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秒速5センチメートル [Blu-ray]
詳細はこちら
購入オプションとあわせ買い
フォーマット | 色, ドルビー, ワイドスクリーン, DTS Stereo |
コントリビュータ | 新海誠, 水橋研二, 近藤好美, 花村怜美, 尾上綾華 |
言語 | 日本語 |
稼働時間 | 1 時間 11 分 |
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商品の説明
新海誠監督最新作『天気の子』(7月19日公開)の公開を記念して、7月17日から、新海誠監督関連商品拡売キャンペーンを実施! !
『ほしのこえ』、『雲のむこう、約束の場所』、『秒速5センチメートル』、『星を追う子ども』、『彼女と彼女の猫 -Everything Flows-』、『言の葉の庭』、『君の名は。』の
過去作を対象とした拡売キャンペーンを実施!
対象商品を1つお買い上げごとに1つ、『天気の子』特製アンブレラマーカーをプレゼント。
特典は無くなり次第終了です。是非この機会に新海誠監督の過去作品にも触れてみてください!
新海誠監督2007年劇場公開最新作が、早くもBlu-ray Disc化決定!
2007に劇場公開され、大好評だった新海誠監督の最新作。7月にDVDを発売、10月にはレンタルを開始し、販売、レンタルともに好調の「秒速5センチメートル」がBlu-ray Discでついに発売!
劇場用にHD解像度でつくられた本作。
DVDでは再現することができなかった本作の美しい画面描写や繊細な背景を、より鮮明に生まれ変わった映像とサウンドの次世代Discで思う存分お楽しみ下さい!
◆アニメーション映画賞を受賞!
2007年11月13日オーストラリアのゴールドコーストで開催された映画の祭典「アジアパシフィックスクリーンアワード2007」にてアニメーション映画賞を受賞!
◆主題歌「One more time, One more chance 」(山崎まさよし)
10年の時間を超えて、新海誠の情感溢れる映像に美しく切ないメロディーが次世代Discでより高品質に収録したサウンドで響く!
登録情報
- アスペクト比 : 1.78:1
- メーカーにより製造中止になりました : いいえ
- 言語 : 日本語
- 製品サイズ : 30 x 10 x 20 cm; 140 g
- EAN : 4560107150313
- 監督 : 新海誠
- メディア形式 : 色, ドルビー, ワイドスクリーン, DTS Stereo
- 時間 : 1 時間 11 分
- 発売日 : 2008/4/18
- 出演 : 花村怜美, 近藤好美, 尾上綾華, 水橋研二
- 字幕: : 日本語
- 言語 : 日本語 (Dolby Digital 4.0), 日本語 (PCM)
- 販売元 : コミックス・ウェーブ・フィルム
- ASIN : B0013K6DL6
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 5,847位DVD (DVDの売れ筋ランキングを見る)
- カスタマーレビュー:
イメージ付きのレビュー

-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
When the two are separated in opposite directions, we are lost.
As time passes, the path we accept (as a result of our choices) leads to our uncertainty in life because it lacks the feeling of our hearts.
This is a story of a lost love forever haunting (difficult to ignore or forget).
ストーリーが今ひとつ具体性に欠けるけど、そのあたりがまさにミュージックビデオっぽい。
東京・埼玉出身の方は、そのままの設定の映像に引き込まれますよ。
甘く切なく、そしてもの悲しい作品です。
私は泣きました。
一話目は、明里に会うのに、平日の夜に会いに行くとか、納屋で一晩過ごすとか、とてもありえないシチュエーションで、相変わらず、滅茶苦茶な展開で、ちょっと引きました。
二話目は切なかったです。胸が苦しくなります。
三話目も切ない感じですが、男女の違いがうまく表現出来てたと思います。
女性は恋が終わっても前に進むが、男はその場に立ち止まり続ける。男の往生際の悪さと言うか、勘違いと言うか、それが、主題歌の内容と相まって、「今振り返れば、きっとあの人も振り返ると、強く感じた。」という言葉に表れていますね。
細田守氏の映画と同様、風景は綺麗ですが、人の絵が雑。なんでなんだろう?映像的には、さすがに、君の名はと隔世の感がありますね。
卒アルにメッセージを書いてもらうのが精一杯だったあの頃。
あの時想いを伝えられていれば、今どうなっていたのだろう、今あの人は元気にしているだろうかと
時々そんなことを思う。
そんな事を思い出させる切ない物語。アニメの世界に引きずり込まれたきっかけ。
何十回と見ても切ない。
君の名によって知名度が上がった事は、嬉しさもありつつ寂しさも感じます。特に、君の名からは”映える絵”が多くなり人気に火がつきましたが、情緒的な表現は少なくなりましたので。。。
また、今回視聴して感じたのは、日本人に懐かしさを感じさせる表現をするには、こんなにも必要な場面があるのだなぁという印象で、仮に海外の人に向けてつくるなら国ごとに全く違く絵が必要になるのだと、考え深くもありました。
この時代の作品が、新海さんの表現したい作柄をよく表していますので、君の名からは入った人もぜひ視聴してほしい作品です。
他の国からのトップレビュー



2024年2月11日にメキシコでレビュー済み



5 cm per second, even though is presented as 3 episodes, can be seen as a single movie covering three time periods, with some recurring characters. No need to spoil anything. If you have seen any of Makoto Shinkai's work, you know it will look stunning and it will hit you "right in the feels".
Personally, I love how some scenes from his early work mirror future events from his more recent projects.
The beauty of this Blu Ray, you will get the full 5 min black and white version of "She and Her Cat" but also "Voices of a Distant Star" as many of the included Bonuses. So no need to buy an old used DVD version of "Voices" to get those.
(Learn from my personal experience, that even though the overpriced listing of "voices" clearly stated it was an NTSC DVD version, I was sent a PAL version. You will not have this problem)
If you also get "The Place Promised in Our Early Days", you will have on 2 Blu Rays, the first 4 personal projects of Makoto Shinkai. A great place to start or continue your exploration of this man's work.
"She and her Cat" was later remade into short episodes totaling 30 minute.

Semplice, intenso, volutamente lento di narrazione.
La distanza (spaziale e temporale) è l'elemento che permea il tutto e che separa questi due ragazzi fatti per stare insieme l'uno con l'altra, vinta in una nevosa notte d'inverno con un bacio, semplice ed intenso, sotto un ciliegio ormai spoglio da tempo. Questo albero che per i giapponesi ha un significato profondo, per Takaki e Akari, oltre ad essere parte di un ricordo di quando erano bambini, è il simbolo di ciò che sono: come due fiori si staccano dal medesimo ramo, cadendo, difficilmente prenderanno lo stesso percorso. Ed proprio lei che all'inizio spiega che 5cm al secondo è la distanza che percorre un fiore di ciliegio quando cade al suolo dopo essersi staccato dal ramo.
Crescendo la distanza aumenta e fa crescere nello spettatore il desiderio che questi due sfortunati ragazzi separati dal destino, possano un giorno rincontrarsi.


2018年6月28日にイタリアでレビュー済み
Semplice, intenso, volutamente lento di narrazione.
La distanza (spaziale e temporale) è l'elemento che permea il tutto e che separa questi due ragazzi fatti per stare insieme l'uno con l'altra, vinta in una nevosa notte d'inverno con un bacio, semplice ed intenso, sotto un ciliegio ormai spoglio da tempo. Questo albero che per i giapponesi ha un significato profondo, per Takaki e Akari, oltre ad essere parte di un ricordo di quando erano bambini, è il simbolo di ciò che sono: come due fiori si staccano dal medesimo ramo, cadendo, difficilmente prenderanno lo stesso percorso. Ed proprio lei che all'inizio spiega che 5cm al secondo è la distanza che percorre un fiore di ciliegio quando cade al suolo dopo essersi staccato dal ramo.
Crescendo la distanza aumenta e fa crescere nello spettatore il desiderio che questi due sfortunati ragazzi separati dal destino, possano un giorno rincontrarsi.



Des oeuvres dont chaque instant est un véritable cri de l'âme de l'artiste tant chaque trait est empreint d'une poésie sincère et inspirée.
Ode à l'amour, ode aussi à la vie, à toute cette beauté qui nous entoure et à laquelle nous ne sommes que trop peu sensibles, 5cm par seconde transporte, captive, éblouit.
Servi par une image belle à en couper le souffle et une BO douce et mélodieuse, on sort de ce film ébahi, des étoiles encore plein les yeux d'avoir rêvé avec les protagonistes pendant 60 minutes.
Je le recommande très chaudement aux amateurs d'animes, de poésie, et aux autres aussi.
Le blu-ray est indispensable à une expérience optimale bien entendu, puisqu'il est d'exceptionnelle qualité, avec une image d'une finesse remarquable et d'une profondeur telle que l'on croirait voir de la 3D par moment.

When I say that the art rivals that of Miyazaki, I mean it. The detail and attention to expressions and the clothes, the backgrounds, every little object has detail that jumps out and further presses the film's theme of isolation.
Before I say what is good about this film. I have to note that the first Act is pretty cheesy in its dialogue (and maybe that's just the way it's translated). I, as an avid Anime watcher, always watch my films in the original language with subtitles and sometimes if I've seen the film enough, without them. The Japanese version is better because the characters are done as they were first intended. But the acting is incredible as well as believable.
Each moment passes slowly and then speeds past the characters, much like the Cherry Blossoms that fall.
This film is about the pain of never being able to get to the person you care about the most and being able to tell them how you feel. Even though you say it, sometimes the time you spend apart makes you isolated and confused.
The story comes in three Acts (or sections) the first is about Tono Takaki, a young boy (at the start of the film) who takes an interest in another girl, Araki, who is lonely and awkward like he is. After jumping in to drag her away from students who are writing insults about her on the chalk board, he is helplessly drawn to the idea that they are both connected in their fascination with falling Cherry Blossoms. But because both of their families continually move and they have to keep transferring far away- their attachment becomes strained in an almost strange obsession with an idea of a paradise where they'd stay in the same place forever. But time passes like the falling cherry blossoms and soon they move through each moment in life, becoming more distant.
The Second Act is about Takaki at his new school (as a high school student) and a girl who falls for him because he's a nice guy on the surface and doesn't seem to care how strange and indecisive she is. But, even when she finally comes up with the courage and volition to confess, she notices that Takaki was always staring off into the distance whenever he was with her. That he was the furthest thing from being connected to the people around him. An amazing short section that breaks the heart in its honest message.
The Third Act is Takaki as a young adult (in his twenties approximately) and how he's inexplicably distant and unhappy with his current job and life. He struggles to understand why he can't keep in contact with Araki the way he used to and why he didn't turn around and see her across the train track (this is a specific scene in the movie- watch to see what I'm talking about) as soon as the train passed quickly. The moment they realize they may be able to connected, one of them is gone.
Perhaps the confusing part of the film is the end montage of Takaki and Araki's life. It's hard to understand what is going on. But in essence it is about how both of them have moved on and never really reconnected because their lives dragged them apart. The growing up that happens in the montage-divides the line between an ideal of Takaki's and reality.
This strange trio of anecdotes in Takaki and Araki's lives expresses a number emotions and harsh acceptances when people grow up: That some people will accept that they didn't get what they wanted and others will hang on to the sparse moments of joy that they got falling from the sky even if it's only for five seconds.
A real winner for all Miyazaki fans!