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Symphony 2 Pohjola's Daughter

London Symphony Orchestra (アーティスト), Jean Sibelius (作曲), Colin Davis (指揮) 形式: CD

4.5 16個の評価

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CD, CD, Hybrid SACD, 2007/5/8

"もう一度試してください。"

CD, Hybrid SACD

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￥2,450

￥700

CD, インポート

"もう一度試してください。"

インポート

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￥1

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Sibelius was one of the 20th century's greatest and most innovative symphonists, with a musical style evoking beauty, mystery, colour and light. Influenced as much by a period of living in Italy as by his Finnish homeland, the Second Symphony marked a major step in his development as a composer, and remains one of his most popular works.

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メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 14.27 x 12.5 x 0.84 cm; 108.86 g
メーカー ‏ : ‎ Lso Live UK
EAN ‏ : ‎ 0822231110521
製造元リファレンス ‏ : ‎ LSO0105
レーベル ‏ : ‎ Lso Live UK
ASIN ‏ : ‎ B000O78IWQ
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 669,842位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 40,720位交響曲・管弦楽曲・協奏曲
- - 226,985位輸入盤

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4.5 16個の評価

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5つのうち4.5つ

16グローバルレーティング

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J. McDonald 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Sibelius - Symphony No 2; Pohjola's Daughter (LSO Live).

2022年3月26日に英国でレビュー済み

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The tone poem makes an interesting (and satisfying) pairing with the second symphony on this album – part of Colin Davis` cycle of the Sibelius symphonies; this isn't the best version of “Pohjola's Daughter” I've heard (not that it's bad, you understand) but the symphony is another matter – it's nicely paced, dramatic and broad-brushed with a satisfying delivery of the big tune in the finale.
The sound quality – as it has been on all of this cycle – is excellent; whether it's down to the “live” nature of the performance or otherwise, it has a fine tension to it – a hugely enjoyable disc, at any rate.
As I've said in a review of another disc in the cycle – this (and the other discs) would make a good introduction for the newcomer to the composer's work.
This SACD has a playing time of 59.17 minutes and is playable on an ordinary CD player; click on the small blue highlighted link above where it says AutoRip free mp3 version to hear the sound samples, if the option is still available.

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Doug Best

Great SACD

2017年11月27日にアメリカ合衆国でレビュー済み

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Beautifully recorded SACD. Used , in very good condition. Good price. Thanks!

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Moldyoldie

Mostly a Crushing Bore

2009年2月28日にアメリカ合衆国でレビュー済み

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Colin Davis' conception here of the popular Sibelius Symphony No. 2 (I've not heard any of his other recordings of No. 2, but have read his approach hasn't changed much over the years) is hardly heroic in the grand sense; it's more one of brooding rumination as heard in consistently broad, heavy-handed phrasing and a minimum of overt dynamic variation -- it's also mostly a crushing bore. I've put myself at the mercy of this three times and hear less and less of what I would deem to be "inspiration".

The orchestra still plays very well -- the all-important transitions and climaxes are handled with subtlety and consummate skill; from a generally lush orchestral sonority emerge rare snippets of sparkle and color. However, Davis is loath to whip up any fire and froth to suggest a composer in the throes of Romantic fervor (Bernstein, Barbirolli, and Karajan in equally expansive renderings), nor does he offer up much of an intellectually interesting interpretation (Vänskä, in a cool and similarly sober vein, and also perhaps Segerstam, who also reins in the emotion) -- forget about tuneful, invigorating, or merely entertaining (Ormandy, Szell, Berglund, and even Levine). For the experienced listener, hearing this Second is akin to having one foot in the barren Sibelian landscape of his Fourth Symphony; I leave it to that listener to determine if it's worth exploring as this one is hesitant to return -- the novice should probably stay clear.

The program starts off, however, with a very expressive performance of Pohjola's Daughter, replete with more mournful portamento from the solo cellist than I've ever heard in the piece. Here Davis allows the optimism to emerge with finely judged phrasing, dynamic bursts and crescendi. The piece affectingly winds down and ends with the quietest strings imaginable, perhaps partly a function of a recording which is wide in dynamic range, but noticeably shy of resonance and bass presence.

Speaking of which, I've read many complaints about the exceedingly dry acoustic of the Barbican venue heard on this series of releases from the LSO Live label. It's never been a big problem with me as it seems oddly suited to the Sibelian repertoire and particularly to Colin Davis' mostly intimate and cerebral take on it.

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Harping On

Very good.

2019年9月30日に英国でレビュー済み

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Very good recording.

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Five Stars

2017年12月3日に英国でレビュー済み

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Bought as a present it was what they had asked for

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Symphony 2 Pohjola's Daughter

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