忘れてはいけない、感動のハチ公物語です
有名です。
犬好きの人には辛いかも
ハチ公物語 [DVD]
フォーマット | 色, ドルビー, ワイドスクリーン |
コントリビュータ | 田村高廣, 八千草薫, 仲代達矢, 新藤兼人, 柳葉敏郎, 長門裕之, 神山征二郎 |
言語 | 日本語 |
稼働時間 | 1 時間 47 分 |
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登録情報
- アスペクト比 : 1.78:1
- 言語 : 日本語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 83.16 g
- EAN : 4988105058880
- 監督 : 神山征二郎
- メディア形式 : 色, ドルビー, ワイドスクリーン
- 時間 : 1 時間 47 分
- 発売日 : 2008/9/26
- 出演 : 仲代達矢, 八千草薫, 田村高廣, 長門裕之, 柳葉敏郎
- 言語 : 日本語 (Mono)
- 販売元 : 松竹ホームビデオ
- ASIN : B001CHIYUI
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 223,174位DVD (DVDの売れ筋ランキングを見る)
- - 9,729位日本のドラマ映画
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2023年11月16日に日本でレビュー済み
Amazonで購入
今まで、
ペットを飼うと言う概念が無かったのですが、
犬を飼いました。
初めての飼い主となり、
飼う側の立場での目線で観た。
改めて、感じました。
ペットより、先には死ねません。
ペットを飼うと言う概念が無かったのですが、
犬を飼いました。
初めての飼い主となり、
飼う側の立場での目線で観た。
改めて、感じました。
ペットより、先には死ねません。
2022年2月7日に日本でレビュー済み
Amazonで購入
テレビでたまたま観た後で、どうしても再度観たくなり購入しました。
2023年6月11日に日本でレビュー済み
Amazonで購入
久々にとても泣けました。
ハチ公が可愛くてお利口で秋田犬が欲しくなりました。
俳優の方達も良かったです。
ハチ公が可愛くてお利口で秋田犬が欲しくなりました。
俳優の方達も良かったです。
2024年3月6日に日本でレビュー済み
Amazonで購入
ハチ公が先生が亡くなってから飼い主の都合で運命が翻弄されてしまう。奥方の身の振りかたも、田舎に帰るならハチも連れて行ってやればこんな結末にはならなかったのにと思う、、、人間の冷たさやエゴが許せない。
2021年10月23日に日本でレビュー済み
Amazonで購入
As a dog lover, this is one of my favorite movies of all time! I also love the Richard Gere remake but I prefer this one a little more! I have a subbed dvd so I bought this blu ray for better quality picture! Love this movie!
2023年2月5日に日本でレビュー済み
Amazonで購入
ここ数年でこんなに泣けた作品はなかった。
うちのコが東電のせいで死んでしまった。免疫不全症候群だった。
この作品を見て、うちのコに会いたくなった。
うちのコが東電のせいで死んでしまった。免疫不全症候群だった。
この作品を見て、うちのコに会いたくなった。
2024年1月2日に日本でレビュー済み
Amazonで購入
見なければよかった。人間の都合であちこちたらい回しにされ最後には野良犬となって雪の中で凍死するハチ。全然美談じゃない。なんでこの話に感動するのか。憤りしか感じなかった。
他の国からのトップレビュー
R. A. Cardenas
5つ星のうち5.0
Old Faithful, Very Moving
2014年1月11日にアメリカ合衆国でレビュー済みAmazonで購入
I saw this original version with English subtitles and found it very moving. I, however, found the timeline somewhat confusing especially towards the end. The film jumps from his loving master's death and eventual abandonment in 1925 to December of 1928 when an article on Hachi and his loyalty to his master is published in the local newspaper. Initially Hachi had been trained by his master to accompany him daily to the train depot to see him off and greet his return from his day's work. Hachi, however, continued this for years long after his master's death. Daily, Hachi would embark at the same time to seek his master at the station. Notwithstanding the article and the notoriety it bestowed, Hachi acquired only a brief reprieve from the ill treatment he had received while living as a stray still seeking his master. He does have one friend however that tries to protect him, that is the meat vendor at the train depot where Hachi continually returns. The film then jumps to May of 1934, showing his former mistress living comfortably by the ocean. That scene suddenly changes back to the train station where Hachi is standing near the gate at the place where he used to greet his master. By now, Hachi appears unkempt, old, thin, tired and unhealthy and seemingly fears humans. It is in the afternoon and a windy storm is moving in. The vendor who has apparently not seen Hachi in a while spots him and approaches calling his name, but tragically Hachi runs leaving the vendor very sad. This is where I have trouble following the timeline for I cannot tell if we are still in the spring or now in the winter, the afternoon before Hachi's death. I assume it is the winter for the wind storm moving in might indicate incoming snow. Anyhow, the scene changes to the depot the following?? morning in the early hours, perhaps 2 or 3 am, the streets are vacant with the street lamps providing just enough light. It is quiet, the colors are a metallic black and white, and there is a light snowfall. Hachi approaches the gates calling for his master one last time. It is here where his search finally concludes. He begins to have visions of a parade of nameless faces passing before him out of which one sole figure emerges, the figure he has always known and recognizes. His master slowly approaches, smiling, beckoning. A now young and alive Hachi is running in a Park filled with trees, blossoms and grasses in bloom, dews, magnificent smells and the bright Spring Morning hues of green, purple and blue. He runs to his young living master who joyfully awaits with open arms and is calling him by name. Hachi, running out of himself and into his master's arms, finally completes his journey. But soon thereafter blossoms begin to fall from the trees and the colors fade back to the blacks, whites, and grays of the station with its sterile, cold, colorless and indifferent life. In the oncoming dawn all that remains is Hachi's lifeless body lying flat in front of the depot facing the opposite side of the road, covered in snow. There is just enough morning light, the streetlamps extinguish. The date 'March 8, 1935' appears. Very sad, very moving.
Just one final note: Hachi dies looking into the open spaces across the road, to the 'other side', perhaps towards home or a new Home, or into the light of the streetlamp across the street; but at last not looking into the old cage, the depot where the endless parades of shadows and dark figures had passed for so long. Perhaps it is the tall streetlamps that supply the light and the panorama he experiences in his final vision: the lamp posts become trees; the snow covered road the path he runs in reuniting with his master; the lamp post directly across the road with its extended arms and suspended bulbs becomes the focal point and joy of his final breath, for in it his master receives him with open arms; the falling snow the falling blossoms; and finally the falling blossoms themselves become both reality and 'transition to'- simply put, a symbol of cessation, Death. As he passes he leaves a snapshot of his final moments, his final gaze fixed upon the light of his master, upon a new side, a new place, a colorful new Beginning, ..... upon peace. His long struggles finally conclude. At dawn, the morning traffic appears unaware of his remains, or perhaps they just don't 'see' him anymore (if they ever did). Their indifference has blinded them not only to his belated existence but also to one another. But their response is irrelevant for he is not a participant in this world any longer; his capacities for loyalty and commitment helped lay the path back to his master. The film ends as it began, in snow marking ends that are in fact Beginnings. We know that Hachi did in fact die in the early morning hours of March 8, 1935, but not at the station. He passed a little behind the southeastern part of the station, just beyond a set of railroad tracks by the side of a liquor store. It turns out the proprietor there had been friendly with him, often giving him food and water. In his last hours, he may have been working his way towards that location for some comfort, perhaps water, sensing that death was imminent. Finding only a dark establishment, no-one awake or present, he simply lied down and went to sleep, and passed on. (see Dr. Mayumi Itoh's fine work on Hachi)
Just one final note: Hachi dies looking into the open spaces across the road, to the 'other side', perhaps towards home or a new Home, or into the light of the streetlamp across the street; but at last not looking into the old cage, the depot where the endless parades of shadows and dark figures had passed for so long. Perhaps it is the tall streetlamps that supply the light and the panorama he experiences in his final vision: the lamp posts become trees; the snow covered road the path he runs in reuniting with his master; the lamp post directly across the road with its extended arms and suspended bulbs becomes the focal point and joy of his final breath, for in it his master receives him with open arms; the falling snow the falling blossoms; and finally the falling blossoms themselves become both reality and 'transition to'- simply put, a symbol of cessation, Death. As he passes he leaves a snapshot of his final moments, his final gaze fixed upon the light of his master, upon a new side, a new place, a colorful new Beginning, ..... upon peace. His long struggles finally conclude. At dawn, the morning traffic appears unaware of his remains, or perhaps they just don't 'see' him anymore (if they ever did). Their indifference has blinded them not only to his belated existence but also to one another. But their response is irrelevant for he is not a participant in this world any longer; his capacities for loyalty and commitment helped lay the path back to his master. The film ends as it began, in snow marking ends that are in fact Beginnings. We know that Hachi did in fact die in the early morning hours of March 8, 1935, but not at the station. He passed a little behind the southeastern part of the station, just beyond a set of railroad tracks by the side of a liquor store. It turns out the proprietor there had been friendly with him, often giving him food and water. In his last hours, he may have been working his way towards that location for some comfort, perhaps water, sensing that death was imminent. Finding only a dark establishment, no-one awake or present, he simply lied down and went to sleep, and passed on. (see Dr. Mayumi Itoh's fine work on Hachi)
Jonas Rochus
5つ星のうち1.0
Domiliering q aanmaken bij de bank van 49 euro vind ik niet normaal meer zeg ik niet
2020年10月5日にドイツでレビュー済みAmazonで購入
geen reacti
EBB
5つ星のうち5.0
Beautiful, unforgettable film with a problem
2014年5月15日にアメリカ合衆国でレビュー済みAmazonで購入
I chose this rating, because I watched this movie on a free website and found it so beautiful, heartbreaking and loving that I wanted to own it. I ordered it from Amazon, but discovered the DVD would not play. I then read the Amazon reviews, which said this DVD would not play on U.S. DVD players. It is the original film made of the true story of Hachiko, a dog in prewar Japan, whose devotion to his Japanese owner continues for 6 years after his master's death, until his own. The final scene's beauty and poignancy haunts me still. An American version with Richard Gere, called Hachi, was made not too long ago. It is a good movie, but not a remake of the original film. Hachi takes place in present day America with an American owner. Very touching and worth seeing, but not comparable to the original. Amazon, please acquire a DVD of the Japanese film that DVD players for sale in America can play.
pauline garvey
5つ星のうち4.0
Four Stars
2015年5月9日に英国でレビュー済みAmazonで購入
fast delivery good item thanks