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Marionettes a Musical Snuffbox & Other Piano

Liadov (アーティスト), Coombs (アーティスト) 形式: CD
4.3 5つ星のうち4.3 8個の評価
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登録情報

  • 製品サイズ ‏ : ‎ 14.15 x 12.62 x 0.99 cm; 95.25 g
  • メーカー ‏ : ‎ Hyperion UK
  • EAN ‏ : ‎ 0034571153094
  • 商品モデル番号 ‏ : ‎ CDH55309
  • SPARSコード ‏ : ‎ DDD
  • レーベル ‏ : ‎ Hyperion UK
  • ASIN ‏ : ‎ B001AYAKSC
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.3 5つ星のうち4.3 8個の評価

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martin
5つ星のうち5.0 癒されました
2004年1月5日に日本でレビュー済み
イギリスの豪腕ピアニストで有名なスティ－ブン・ハフが意外にも、簡素で美しいモンポウの世界を堪能させてくれます。
ふと見せる暖かさや懐かしい音楽に癒されました。
前奏曲や歌と踊りといった小曲をところどころ上手にちりばめたプログラミングやピアノ録音の美しさも魅力です。
是非是非聴いてみて下さい。
ラローチャはもちろん素晴らしいですが、この演奏も違った魅力がありますよ！
4人のお客様がこれが役に立ったと考えています
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Antoine Martin
5つ星のうち5.0 L’inconnu dans la maison russe
2024年3月15日にフランスでレビュー済み
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Et pourtant son œuvre ( peu étendue en raison d’une incapacité à un effort prolongé ?!?! ) est intéressante
- ses quelques œuvres orchestrales sont éblouissantes et surtout le lac enchanté. Il date de 1909, pièce impressionniste frémissante. On devrait l’entendre plus souvent. Écouter Svetlanov-Melodya .
- ce disque de piano où s’expriment un romantisme délicat, une nostalgie tempérée et un goût pour les variations comme beaucoup à l’époque . Pièces le plus souvent brèves ( ce n’est pas Medtner ou Rachmaninov ) mais semblant plus intéressantes qu’un Gliere.
L’obscurité dans laquelle repose Liadov et son œuvre tient sans doute à l’absence d’une grande pièce emblématique notamment symphonique.
En 1910 Diaghilev lui commandait un ballet , échec d’écriture et Stravinsky le remplaça avec l’oiseau de feu . Ainsi fut la vie musicale de Liadov .
Dommage car il fit preuve d’ouverture d’esprit envers ses élèves du conservatoire de Saint Petersburg ( Prokofiev et Miakovski entre autres ).
Excellent enregistrement et découverte d’un pianiste anglais lui aussi mal connu de ce côté de la Manche : Stephen Coombs qui signe un excellent texte . Lignée des Osborne ou Shelley .
1人のお客様がこれが役に立ったと考えています
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D.Bartonsky
5つ星のうち5.0 Great CD for the collection
2020年6月13日に英国でレビュー済み
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Some very interesting and varied music from a talented composer. Interesting liner notes describing the interesting life of Julius Isserlis and his connection to the pre-revolution musical world of Moscow as well as history in general.

The beautiful performance by Sam Heywood (as well as an appearance by Steven Isserlis), really 'sells' this lovely and engaging music, which is reminiscent of much of the Russian piano music of the time, whilst occasionally demonstrating some zany experimentalism at the same time.

Really glad to have bought it!
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G.D.
5つ星のうち5.0 Absolutely delightful
2012年5月6日にアメリカ合衆国でレビュー済み
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Anatoly Liadov (1855-1914) didn't write a lot of music (famously because of his laziness). He was nevertheless a skilled composer of miniatures; his orchestral works are well known, of course, but there are quite a few piano pieces, and the selection offered by Stephen Coombs for Hyperion here can only make you wish that there was much more of it. Some of the music verges on the salonesque, but it is always delectably crafted and quite memorable; other works show traces of something far deeper and more serious, despite the miniature format (the op. 64 set perhaps in particular). Among the lighter music, The Musical Snuffbox is well known in its orchestral guise and is a charming and brief bagatelle in its piano version; the Little Waltz is similarly brief and delightful, whereas Marionettes is inventive and imaginative. I guess the op. 11 pieces would count as belonging not too far away from the salon as well, though they show that Liadov could emulate Chopin in a way that was almost as successful as what Chopin himself wrote.

The op. 24 pieces are somewhat more substantial, with traces of more adventurous harmonic ideas; these are thoroughly engaging and enjoyable works and would deserve to be better known. Chronologically, the op. 36 preludes followed next, but they are lighter and more conventional (but very enjoyable); the Barcarolle op.44 is relatively conventional as well, but thoroughly beautiful. With the op. 57 pieces we have what must be considered miniature masterpieces, and even more so the op. 64 are wonderful, even captivating, works of imaginative, atmospheric late romanticism.

The two sets of variations here are apparently the largest works Liadov wrote. The op. 35 set (on a theme by Glinka) does perhaps not really say anything new; it is inventive enough and contains enough twists and fine ideas to make it worth its time. It pales, however, in comparison to the op.51 set (on a Polish folk theme), which - with its glittering colors and wonderful atmospheres, especially in the faster material - is a real gem. Stephen Coombs clearly enjoys the music, and it really isn't much wonder why. He seems to have thought long about every one of these miniatures, and I can hardly imagine anyone making a much better case for them. Recommended with some enthusiasm.
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Amazon Customer
5つ星のうち2.0 Two Stars
2016年1月21日に英国でレビュー済み
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All the compositions are very similar, but the musical box is delightful
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JG Carillonneur
5つ星のうち5.0 This is the one to purchase
2006年8月18日にアメリカ合衆国でレビュー済み
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This is a very attractive recording (musically) of some unjustly overlooked music. Lyadov's music doesn't usually stand out as having a unique "flavor" setting it apart from the work of other late romantic composers, though some of his music is intended to represent stories from Russian folklore.

My reason for seeking this recording was to obtain a piano recording of a piece I was actually transcribing for performance on the carillon (Berceuse), and this piece is rarely recorded. I listened with great enjoyment to the other selections. Some are more interesting than others, with the Barcarolle being a particularly interesting and lovely selection. (I ordered the music for that, and may transcribe that as well.) From my admittedly superficial listening, I didn't do so well listening with sustained interest to the two longer works on the recording, but that is no criticism of the recording itself. I would recommend it with confidence and enthusiasm.

The recorded sound, and the playing, are very fine indeed!
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