Christmas on Mars (W/Dvd)
曲目リスト
ディスク: 1
1 | Once Between Hopelessness |
2 | The Distance Between Mars And Earth Part 1 |
3 | The Horrors Of Isolation |
4 | In Excelcelsoir Vaginalistic |
5 | Your Spaceship Comes From Within |
6 | Suicide And Extraordinary Mistakes |
7 | The distance Between Mars And Earth Part 2 |
8 | The Secret Of Immortality |
9 | The Gleaming Armament Of Marching Genitalia |
10 | The Distress Signals Of Celetial Objects |
11 | Space Bible With Volume Lumps |
12 | Once Beyond Hopelessness |
ディスク: 2
1 | Christmas on Mars - Movie (DVD) |
商品の説明
Amazonレビュー
Wayne Coynes directorial debut, Christmas on Mars, is a kitschy, homespun masterpiece that subverts film-judging criteria the way Ed Woods B-movies must have when they were first compared to horror back in the day. Co-directed by Bradley Beesley and populated with many local Oklahoma City characters, including most of Flaming Lips, Coynes brothers, Denny and Kenny, and his wife, starring as the female of the film, Mother (Michelle Martin Coyne), Coyne explains in extras interview footage that the movie took seven years to complete simply because the musician shot between tours. Rumors of this films release have been floating around forever, and the wait was worth it. Christmas on Mars, plot-wise, stars Major Syrtis (Steven Drozd), the captain on a spaceship who notices, between hallucinations of a baby dying, that the crew is in danger due to malfunctioning equipment. Clues include psychosis, as experienced by a man the script calls Astronaut Confronting Cosmic Reality (Kliph Scurlock), and other bizarre hardships, as other crew members that Major Lowell (Steve Burns) and the Sunglasses Wearing Astronaut (Michael Ivins) can attest to. The resident Psychiatrist (Adam Goldberg) tells everyone to chill out on the baby visions, which look like 2001: A Space Odyssey and Eraserhead, to no avail. Lucky for everyone, a mysterious green-faced Martian, played by Coyne, comes to the rescue. Christmas on Mars is not about plot originality, as it screens more like a tribute to Coynes favorite sci-fi films. Made almost exclusively in Coynes backyard, the sets impress because they really transport the viewer to space despite being made of recognizable hardware store materials. Each scene, and its way of either slowing down or speeding up time, feels deeply imagined from the subconscious. What matters is the films undoubting sincerity. Filmed mostly in black and white, blasts of color during moments of psychic realization surrealistically tie the films visuals to Flaming Lips music, in which guitars and heavy drums explode rhythm. Moreover, the score serves the film well, carefully blending ambient, electronic space-age melodies with moments of sonic chaos. Christmas on Mars is another of Coynes attempts at expressing tension between peace of mind and utter insanity, and an undying, Lovecraftian attraction to abyss. Trinie Dalton
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.5 x 14.3 x 1.3 cm; 115.95 g
- メーカー : Warner Bros / Wea
- EAN : 0075993999631
- 商品モデル番号 : 7599399963
- レーベル : Warner Bros / Wea
- ASIN : B001G0LBYM
- ディスク枚数 : 2
- Amazon 売れ筋ランキング: - 127,835位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 5,762位サウンドトラック (ミュージック)
- - 23,338位ロック (ミュージック)
- - 29,963位輸入盤
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Despite the fabulous musical phenomenon that the Flaming Lips are, the main attraction here is the movie. My only caveat, and I am quite serious about this: this film is not recommended for anyone averse to viewing female genitalia, or simulations thereof, or various fantastical constructs suggestive in appearance of female genitalia. Having said that, this is definitely not porn. There is curiously only one female character in the film, and she spends the vast majority of her screen time literally sealed alone in a plastic bubble, nor do we at any time see anything which is unambiguously suggested to be the genitalia of this specific character.
Having fulfilled my duty to convey the above warning, I am somewhat hesitant to describe the film in much detail. It is an experience unto itself which, much like a dream, cannot be adequately conveyed through narrative description.
I will say that I enjoy the great contrasts in this film, between the very quiet and the very loud, between the colorless, and the very effectively shocking moments of brilliant color, between bleak and pervasive hopelessness and the kind of ecstatic wonder and fearless faith normally reserved only for the luckiest of young children, and only in the best and most magical moments of their lives.
This film is also the kind of art that finds beauty in strange places, like a lingering shot of a glistening tear of blood creeping down a cheek from a bandaged and ruined eye.
The whole thing looks and feels home-made, because it literally is, and as such has authenticity, bravery, heart and just plain freakyness that Hollywood simply cannot understand, much less create.
This moves to the top of my list of movies that I must force everyone I know to watch every Christmas (curiously enough, edging out the MST3K treatment of Santa Claus Conquers The Martians).
The music itself (this is ostensibly a record review after all) is gloriously avant-garde noise experimentation, with a little bit of uncredited dreamy Holst choral music from Neptune snuck in (performed, not sampled). So in the vast stylistic range of the Lips, don't expect this to represent their Pop or Punk persona. This is more like listening to spacey ambient music while getting your teeth drilled, along with occasional bursts of electroshock, but I mean all of that in the best way possible.
I like most of their music, that would be where they should reside. PLEASE!
Over the Christmas season my wife and I wanted to watch this (my original DVD release is in a box in my parent's basement with all my other DVD's that I keep meaning to bring to my house now that I own my own home) so in a pinch I procured this set for a very reasonable price. It was probably cheaper than the 35 mile trip across town and back from my folk's house, so I'd call that a bargain!