曲目リスト

1	I Don't Wanna Waste Your Time
2	Trouble
3	I'm on a Roll
4	Nothing Is Innocent
5	Trumpet Child
6	Entertaining Thoughts
7	Who'm I Kiddin' But Me
8	Let's Spend the Day in Bedn
9	Desperate for Love
10	Don't Wait for Tom
11	If a Song Could Be President

商品の説明

Ohio's own Over the Rhine return with their 10th studio album and career-best THE TRUMPET CHILD. a collaboration with ultra-talented Nashville producer/arranger Brad Jones, THE TRUMPET CHILD celebrates American music in the most richly imaginative ways. On THE TRUMPET CHILD, producer Brad Jones tapped the broken-bottle-strewn back alleyways of Nashville for an arresting array of horn, woodwind and string players to festoon the trademark simplicity of Over the Rhine, and the result is a juicy, informally-epic pop album unlike any other you're likely to hear this year.

登録情報

メーカーにより製造中止になりました ‏ : ‎ いいえ
製品サイズ ‏ : ‎ 12.47 x 0.91 x 14.66 cm; 90.72 g
メーカー ‏ : ‎ Great Speckled Dog
EAN ‏ : ‎ 0634457190023
商品モデル番号 ‏ : ‎ 101
オリジナル盤発売日 ‏ : ‎ 2007
レーベル ‏ : ‎ Great Speckled Dog
ASIN ‏ : ‎ B000RIWB0M
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 982,317位ミュージック (ミュージックの売れ筋ランキングを見る)
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- - 402,515位輸入盤

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4.4 24個の評価

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上位レビュー、対象国：日本

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

doba

癖になるメロディーライン

2013年4月5日に日本でレビュー済み

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FMで1曲流れていて、何となく気に入ったので、探して買いました。
ちょっと哀愁もあって、ちょっと楽しげで、心にのこって、癖になるメロディーラインです。
日本人好みのように思うのですが、ではほとんど話題にならないようです。
彼らをfacebookでフォローしています。

役に立った

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marco

Una rivelazione!

2012年12月6日にイタリアでレビュー済み

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Splendido disco che ascolto più volte da diversi giorni. Questa coppia di artisti è veramente straordinaria. Una bellissima voce, un impiego magistrale degli strumenti, un genere musicale personalizzato, un disco che valorizza il mio vecchio impianto stereo.

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David A. Baer

a different scar for every song

2008年12月13日にアメリカ合衆国でレビュー済み

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This CD is my entrée to the beguiling art of Over the Rhine. If impressions count for anything, this is going to be a long, pleasant, even coquettish courtship.

The music is difficult to classify, yet adjectives abound. My first: inviting. The lyrics invite you in and reveal new depths with every return. You don't quickly get beyond an OtR tune, you don't quickly figure it out and move on. There is captivating suggestiveness to each line, the insinuation that there's here than meets the eye if you'll just stick around long enough to allow disclosure to happen on its own terms.

Karin Bergquist weighs in with her sultry alto to good effect in the Linford Detweiler tune `I Don't Wanna Waste Your Time', the CD's first track. Like so many others it longs--with a rich mix of self-confidence and self-deprecation--for permanence and meaning:

'I don't wanna waste your time
With music you don't need
Why should I autograph the book
That you won't even read
I've got a different scar for every song
And blood left still to bleed
But I don't wanna waste your time
With music you don't need

I don't wanna waste good wine
If you won't stick around
I love to laugh but I'm more than just
Your alcoholic clown
I won't pray this prayer with you
Unless we both kneel down
I don't wanna waste good wine
If you won't stick around

Come on lighten up
Let me fill your cup
I'm just trying to imagine a situation
Where we might have a real conversation

But I don't wanna waste the words
That you don't seem to need
When it comes to wanting what's real
There's no such thing as greed
I hope this night puts down deep roots
I hope we plant a seed
`Cause I don't wanna waste your time
With music you don't need'

From this they take us to the jaunty, suggestive `Trouble', which wraps up with words no doubt heard only rarely around a bar at closing time:

'We're far too serious
I think we could be
Such nefarious pyromantics'

Truth be told, they just never stop. Oh, they slow down all right. They slow real down. Take `Nothing is Innocent', which puts us to sleep in a kind of contemplative warm blanket that feels really, really good and real slow. Then you realize, belatedly, that they're just setting us up for the wake-up call that is the gorgeously dense `The Trumpet Child'. The song is so suffused with hope, expectation, and deep spiritual resonance that it qualifies for the Jaw Drop File:

'The trumpet child will blow his horn
Will blast the sky till it's reborn
With Gabriel's power and Satchmo's grace
He will surprise the human race

The trumpet he will use to blow
Is being fashioned out of fire
The mouthpiece is a glowing coal
The bell a burst of wild desire

The trumpet child will riff on love
Thelonious notes from up above
He'll improvise a kingdom come
Accompanied by a different drum

The trumpet child will banquet here
Until the lost are truly found
A thousand days, a thousand years
Nobody knows for sure how long

The rich forget about their gold
The meek and mild are strangely bold
A lion lies beside a lamb
And licks a murderer's outstretched hand

The trumpet child will lift a glass
His bride now leaning in at last
His final aim to fill with joy
The earth that man all but destroyed'

Here the winsome lilt of Bergquist's voice goes deeply solemn. In his liner notes Detweiler, having delivered himself of the thought that `(a) theme that recurred in a lot of the old hymns was the idea that the world would be reborn with the sound of a trumpt, and we've all heard those great American trumpet (and horn players) ...' recalls his first memory. Writing like a man more accustomed to poetry than prose, more at home with a comma than a full stop, Detweiler remembers:

'And me, my first memory, the sound of a trumpet at a tent meeting revival, I was sitting on my mother's lap, I remember that bright brass bell, that eggtooth blast waking me up, snapping the world into focus, piercing the womb of distant muffled things, stirring my conscious mind, the sound of a trumpet! and I remember the small wooden stage at the front of the tent, stings of bare lightbulbs, my sister Grace's braids, and me forming my first real thought: I need to be where the sound is coming from.'

Oh, you're there, friend, you're there. In fact, don't move for a while. OtR has captured the reality that the deep design of the universe is sensual rather than arid, concrete rather than abstract, and then they've sung this discovery back to us in rhythm and rhyme.

Like love, for example. OtR will likely never sing about it under the guise of those four, aligned letters. But Bergquist will toss off `Entertaining Thoughts', an upbeat hymn of sorts to love so strong (`If it gets much worse it's called delirious // If I were made I would be furious') he'd just better look out or he won't know what hit'im. Good onya', girl.

As I was starting to say, they just don't stop. Every song--I really mean this--is a pearl. I find myself humming lines from them as I shave. My wife thinks something is wrong with me. She doesn't yet have a context for a man who stands in her bathroom and hums, say, `You smell like sweet magnolias // And Pentecostal residue // Id' like to get to know ya // And shake the holy fire right out of you /// But oh, who'm I kiddin' but me // The devil's in the details.'

She's a good woman, though. `Just hasn't been hit broadside (yet) by Over the Rhine. You see, this is one of those musical phenomena that trail `before-and-after' implications behind them like cans strung to the bumper of a newly-wed couple's car. After OtR is a state, a condition, a longing for more words and song like these, for a longer, uninterrupted look at the poetic Grundstatt of things.

As Linford Detweiler (what a name, no?) wrote and somebody else sang and my brain will never be the same, `If the gravy don't getcha hel'll getcha with his eyes.'

It could have been a promise from the band. Watch out.

2人のお客様がこれが役に立ったと考えています

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David Arnell

OTR Simply fantastic!

2008年5月2日に英国でレビュー済み

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Have only just found 'Over The Rhine' whilst looking at the Amazon recommendations related to my purchases / interests in music. I listened to the snippets of all tracks from 'the Trumpet Child' and liked them a lot. Having bought it I can hardly let a day go by without a listen.....It is truly remarkable production from an adult, talented duo who know a lot about life and translate their knowledge through truly exceptional lyrics and melody. Karin Bergquist's voice is wonderful as is her timing, Linford Detweiler is astounding and inspirational..........
I shouldn't go on it is after all it is only a record. Nevertheless I have now bought three more of their CDs - all great in their way, one can see a growth through the years lyrically and musically.......Americana music offerings to make the hair stand up on the back of your neck. One of the myspace videos posted online features a rendition of Leonard Cohen's Hallelujah, I can't find it on recording to buy but it demonstrates the beauty of this pair. When it comes to their own material as singer songwriters they are up there with the best. Go buy 'the Trumpet Child' its lovely!

1人のお客様がこれが役に立ったと考えています

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Loony Jim

bittersüßer Folk-Pop verbreitet eine bemerkenswerte Freitagnachmittag-Zeit-für's-Wochenende-Stimmung

2008年3月24日にドイツでレビュー済み

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Over the Rhine wurden im Frühjahr 1989 von Linford Detweiler (Bassist, Pianist und Gittarist) und Karin Bergquist (Sängerin und Gitarristin) in Ohio gegründet. Benannt haben sie sich nach der gleichnamigen, berühmten Nachbarschaftssiedlung in Cincinnati, Ohio. Inzwischen sind die Protagonisten nicht nur als Musiker ein Paar sondern auch im wahren Leben sind Detweiler und Bergquist ein Ehepaar.
Over the Rhine haben bereits unzählige Alben veröffentlicht (es sind etwa 10 oder so) und als Supportband für Größen wie Bob Dylan fungiert. Ihr erstes Album, "Till We Have Faces", haben sie 1991 in Eigenregie herausgebracht. Seitdem sind einige Jahre und ebenso viele Alben ins Land gezogen ohne das mir die Band jemals untergekommen wäre. Aber mit ihrem jüngsten Studioalbum "The Trumpet Child" haben sie genau meinen Nerv getroffen. Sie verbreiten mit ihrem sehr akkustischen und noch emotionaleren Sound eine bemerkenswerte Freitagnachmittag-Zeit-für's-Wochenende-Stimmung. Es geht los mit einem grundsätzlichen Statement: "I Don't Wanna Waste Your Time" und wie es dann im Text weiter heißt "With Music You Don't Need / Why Should I Autograph The Book / That You Won't Even Read ..." - und man hat schnell herausgefunden, dass einem diese Musik nicht die Zeit raubt, sondern zum Verweilen, Genießen und Entspannen auffordert. Musikalisch lässt sich das Ganze am besten unter bittersüßer Folk-Pop (irgendwo zwischen Americana, Folk und Barroom Jazz) zusammenfassen. Einen Song hervorheben möchte ich nicht, da alle Songs das gewisse Etwas haben, gute Geschichten erzählen oder Statements enthalten. Ein Album mit Tiefgang und wer die Band für sich entdeckt hat, der möchte alle Alben von ihr besitzen.

8人のお客様がこれが役に立ったと考えています

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N Mesh

An interesting departure.

2007年9月13日にアメリカ合衆国でレビュー済み

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I wasn't prepared for the soulful, jazz and blues-laced vocals on this album. After several listenings, though, I am enjoying the piano dominated sessions. After years of quiet, thoughtful folk, this lively departure seems forced at times. I am eager to see them on tour, and wonder what flavor will dominate.

1人のお客様がこれが役に立ったと考えています

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Trumpet Child

曲目リスト

商品の説明

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上位レビュー、対象国：日本