; no texts are provided with this release from Naxos, but they can be downloaded on the company website.
As one would expect, it's a sombre piece, romantically melodic in places, but it's religious character is dominating, and harks back to the traditions of such musical works of the 19th and 20th centuries.
Powerful and absorbing music; soloist and the forces of the Warsaw National Philharmonic Orchestra and Choir are under the direction of Antoni Wit, who is the conductor throughout this Naxos series of discs presenting Penderecki`s works.
The CD has a playing time of 60.47 minutes.
As one would expect, it's a sombre piece, romantically melodic in places, but it's religious character is dominating, and harks back to the traditions of such musical works of the 19th and 20th centuries.
Powerful and absorbing music; soloist and the forces of the Warsaw National Philharmonic Orchestra and Choir are under the direction of Antoni Wit, who is the conductor throughout this Naxos series of discs presenting Penderecki`s works.
The CD has a playing time of 60.47 minutes.
Charlot
5つ星のうち5.0
Mérite 6 étoiles
2013年8月7日にフランスでレビュー済みAmazonで購入
Attention, gros risque d'addiction. Depuis que j'ai reçu ce CD, je dois l'écouter au moins trois fois par semaine, je suis accro je l'avoue. De toutes ses symphonies, celle-ci est à mon goût la plus réussie. Aucun reproche à faire à l'interprétation et la prise de son, pour moi, tout est parfait