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Rise & Fall of the City of Mahagonny [DVD]

4.5 5つ星のうち4.5 31個の評価

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This 2007 Los Angeles Opera production of Rise and Fall of the City of Mahagonny makes a powerful case for a Bertolt Brecht-Kurt Weill work that seemed forever doomed to take a back seat to their popular Threepenny Opera. It's cut from the same cloth, however: Brecht's acerbic text and Weill's imaginative blend of classical forms, post-Romantic irony, and cabaret music make it irresistible, especially in a production that captures the spirit and style of the work. Inspired casting marks the production's success--the critical roles of Jenny and the Leocadia Begbick were entrusted to two stars of the musical stage, Audra McDonald and Patti Lupone. Their outsized performances are mesmerizing--McDonald's singing and acting reveal emotional depths one never suspected of Jenny, while Lupone's amoral Begbick is almost endearing in her over-the-top aggressiveness. Tenor Anthony Dean Griffey matches them with a portrayal of the naive innocent, Jimmy McIntyre, that's deeply affecting and beautifully sung. Donnie Ray Albert brings his imposing dramatic baritone and physical presence to the role of Trinity Moses, Begbick's right-hand man. Conductor James Conlon has Weill's idiom down pat, and his orchestra plays with the rhythmic drive and edgy bite the score demands.

Brecht's text is very much of its time, the late 1920's. The city of Mahagonny is a vision--really a nightmare--of capitalist greed where sin flourishes, money is all, and poverty is a crime. On the run from the police, Begbick and her accomplices are stalled in the desert and decide to build a city "where anything goes." Soon the place is booming, with money tossed around aimlessly. But money doesn't bring happiness when love is a commodity and license to do anything turns into boredom. When the city survives the threat of a typhoon, the people binge, celebrating to an excess of eating, loving, fighting, and drinking. When Jimmy can't pay his liquor bill he's condemned to death.

While Brecht's vision of theatre distances the audience, stage director John Doyle's stylistically minimalist production allows room for emotional impact, primarily through the affecting acting of McDonald and Griffey, whose death scene is moving in its simple staging. Against designer Mark Bailey's non-realistic sets that suggest, rather than portray, the city, Doyle deploys his cast in expressionistic modes, often lined across the stage directly addressing the audience. And Brecht would have approved the contemporary references sprinkled through the production--the sin city in the desert recalls Las Vegas' transformation into a gambling mecca in the 1950s, and after Jimmy's execution, his paramour Jenny is presented with a neatly folded flag reminiscent of military burials. The DVD production faithfully tracks the stage action, wisely pulling back for full stage views as well as providing sufficient close-ups of the action. The opera is done in Michael Feingold's idiomatic translation but it would have been helpful to have English subtitles. An extra bonus track is a cogent interview with conductor James Conlon, who provides valuable analysis of the opera and its context. --Dan Davis

Product Description

Welcome to Mahagonny, where sin is "in" and love is always on sale. This Old West boomtown rises from the desert to become a razzle-dazzle mecca for lust, liberty, and the pursuit of pleasure. Cash is king, poverty is punishable by death, and anything worth doing is worth overdoing. Director John Doyle melds his Tony Award winning talent with the lyrics of influential playwright Bertolt Brecht and an incomparable score by Kurt Weill. The brilliant cast is led by superstars Audra McDonald, as the tart-with-a-heart `Jenny' and Patti LuPone, who portrays the town's feisty madam. Audra McDonald キ Patti LuPone キ Anthony Dean Griffey Robert W�rle キ John Easterlin キ Mel Ulrich Directed for Stage by John Doyle Chorus and Orchestra of the Los Angeles Opera James Conlon, conductor

- Recorded live at Los Angeles Opera, 1 & 4 March 2007 - Picture Format: NTSC キ 16:9 anamorphic - Sound Formats: PCM Stereo キ Dolby Digital 5.1 キ DTS 5.1 - Subtitles: English, German, French, Spanish - Booklet Notes: English, German, French - Bonus feature: "James Conlon on Mahagonny"

登録情報

  • アスペクト比 ‏ : ‎ 1.78:1
  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 言語 ‏ : ‎ ドイツ語, フランス語, スペイン語
  • 製品サイズ ‏ : ‎ 19.05 x 13.97 x 1.35 cm; 126 g
  • EAN ‏ : ‎ 0880242562586
  • 商品モデル番号 ‏ : ‎ RFCM401
  • メディア形式 ‏ : ‎ クラシック
  • 字幕: ‏ : ‎ 英語
  • 言語 ‏ : ‎ 英語 (Dolby Digital 5.1), 英語 (DTS 5.1), 英語 (PCM Stereo)
  • 販売元 ‏ : ‎ Euroarts
  • ASIN ‏ : ‎ B000XUPB7Y
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 31個の評価

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星5つ中4.5つ
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他のお客様にも意見を伝えましょう

上位レビュー、対象国: 日本

2014年9月2日に日本でレビュー済み
英語上演。日本語訳は含まれていません。
「マハゴニー 対訳」で検索すると、参考になる無料のドイツ語日本語対訳がみつかります。

【配役】
 Audra McDonald
 Patti LuPone
 Anthony Dean Griffey
 Robert Wörle
 John Easterlin
 Mel Ulrich
 ロスアンジェルス・オペラ管弦楽団&合唱団
 ジェイムズ・コンロン(指揮)
 演出:ジョン・ドイル
 2007年3月1,4日、ロスアンジェルス・オペラでのライヴ収録
特典映像:
・ジェイムズ・コンロン、マハゴニーを語る

 収録時間:本編133分、特典22分
 画面:カラー、16:9
 音声:PCMステレオ、ドルビー・デジタル 5.1、DTS 5.1
 字幕:英語、ドイツ語、フランス語、スペイン語
 NTSC
 Region All

他の国からのトップレビュー

すべてのレビューを日本語に翻訳
Shotgun User
5つ星のうち5.0 Good Mahagonny in English
2024年1月18日にアメリカ合衆国でレビュー済み
Amazonで購入
I saw this production at LA Opera and really enjoyed it. All the voices were excellent,including theater stalwarts LuPone & McDonald. I'm happy to be able to have the video of it.
Hans-Georg Seidel
5つ星のうち4.0 American Musical "touch" Inszenierung
2014年2月2日にドイツでレビュー済み
Amazonで購入
John Doyles Inszenierungskonzept zeichnet einen zeitlichen Bogen von der Entstehung des Stückes über das Las Vegas der 1950er Jahre bis in die Jetztzeit. Mahoganny ist überall, wo das Kapital herrscht, dies allerdings in simplifizierten, holzschnittartigen Strukturen, die dem Stück immanent sind. Ein Stück mit zeitübergreifendem Tiefgang aber auch Agitation im "linken" Zeitgeist der 1930er Jahre. Die pure Provokation für die rechtsfaschistische Bewegung, die sich bereits zur Machtergreifung formierte. So wurden Aufführungen bereits anfänglich massiv gestört, war hier doch etwas auf die Bühne gebracht, was bald als "entartet" klassifiziert wurde.

Entsprechend der zeitübergreifenden Perspektive ist die optische Gestaltung des Bühnenbildes und der Kostüme.

Gesungen wird in englisch(amerikanischer) Sprache mit deutschen Untertiteln.

Herausragend Audra McDonald als Jenny. Überzeugend Patti LuPone als Begbick und Antohony Dean Griffey als Jimmy.
Donnie Ray Albert ist Dreieinigkeitsmoses.

James Conlon dirigiert.

Insgesamt eine interessante Inszenierung mit überzeugenden Interpreten.
2人のお客様がこれが役に立ったと考えています
レポート
joegeddes
5つ星のうち5.0 Magagonny
2012年9月12日に英国でレビュー済み
Amazonで購入
A truly incredible adaption, I'm a little shocked that both Audra and Patti were not nominated for Tonys for this, Audra's rendition of 'The Alabama Song' and 'Gents, when I was young my mother painted my future completely black' were both truly amazing.

World class production, please buy this!
1人のお客様がこれが役に立ったと考えています
レポート
Surreybloke
5つ星のうち4.0 This is a production that works well.
2015年4月11日に英国でレビュー済み
Amazonで購入
Mahagonny has a wonderfully melodic score that shows the influence of many popular genres of the period such as jazz and cabaret music, yet it is a very bleak work. It is a complex,very dramatic work, at times intensely moving. It has some intensely dramatic parts to it. Brecht's text is heavily ideological and full of intense unrelenting sardonic humour. The work is challenging for performers and audiance but there is so much to it that any fairly good production will have a considerable amount of interest to it. Despite what some critics think, the work has been performed with considerable impact in many places. The production on this DVD is particularly successful in getting the work over to the audiance. Conlon's vigorous and insightful conducting works enormously well. He treats much of the work as a musical; he is also good at conducting the grittier and more dramatic parts of the score. There is an immediacy to the production. This is achieved through good musical direction, as above, by uncluttered staging, clear spoken dialogue, and clear announcements by tannoy, Some of the singing could be better but throughout most of the work it serves its purpose well enough, however there are some places where poor diction especially from the chorus and general incompatability with the score from Patti LuPone really let the side down. Contrast this with the excellent Audra McDonald who gives an oustanding performance. Another fault of the DVD is the lack of English subtitles. Brecht's text of significance in terms of literature. In failing to provide English subtitles, some of the text just doesn't come across at all. The recent relay of the Royal Opera House production had very clear subtitles that conveyed just how biting and ideological Brecht can be. However it is not the disaster it might sound to be. The spoken dialogue is very audible as is much of the sung text. The frequent tannoy announcements are helpful in conveying the story. If one can understand German, French or Italian there are subtitles in those languages. But overall this production works well. The James Levine Met DVD is the best one in English by far. The GDR period production at the Komische Oper Berlin is the best traditional German production i have viewed.

I have just watched a terrific modern production from Aix a la Provence conducted by Salonen which is one of the most successful productions of the work. Salonen's makes all of the work work entirely convincingly.
1人のお客様がこれが役に立ったと考えています
レポート
Harry Philips
5つ星のうち5.0 Better after multiple viewings
2008年8月4日にアメリカ合衆国でレビュー済み
Amazonで購入
Saw this production in LA, and after three attentive viewings at home, the music of Kurt Weill comes through as a vanguard in the avant garde music of the 1930. It takes a bit of listening for the ear to accommodate the sound of Weill ... especially with the agendized text of Brecht ... but once the words no longer become an issue one can hear and appreciate the unusual talent of Weill. This is a GREAT production ... capturing the 'essence' of the creators while not fawning into a love match with Weill, the agenda or the time of German Expressionism. I caution all NOT to write any comments until you have gone through multiple hearings .. and then I believe you will have nothing but praise for the opera and this performance.
4人のお客様がこれが役に立ったと考えています
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