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スウィーニー・トッドフリート街の悪魔の理髪師ブックレット付プレミアム・ボックス (数量限定生産)

ジョニー・デップ (出演), ヘレナ・ボナム=カーター (出演), ティム・バートン (監督) 形式: DVD

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ジョニー・デップ
4,193
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商品の説明

商品紹介

※この商品は一部Web店舗限定商品です。

ティム・バートン、ジョニー・デップのインタビューコメント、ティム・バートンによるスケッチ、
場面写真、撮影時の舞台裏等スウィーニー・トッドの世界を味わうことができる内容満載の小冊子(32P)+特製ボックス付!

世界が待っていた、ジョニー・デップ×ティム・バートン監督コンビ最新作!

いらっしゃいませ。そして、永遠にさようなら。

舞台は19世紀の英国ロンドン。無実の罪で投獄され、その首謀者に妻も娘も奪われた男が、名前も姿も変え、ロンドンのフリート街へ戻ってくる。15年ぶりに再開した理髪店、そこで腕を振るうのは、殺人理髪師スウィーニー・トッド。胸には復讐、目には狂気、そして手にはカミソリを――。
そんなトッドの共犯者となるのはトッドに思いを寄せる、売れないパイ屋の女主人。2階の床屋へ入ったお客は、好むと好まざるとにかかわらず、階下のパイ屋へ行く仕組み。やがて煙が立ち昇り、この世のものとは思えない美味しいパイが焼きあがる……!

※R-15指定一部、残虐なシーンが含まれます、ご了承ください。

【収納ディスク】
ディスク1:本編
ディスク2:約119分に及ぶ映像特典

【映像特典】
ティム・バートン、ジョニー・デップ、ヘレナ・ボナム=カーターの挑戦
ドキュメンタリー: 悪魔の理髪師の真実
ミュージカル音楽の巨匠ソンドハイムと“スウィーニー・トッド”
“スウィーニー・トッド”の舞台ロンドン
グラン・ギニョール劇場の歴史と伝統
“スウィーニー・トッド”の美術デザイン
メイキング: ノドを切り裂く
ミュージック・クリップ:“スウィーニー・トッド”のリフレイン
スチール・ギャラリー

※掲載のジャケット、及びスペックは変更になる場合があります。

Amazonより

ティム・バートン監督×ジョニー・デップの6度目となる顔合わせは、傑作ブロードウェイ・ミュージカルの映画化。19世紀のロンドンで、床屋がカミソリで客を殺し、階下の女主人が死体を材料にミートパイを作って売る。ショッキングな物語で、オリジナルの舞台版でも大量の血が流れる異色の作品だ。バートンは、オリジナルの精神に忠実に料理したと言っていい。モノクロのようなダークな映像に、人工的な鮮やかな真紅色の血が流れては、飛び散る。あくまでも「作りもの」の様式美に、パックリ割れる傷口で映像ならではの残虐性を加味。バートンらしい、リアルさとケレン味のミックスした世界にどっぷり浸らせてくれる。
　本格的な歌は初挑戦だというジョニーは、自らの魅力的な声質を存分に生かし、オリジナルの複雑なメロディを見事にこなしている。その他、アラン・リックマンの嫌らしいまでの悪役ぶりや、サシャ・バロン・コーエンの名人芸的な道化演技など、全キャストがすばらしい。映像と演技によって、この映画版は、もはやミュージカルというジャンルでは括れない怪作に仕上がったが、登場人物の複雑な愛憎ドラマにはしっかりと焦点を当て、行き着く先のラストシーンは、愛の終幕として完璧な図となっている。（斉藤博昭）

登録情報

梱包サイズ ‏ : ‎ 19.8 x 14 x 2.2 cm; 299.37 g
EAN ‏ : ‎ 4988135708632
監督 ‏ : ‎ ティム・バートン
時間 ‏ : ‎ 3 時間 56 分
発売日 ‏ : ‎ 2008/6/11
出演 ‏ : ‎ ジョニー・デップ, ヘレナ・ボナム=カーター, アラン・リックマン, ティモシー・スポール, サシャ・バロン・コーエン
販売元 ‏ : ‎ ワーナー・ホーム・ビデオ
ASIN ‏ : ‎ B0016OTUNC
ディスク枚数 ‏ : ‎ 2

Amazon 売れ筋ランキング: - 158,578位DVD (DVDの売れ筋ランキングを見る)
- - 40,696位外国映画 (DVD)

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4.2 8,714個の評価

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ℳ.

アラン・リックマン

2024年3月14日に日本でレビュー済み

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映画自体文句の付けようがないぐらい面白かったですし、
アラン・リックマンがセクシーでした
感無量です

2023年11月13日に日本でレビュー済み

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刺激的な描写はありますが最後まで惹きつけられる演技と物語。とても楽しめました。

2022年10月14日に日本でレビュー済み

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ゴア描写かなりいい線言ってますが、同時期公開された『28週後』ほど怖くない。

1人のお客様がこれが役に立ったと考えています

役に立った

まさっきー

アラン・リックマン目当てで購入。

2018年7月11日に日本でレビュー済み

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ミュージカル風なので割とみんな歌っています。
でもホラーなだけあって、やっぱりＭＡＤな作品です。
借りるので十分だったかなって思いました。

2023年3月10日に日本でレビュー済み

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いい商品です

2021年11月21日に日本でレビュー済み

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気に入らないことはない
全キャストの演技、歌が素晴らしかった

2023年5月2日に日本でレビュー済み

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駄作

2021年1月22日に日本でレビュー済み

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全編通してミュージカル調で送られる本作。
主要な登場人物の中で、「一人として歌わない人物はいない」です。
一人一人のキャラクターを登場から退場まで上手に描いています。
目的も極めて明白。
主人公：妻を奪った男を殺したい。
ヒロイン：主人公と幸せな家庭を築きたい
ターゲット：スケベ
ターゲットのお付き：おしゃれで真面目
若者：ジョアナが好き
ジョアナ：逃げたい
なぞの浮浪者：動きがやばい

復讐劇として非常に完成度が高いです。

3人のお客様がこれが役に立ったと考えています

役に立った

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🕌Ale Dan🏛️

Film horror speciale

2024年4月5日にイタリアでレビュー済み

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Uno dei film che più amo di Tim Burton, molti non saranno d’accordo, ma il fatto che sia musical lo rende diverso da tutti gli altri film (ovviamente in senso buono), con delle canzoni veramente belle, alcune ti rimangono in testa. Questo grazie anche alla bravura degli attori nel cantarle. Un film molto violento ma dalla storia semplice, con un finale inaspettato. La spedizione è andata alla grande, il film è arrivato due giorni prima del previsto

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SJ-India

nice..

2019年8月25日にインドでレビュー済み

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nice bluray, decent xtras

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Someone

As expected!

2011年1月17日にカナダでレビュー済み

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One of Burton's masterpieces, I was rather thriller to watch it on my new plasma screen over the holidays.

The quality was as expected, ASTOUNDING!

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Needs Caffeine

A Perfect Movie

2008年3月12日にアメリカ合衆国でレビュー済み

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This is one of the most perfect films I've ever seen. Unfortunate it had to compete with other great films this year like "No Country for Old Men" and "There Will Be Blood," but I think this is the far greater achievement. The fact that it's a musical may have thrown some audiences, but now on DVD, I hope people will have the chance to really appreciate and enjoy it.

Here's a couple of things to consider as background to this film:

Movie musicals died a long time ago when audiences tired of them. The height were Rodgers & Hammerstein extravaganzas like Oklahoma! (50th Anniversary Edition) and The King and I (50th Anniversary Edition) . Modern audiences thought the whole conceit of characters breaking into song to be just plain hokey. But some films tried a more sophisticated approach: High Society (1956) was a remake of the witty The Philadelphia Story (1940) with original songs written for the film by Cole Porter. It's a great movie because the songs were added in small, intimate ways, consistent with the dialogue. There are no giant dance or production numbers. Sophisticated leads Frank Sinatra, Grace Kelly, Bing Crosby and Celeste Holm were allowed to easily slide from speaking to singing, the transitions were cool and realistic, and the music genuinely reflected the characters and situations.

Tim Burton's Sweeney Todd has taken this approach and refined it further. Other reviewers have given you the story and detail, so I'll skip all that. But a real gift of this film has been Burton's ability, with Sondheim's approval and contribution, to change what was a stagebound spectacle into an intimate film with real, relatable characters. The music seems to slide in as a complement to the action and the visuals. Yeah, people start singing, but the entire drama is personal. There is great subtlety in the relationship of Todd and Mrs. Lovett, and this film focuses on that intimacy, while most musicals pull the viewer *out* of the drama. You see this in the way Burton shot the film: in the old days, songs and production numbers were shot to give an audience the feel of the same scene onstage - showy and unrealistic. More recently, directors unfamiliar with musicals used angles very at odds with the action. A good example is Woody Allen's Everyone Says I Love You . In this film, he often shot musical sequences with a different technique than the spoken scenes, but it comes across as out of synch. It's a hard thing to nail, shooting people singing. But Burton pulled it off, and brilliantly: in Sweeney Tood, songs are shot as though characters are simply having a discussion with each other.

Really, everything about this film is perfect: the script, and shortened version of songs work ideally for film; the visuals, with Oscar-winning art direction by Dante Ferretti, are breathtaking; cinematography by Dariusz Wolski is quick, exciting, fresh; editing -- especially the hilarious "Worst Pies in London" -- by Chris Lebenzon is dazzling. The orchestrations are also something unprecedented: this is one of the most beautiful scores ever, but Burton and Sondheim went a step further, beefing up the orchestra from around 35 players in the stage version, to something like 70. The result is an incredible richness and depth, a sound that's so big and so effective, especially against the intimacy of the story and the voices. Orchestrator Jonathan Tunick and conductor Paul Gemignani have created one of the best musical soundtracks in the history of film.

And then of course, is the cast.

Edward Sanders is unbelievable as the boy Toby; he's the right age for the part, and his voice is clear and strong. He's got the right accent and look, and despite playing a tough street kid, his scenes of tenderness with Mrs. Lovett are heartbreaking and convincing. Burton is often portrayed as a gothic/artsy director, but I think people overlook his brilliance at drawing poignancy in the most unlikely places. His selection and direction of this great young actor remind us of that.

Jamie Bower and Jane Wisener are ideal as the young lovers: Bower is literally wide-eyed with yearning and wonder, and Wisener is beautiful, innocent and lovely. Again, Burton sketches the story by selecting these exquisitely perfect unknown actors.

And then you have Depp and Bonham Carter. These are two artists at the height of their powers and they are both extraordinary. Depp is an amazing actor, for all the reasons others enumerate here. He is so gifted: he shows us Todd's hard, vengeful crust for most of the story, but softens and nearly seduces Judge Turpin under the razor. Then, near the end, where he realizes what he's done to the beggar woman and who she is, his madness disappears for a flash, and Depp reveals the man Todd once was, his sudden, tragic realization of what he's done, and then, in a flash, it's gone. Few actors have his ability to show such a range of subtle colors and textures. Like the visuals of this film, the first impression is one of grayness and gloom, but on second and subsequent viewings, the amazing amount of detail and subtlety really reveal themselves.

And finally, Bonham Carter. I think the play's hardcore stage fans have unfairly compared her to Lansbury and others. This is an entirely different performance. Bonham Carter finds the subtle, absurd, dry British humor in this character, as well as her very real and touching sadness. She plays it like a drawing room drama, not a music hall belter. And that is the truer and more realistic approach for the modern musical.

Two other great actresses also tried this to different reaction: Audrey Hepburn sang in her own voice in Breakfast at Tiffany's (Special Aniversary Collector's Edition) and audiences were entranced with her lovely but imperfect sound. However, Hollywood would not allow her own voice for My Fair Lady , and she was dubbed over. Similarly, Ava Gardner sang her own songs in Show Boat but again she was dubbed. If you listen to the reissued soundtrack to Show Boat: Original Motion Picture Soundtrack (1951 Film) , you get the original outtakes sung by Ava Gardner, and you know what? They are far better, more authentic and richer than the dubbed versions. It was a mistake not to use Gardner or Hepburn's own voices, and those films seem dated because of it. In Sweeney Todd, Burton was wise enough to have all the actors use their own voices, and Bonham Carter's interpretation in particular is lovely and personal -- and like everything else about this film, appropriately perfect.

I'm guessing that in DVD many more people will be struck by how great an achievement this film really is. At least, I hope they will be. Tim Burton's Sweeney Todd may be one of those films that did only moderate box office in original release, but will, upon future screenings, be recognized for the landmark achievement it is in the history of film. Every actor, every shot, every edit, nuance, costume and moment -- is perfection.

15人のお客様がこれが役に立ったと考えています

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Sum

Sweeney's Waiting! A Fun Fantastic Film!

2008年5月15日に英国でレビュー済み

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I have watched many of Tim Burton films and many of Johnny's Depp's film as well as the films where these two worked together. Needless to say I loved most of them. That's why I was so happy when I found out that the two would be doing a film together yet again to make the musical Sweeney Todd. I already knew the gist of the story, that it was about a murderous Barber who kills his customers and then with the help of his neighbor Mrs Lovett makes them into pies. Of course as I watched the movie I found the story had much more depth to it.

The story starts with Sweeney's return to London with a young Sailor Boy who rescued him from the ocean. To Anthony he tells him about a Barber and his Wife. Really it is Sweeney's past as Benjamin Barker, and how because a corrupt Judge lusted after his wife, sent the Barber away for 15 years on a false charge so he could have the wife. Sweeney returns to be ruinited with his wife and child Johanna now a young girl, but after meeting his old neighbor Mrs Lovett and learns of their fates, a thirst revenge becomes an all consuming obession. Sweeney Todd is not a happy story but a greek tradgedy with a moral of revenge. And it's clear to see even before the furious, unpredictable Epiphany "They all deserve to die!" and the humourous yet dark Little Preist "It's man devouring man, my dear! Then who are we to deny here?" that this is a story that is not going to have a happy ending.

Burton does not sugarcoat the film as other's might have done. Neck's are cut with blood squirting everywhere, head's are bludgeoned and body's beaten and without spoiling anything the ending is the most violent of all. Another is that Burton, Depp and Carter haven't glorified the story. we sympathise with Sweeney and the injustice done to him past and present and also with Mrs Lovett and her unrequited love for Sweeney, but by the bittersweet Not While I'm Around you can't ignore the evilness that the duo do.

The film does have it's light and funny scenes. Despite the characters and subplot been shortened for the movie Burton does focus on the love plot between the Sailor Anthony and Sweeney's daughter Johanna. As well as the humourous comments made in the film there is the hilarious song By the Sea where the film is suddenly changed from it's dark, dreary colours to a sudden, and shocking vividness of Mrs Lovett's fantasy. From Sweeney's laughable yet strangely cute bathing suit to his hirious expressions during the song, all done wonderfully by Depp, it's a funny change from the dark mood the film has throughout. However this is a story about the Demon Barber and it is his story which is the main one, so song's such as 'Kiss Me' sung by Anthony and Johanna which was in the play is excluded giving a much darker interpretation to the two characters. Even the delerious yet funny song By the Sea has a darker edge to it as despite the funny visuals Mr's Lovett's desperateness can be seen.

The actor's and actresses in the film played their part's wonderfully. Depp while may have cast doubts on others when chosen to the play the part, especially as he'd never sung before, proved in my eyes to be a perfect choice for Sweeney. With his pale face, dark hair with white streak and seductive yet creepy voice, his singing while may not be as professionial as previous Sweeney's is great to listen to none the less and his acting as the insane, revenge hungry Barber is superb. His furious snarles in Epiphany and calming crooning in My Friends are just one of the main examples where he shines in the film. He really out does himself and even put's his own interpretation on the character making Sweeney more brooding, subverted, and angrier. His expressions particuarly the eyes in the film are one's to watch as they show so much. Nothing is as powerful as watching his eyes go from been so sorrowful to suddenly rapid and crazed in a second. Despite Depp been my favourite actor I was not biased and went into this film with an open mind, when it was over I left loving Depp even more. To me he is Sweeney Todd.

Carter while may have a voice considered too weak or at least not strong enough to sing Mrs Lovett's parts does well enough and what she lacks in her singing she certainly makes up for with her acting as Mrs Lovett. She gives a much deeper interpreation to the amoral Baker, not seen in other Lovett's before. From her evident lust for Sweeney in My Friends as she tries to gain his attention "I'm your friend too Mr Todd", to her devotedness for him in Poor Thing "There was a Barber and his Wife, and he was beautiful" to her sadness and tears after Not While I'm Around, Carter presents Mrs Lovett in a way that you can;t help but feel for her and even like her despite her evil deeds with Sweeney.

Alan Rickman and Timmothy Spall are wonderful as the villains really making you hate them, and Sacha Baron Cohen while has a small part in the film is priceless as Pirelli the 'King of the Babers, the Barber of Kings' and the scenes that he are in steal the show. Even Jayne Wisener and Jamie Campbell Bower play and sing their parents well. Special mention should go out to Edward Sanders who plays the innocent Toby who works for Pirelli and Laura Michelle Kelly who plays the crazed Beggar Woman. Probably the two best singers in the whole movie they both play their parts wonderfully, especially Kelly who's Beggar Woman is a joy to watch and only makes me wish she'd had more scenes.

One of Burton, Depp and Carter's best it is a fantastic film which is enjoyable and fun to watch yet at the same time tragic and left me thinking about the story and film after seeing it. Scenes such as the ending (one of the most haunting i've seen) or the tragic and at the same time guiltily funny Johanna Reprise are memorable. Despite some songs having to be cut out (The Ballad which is one I was sad to see cut I feel was neccasary) are done wonderfully and are catchy. I couldn't get the Final Scene, My Friends or Johanna out of my head for quite a while. Even if you don't like the songs or are not a fan of musicals I urge you to still give the film a try as it is (to me) a great film which should not be missed and does justice to the Sweeney Todd play

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スウィーニー・トッド フリート街の悪魔の理髪師 ブックレット付プレミアム・ボックス (数量限定生産)

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スウィーニー・トッドフリート街の悪魔の理髪師ブックレット付プレミアム・ボックス (数量限定生産)

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