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Goodbye

Ulrich Schnauss 形式: CD
4.3 5つ星のうち4.3 86個の評価
仕様
価格
新品 中古品
CD, CD, インポート, 2007/5/14 CD, インポート
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￥3,336 ￥327
CD, インポート, 2020/4/17 インポート
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￥3,550 ￥4,042
CD, CD, インポート, 2008/8/21 CD, インポート
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— ￥158
CD, リミックス含む, インポート, 2007/7/10 インポート, リミックス含む
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— ￥179
CD, インポート, 2017/2/17 インポート
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— —
CD, 2020/4/22 (国内盤)(新品)(正規品)
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— —
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曲目リスト

1 Never Be The Same
2 Shine
3 Stars
4 Einfeld
5 In Between The Years
6 Here Today, Gone Tomorrow
7 Song About Hope, A
8 Medusa
9 Goodbye
10 For Good

商品の説明

内容紹介

Ulrich's third album marks his first new release in four years. "An altogether lusher, more slouched, musical approach. The results have strong echoes of My Bloody Valentine or a turbo-charged Brian Eno..." - Music Week (May 2007). "A triumph of simplicity over pretension, of melody and harmony over pops and clicks and of the humane over the elusive" - Impose.

Amazonレビュー

Goodbye is not a farewell from German electronic artist Ulrich Schnauss, but it does mark the last in a trilogy that includes Far Away Trains Passing By and A Strangely Isolated Place. Both are landmark albums of melodically ecstatic electronica, and Goodbye flows from their digital loins. Tracks like "Never Be the Same" and "In Between the Years" share the same surging rhythms, heroic electronic melodies, and jangly shoe-gazer guitars heard on the earlier discs. A slight tweak on Goodbye is the shift toward more overt vocal tracks as opposed to the textural, chanting choruses Schnauss has always employed. Rob McVey, the singer from Longview, intones the epic strains of "Shine," while "Stars" places singer Judith Beck deep in echoes, singing like a delay-drenched, surf-music dervish. In fact, "delayed," "drenched," and "dervish" pretty much sum up Goodbye. Schnauss piles on effects and layers in a psychedelic melee that would leave Ozric Tentacles and Pink Floyd standing transfixed by his stroboscopic strategies. Unlike on his previous CDs, Schnauss doesn't let you get comfortable. Reverb-smeared vocals, feedback-oscillated synthesizers, and raging guitars of destruction crush through on tracks like "Medusa." But there are also moments of sublime beauty and the kind of haunting melodies that have made Schnauss a favorite for chill-out soundtracks of the imagination. Ice crystals glisten on the branches of "Einfeld" and the deliriously euphoric "Goodbye" simply lifts you higher, in a spiritual way. It may be goodbye to this era of Ulrich Schnauss, but it promises many happy returns. --John Diliberto

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 14.2 x 1 x 12.5 cm; 100 g
  • メーカー ‏ : ‎ Domino
  • EAN ‏ : ‎ 0801390014925
  • オリジナル盤発売日 ‏ : ‎ 2007
  • レーベル ‏ : ‎ Domino
  • ASIN ‏ : ‎ B000RGSOOG
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.3 5つ星のうち4.3 86個の評価

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星5つ中4.3つ
5つのうち4.3つ
86グローバルレーティング

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おおちゃんぺ
5つ星のうち4.0 『らしさ』を裏切らない作品
2008年12月29日に日本でレビュー済み
Amazonで購入
ウルリッヒは、作品によりテイストの違いはあれど、リスナーの期待をはずさないアーチストをだと思う。彼のよう名タイプのアーチスト活動は賛同できるものだし、応援したくなる気持ちにさせられる。本作は、彼のアルバムの中では、特に特徴的な作品では無いと思われるが、エレクトロニカ、ジャーマンテクノ好きならば押さえておくスタンダードなタイプのサウンド集になっていると思う。
4人のお客様がこれが役に立ったと考えています
役に立った
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すべてのレビューを日本語に翻訳
gianni
5つ星のうち5.0 ambient/elettronica?
2015年12月14日にイタリアでレビュー済み
Amazonで購入
disco che mi lascia sempre a bocca aperta...electronica/ambient .
Non so descrivere.. ma ogni tanto ho bisogno di riascoltarlo.. bello
3人のお客様がこれが役に立ったと考えています
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Tadeusz
5つ星のうち5.0 Gem!
2014年1月4日にカナダでレビュー済み
Amazonで購入
I can honestly say that this album is one of the best made by Ulrich Schnauss and you need to have it in your collection.
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ConsumerAdvocate
5つ星のうち5.0 Beautifully orchestrated ambient from a new master
2008年11月30日にアメリカ合衆国でレビュー済み
Amazonで購入
Ulrich Schnauss seemed to come from nowhere with his phenomenal debut album  Far Away Trains Passing By  released in 2001 in Europe and in 2005 here in the US. Not part of any previously well known band, he immediately put his stamp on what Ambient music should sound like, seamlessly intertwining ambient sound, synthesizers, and digital drums to create beautiful, stylized and unique soundscapes.

"Far Away Trains Passing By," was such a good collection of songs that I met Schnauss' second album ( A Strangely Isolated Place ) with huge expectations. However, it seemed the legendary 'sophomore-slump' applied for Schnauss like so many others, and I found his second album to be good-enough, but not the fantastically imaginative and compelling collection that was "Far Away Trains Passing By."

With lowered expectations, I purchased "Goodbye," hoping that it would sound more like "Trains," than "Places." After listening to the album straight through twice in a row, I realized a few things:

1. "Goodbye" resembles both "Trains," and "Places."
2. "Goodbye" is its own album, and while it might at times resemble the last two albums, it has its own sound, rhythm and pacing (and even has songs with lyrics!).
3. "Goodbye" is fantastic, and stands on its own merits as an ambient album. It is not "Trains," but it IS really, really good.

Stylistically, Schnauss has moved towards more 'large,' sound ambient in "Goodbye." Slowly building walls of sound assembled with the care of a master architect. The effect is less electronic than a harmonious interplay of instrumentation, vocals, and beat. These songs convey experiences and carry the sort of emotive tones of a band like "Delerium." The music is powerful and immersive; the kind of ambient that can draw out your thoughts, not just play as meaningless background music. This is not 'pop' ambient. It needs to be listened to with your full attention.

Fortunately, Schnauss has made that easy. Each track is beautifully constructed, and the interplay between tracks is very well done. This is a complete 'album,' not just a set of songs. It listens very well as a fifty-five minute musical experience.

Electronica is sometimes maligned as 'impersonal,' or 'cold'. Ulrich proves with Goodbye that it doesn't need to be. He is truly a master of ambient music, and Goodbye is a must have for his fans, as well as those with a taste for ambient or electronica.
5人のお客様がこれが役に立ったと考えています
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sbandoboy
5つ星のうち5.0 A strangely isolated place
2007年5月25日に英国でレビュー済み
Amazonで購入
It's pretty strange to see such a harsh review of an Ulrich album based probably on some leaked or stolen file and a version of Goodbye that might be different from the final cut.

It's strange for many reasons. First of all, I don't think it's fair, comparing the sheer quality and beauty of his work (down to the most obscure remix) to what passes for music nowadays. He would deserve 100 stars only because HE TRIES, only because he dares to put together such elaborate and pain-stakingly beautiful soundscapes.

I know how mind-blowing the first impact can be (for some of us, at least). But I can't hear such quality loss in his output (considering his remixing work too). Is it because it's something so precious, and intimate and unique? If so, why should it be hold against him?

Or maybe the problem is that some people mistakingly filed Trains and A Strangely Isolated Place under ambient or chill-out, missing the larger plan, which is mainly the re-construction of the Robin Guthrie and Kevin Shields textures, tricks and sounds through machines. Goodbye seems to provide a different take on it, maybe not so easy on the ear at first, definitely not as soothing as Clear Day or Passing By.

Still worth it? Yes, still worth of being loved and cherished as the very special thing that it is.
4人のお客様がこれが役に立ったと考えています
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Marie Champagne
5つ星のうち5.0 Five Stars
2014年12月6日にカナダでレビュー済み
Amazonで購入
Like i wanted.
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