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White Clouds Drift on & On (Bonus CD)

bvdub 形式: CD

5.0 4個の評価

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新品

中古品

CD, インポート, 2009/6/23

"もう一度試してください。"

インポート

—

￥5,000

￥1,477

CD, オリジナルレコーディングのリマスター, 2014/3/19

"もう一度試してください。"

オリジナルレコーディングのリマスター

—

￥7,646

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製品サイズ ‏ : ‎ 14.2 x 1 x 12.5 cm; 40.82 g
メーカー ‏ : ‎ Echospace
EAN ‏ : ‎ 0845121007527
レーベル ‏ : ‎ Echospace
ASIN ‏ : ‎ B002BIGCR4
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 1,040,722位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 42,310位ダンス・エレクトロニカ (ミュージック)
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5.0 4個の評価

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Headphone Commute

Headphone Commute Review

2009年10月4日にアメリカ合衆国でレビュー済み

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On his first full-length album, White Clouds Drift On And On, Brock Van Wey (better known as Bvdub) abandons dub techno conventions and returns to his West Coast chill-out room roots. It's a step in the right direction, making for some of his most emotional music to date. The opening track, "Too Little Too Late" is gentle and ambient with voices drifting in and out of the mix. "I Knew Happiness Once" features fuller vocal samples that sound Eastern in origin. "Forever a Stranger" is beautiful and relaxing, with slow washes of textured sound. Repetitive choral pulses guide "A Gentle Hand to Hold." I'm reminded of Philip Glass' soundtrack for Koyaanisqatsi (in a good way). "A Chance to Start Over" seems to ask a question. Its ascending three-note pattern is joined by plucked strings and echoey vocals. The title piece is awash in long drifting chords. All six pieces are airy and beat-less with little bass. They are perfect for summer's late twilight. I'm sure lazy afternoon or late-night post-party listening sessions would work equally well. Van Wey and Stephen Hitchell both played live at a LWE loft party in Chicago over the winter. They must have kept in touch, because not only did Hitchell publish this album, he also contributed a full disc of interpretations. These versions will undoubtedly please dub techno fans. The "Intrusion Shape" of the title track gradually reveals itself with full, deep bass and lingering chord caresses. It turns the uplifting original on its head, adding elements that are dark yet sensuous. At over twenty-four minutes, it's no lightweight. The Intrusion version of "A Chance to Start Over (Intrusion Shape III)" bears little resemblance to the original, but is pretty in its own right, with contemplative analogue synthesizers and wonderful surface noise that gives way to downtempo percussion. "A Gentle Hand to Hold" gently sways to congas like a pop song de-constructed. There is an entire world built into its subtle changes. "I Knew Happiness Once (Intrusion Shape V)" reminds me of The Orb, but for being serious (and more sparse). On "Too Little Too Late (Intrusion Shape VI)" metal shivers and beats tick while piano notes glisten. This double CD is an amazing two-and-a-half hours of quality electronic music. Listening to it straight through, I'm reminded of the good old days when synthesizers offered glimpses of an alien world, when bedroom producers created whole atmospheres in space and time. Sometimes you need to look back to move forward. It's a revival.

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ionysos

Audio Tranquility

2012年4月17日にアメリカ合衆国でレビュー済み

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I love this music. Both White Clouds and the bonus Intrusion CD are brilliant realizations of ambient electronica. Somehow it manages to be there and not there at the same time. The CD title is really a metaphor. You can either consciously listen to its beautiful, changing but repetitive structures or shift your attention elsewhere as it reshapes your living space. White Clouds has an unexpectedly wide range of emotional impact. The track, Too Little Too Late can take you from melancholia to profundity and back. A Chance to Start Over (Intrusion Shape II) is perfect music for drifting asleep on a rainy afternoon. My only disappointment with White Clouds is that Too Little Too Late uses a really noisy or overly lossy orchestral sample. If you have heard this track on internet radio, you will not get a cleaner version by buying the CD. Perhaps there is a musical reason it is the way it is. White Clouds and its Bonus CD counterpart deserve recognition as something special in electronica with references to the postmodern minimalism of Steve Reich or Philip Glass.

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Bruno Dealmeida

Brock does it again

2013年3月25日にアメリカ合衆国でレビュー済み

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and with help too on the second disc by Steven Hitchell (Intrusion)
if you can manage a reasonable copy somewhere, help yourself cuz it's a lot of great music on the 2 discs. Disc 1 has Brock doing his usual yummy stuff and then the second disc has differently presented material based on the same material as disc 1....with slow and simple beats.
Great stuff!

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White Clouds Drift on & On (Bonus CD)

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