Christmas on Mars [DVD]
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フォーマット | DVD-Video |
コントリビュータ | Dennis Coyne, Mark DeGraffenried, Al Cory, Freddy Harth, Adam Goldberg, Fred Armisen, Peter Hermes, Bradley Beesley, Wayne Coyne, Scott Booker, Steve Burns, Steven Drozd, Kenny Coyne, George Salisbury 表示を増やす |
言語 | 英語 |
商品の説明
Amazonより
Wayne Coyne’s directorial debut, Christmas on Mars, is a kitschy, homespun masterpiece that subverts film-judging criteria the way Ed Wood’s B-movies must have when they were first compared to horror back in the day. Co-directed by Bradley Beesley and populated with many local Oklahoma City characters, including most of Flaming Lips, Coyne’s brothers, Denny and Kenny, and his wife, starring as the female of the film, Mother (Michelle Martin Coyne), Coyne explains in extras interview footage that the movie took seven years to complete simply because the musician shot between tours. Rumors of this film’s release have been floating around forever, and the wait was worth it. Christmas on Mars, plot-wise, stars Major Syrtis (Steven Drozd), the captain on a spaceship who notices, between hallucinations of a baby dying, that the crew is in danger due to malfunctioning equipment. Clues include psychosis, as experienced by a man the script calls Astronaut Confronting Cosmic Reality (Kliph Scurlock), and other bizarre hardships, as other crew members that Major Lowell (Steve Burns) and the Sunglasses Wearing Astronaut (Michael Ivins) can attest to. The resident Psychiatrist (Adam Goldberg) tells everyone to chill out on the baby visions, which look like 2001: A Space Odyssey and Eraserhead, to no avail. Lucky for everyone, a mysterious green-faced Martian, played by Coyne, comes to the rescue. Christmas on Mars is not about plot originality, as it screens more like a tribute to Coyne’s favorite sci-fi films. Made almost exclusively in Coyne’s backyard, the sets impress because they really transport the viewer to space despite being made of recognizable hardware store materials. Each scene, and its way of either slowing down or speeding up time, feels deeply imagined from the subconscious. What matters is the film’s undoubting sincerity. Filmed mostly in black and white, blasts of color during moments of psychic realization surrealistically tie the film’s visuals to Flaming Lips music, in which guitars and heavy drums explode rhythm. Moreover, the score serves the film well, carefully blending ambient, electronic space-age melodies with moments of sonic chaos. Christmas on Mars is another of Coyne’s attempts at expressing tension between peace of mind and utter insanity, and an undying, Lovecraftian attraction to abyss. --Trinie Dalton
登録情報
- アスペクト比 : 1.77:1
- メーカーにより製造中止になりました : いいえ
- 言語 : 英語
- 梱包サイズ : 19.05 x 13.72 x 1.52 cm; 0.28 g
- EAN : 0075993999891
- 監督 : Bradley Beesley, George Salisbury, Wayne Coyne
- メディア形式 : DVD-Video
- 発売日 : 2008/11/11
- 出演 : Steven Drozd, Wayne Coyne, Steve Burns, Fred Armisen, Scott Booker
- 字幕: : ロシア語
- 言語 : 英語 (Dolby Digital 2.0), 英語 (DD 5.1 Surround)
- 販売元 : Warner Bros / Wea
- ASIN : B001G0LBYW
- 脚本 : Wayne Coyne
- ディスク枚数 : 1
- カスタマーレビュー:
他の国からのトップレビュー
I think it's worth the price just to marvel over the incredibly clever low-budget production design! The Martian base and all the props are so fun to look at--they are all made from stuff you can buy at Home Depot, but they are so effective and creatively assembled. The locations too (much of it was filmed at an abandoned cement factory) are used in such a clever and compelling way. The film really has a fantastic visual look all the way through.
If you watch this expecting a conventional Christmas movie, you'll be completely perplexed, of course, but there actually is a beautiful message in it.
What I like best about this film though, is the genuinely scary depiction of what it must be like to be out in space (and no, I don't mean after taking too many drugs). The characters are so alienated and lost, and the environment so forbidding, that their mental health is starting to break down. Nothing about being out in space, millions of miles from home and our beautiful blue/green Earth, is scarier than realizing that the people with you are starting to lose it. (One character runs out the airlock without a space suit on and instantly dies and freezes in a hideously contorted pose). That unraveling combined with the harsh alien environment is depicted really well here, better than any other movie about space I've ever seen (and I'm watching dozens of them in preparation for a college class I'm teaching on space movies). "The Martian" with Matt Damon utterly fails at capturing this preternatural terror, in my opinion, but Christmas on Mars really gets it right. Why is everyone on Mars having nightmares? Because WE WEREN'T MEANT TO LIVE IN SPACE! as someone in the film explains.
As I said, the film is ultimately uplifting, which is saying a lot after all the dark places it goes. It's not a joke, and not a deliberately bad movie as some other reviewer said. It's an idiosyncratic and independent work of art, an obvious labor of love, and a genuine statement about . . . about . . . well, that's not easy to answer, but I believe it has a lot to say about being human and what that entails. What we need to keep from going out of our minds in a cold, uncaring universe. Hope. Love. Beauty. Finding your own happiness.
2016年9月13日にアメリカ合衆国でレビュー済み
I think it's worth the price just to marvel over the incredibly clever low-budget production design! The Martian base and all the props are so fun to look at--they are all made from stuff you can buy at Home Depot, but they are so effective and creatively assembled. The locations too (much of it was filmed at an abandoned cement factory) are used in such a clever and compelling way. The film really has a fantastic visual look all the way through.
If you watch this expecting a conventional Christmas movie, you'll be completely perplexed, of course, but there actually is a beautiful message in it.
What I like best about this film though, is the genuinely scary depiction of what it must be like to be out in space (and no, I don't mean after taking too many drugs). The characters are so alienated and lost, and the environment so forbidding, that their mental health is starting to break down. Nothing about being out in space, millions of miles from home and our beautiful blue/green Earth, is scarier than realizing that the people with you are starting to lose it. (One character runs out the airlock without a space suit on and instantly dies and freezes in a hideously contorted pose). That unraveling combined with the harsh alien environment is depicted really well here, better than any other movie about space I've ever seen (and I'm watching dozens of them in preparation for a college class I'm teaching on space movies). "The Martian" with Matt Damon utterly fails at capturing this preternatural terror, in my opinion, but Christmas on Mars really gets it right. Why is everyone on Mars having nightmares? Because WE WEREN'T MEANT TO LIVE IN SPACE! as someone in the film explains.
As I said, the film is ultimately uplifting, which is saying a lot after all the dark places it goes. It's not a joke, and not a deliberately bad movie as some other reviewer said. It's an idiosyncratic and independent work of art, an obvious labor of love, and a genuine statement about . . . about . . . well, that's not easy to answer, but I believe it has a lot to say about being human and what that entails. What we need to keep from going out of our minds in a cold, uncaring universe. Hope. Love. Beauty. Finding your own happiness.
sad too because the doc. Fearless Freaks is great.