ブランド | パナソニック(Panasonic) |
---|---|
製品型番 | H-X025 |
年式 | 2011 |
ズーム倍率 (光学) | 1 x |
固定焦点距離 | 25 ミリメートル |
焦点距離 (広角側) | 25 ミリメートル |
焦点距離 (望遠側) | 25 ミリメートル |
F値 (広角側) | 1.4 ミリメートル |
F値 (望遠側) | 16 |
レンズタイプ | 単焦点レンズ |
種類 | 標準レンズ |
フィルター径 | 46mm |
レンズ構成 | 7群9枚(非球面レンズ:2枚)、UHRレンズ1枚 |
レンズマウント | マイクロフォーサーズ |
手ブレ補正 | なし |
モータータイプ | DCモーター |
電池付属 | いいえ |
製品サイズ | 5.5 x 6.3 x 6.3 cm; 200 g |
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あわせて購入:
パナソニック 単焦点レンズ マイクロフォーサーズ用 ライカ DG SUMMILUX 25mm/F1.4 ASPH. ブラック H-X025
購入オプションとあわせ買い
ブランド | パナソニック(Panasonic) |
焦点距離の説明 | 25 mm |
レンズタイプ | 7群9枚(非球面レンズ:2枚)、UHRレンズ1枚 |
対応マウント | マイクロフォーサーズ |
カメラレンズの説明 | 単焦点レンズ |
この商品について
- レンズ構成:7群9枚(非球面:2枚、UHR:1枚、ナノサーフェスコーティング:1面)
- 開放絞り:F1.4
- 最短撮影距離:0.3m
- 焦点距離:25mm(35mmフィルムカメラ換算 50mm)
- 質量:約200g
Edifierのワイヤレスヘッドホンやこむこむ商店のオーガニック抹茶など。 そのほかクーポン商品なども幅広くお取り扱いしていますので、ぜひご利用ください。 今すぐチェック
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商品の情報
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商品モデル番号 | H-X025 |
---|---|
ASIN | B0055N2L22 |
発売日 | 2011/7/22 |
Amazon.co.jp での取り扱い開始日 | 2011/6/13 |
おすすめ度 |
5つ星のうち4.3 |
Amazon 売れ筋ランキング | - 129,163位家電&カメラ (家電&カメラの売れ筋ランキングを見る) - 287位一眼レフカメラレンズ |
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類似商品と比較する
この商品 パナソニック 単焦点レンズ マイクロフォーサーズ用 ライカ DG SUMMILUX 25mm/F1.4 ASPH. ブラック H-X025 | おすすめ | dummy | dummy | dummy | dummy | |
もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | |
価格 | ¥63,000¥63,000 | ¥54,846¥54,846 | ¥106,182¥106,182 | ¥23,562¥23,562 | ¥191,809¥191,809 | ¥26,862¥26,862 |
配達 | 最短で6月12日 水曜日のお届け予定です | 6月 12 - 13 日にお届け | — | — | 最短で6月12日 水曜日のお届け予定です | 最短で6月12日 水曜日のお届け予定です |
お客様の評価 | ||||||
軽さ | 4.2 | 4.9 | — | 4.5 | 3.4 | 4.5 |
手ぶれ補正 | 4.0 | 4.5 | — | 5.0 | 3.3 | 5.0 |
画質 | — | 5.0 | — | 4.2 | 4.6 | 4.2 |
オートフォーカス | — | 4.8 | — | 4.0 | 3.8 | 4.0 |
明るさ | 4.6 | — | — | 4.6 | — | 4.6 |
販売元: | ノースフォワード | 三星カメラ | Amazon.co.jp | ECカレント | Amazon.co.jp | Amazon.co.jp |
レンズタイプ | 7群9枚(非球面レンズ:2枚)、UHRレンズ1枚 | 広角 | 12群15枚(非球面レンズ2枚、EDレンズ1枚、UEDレンズ2枚) | 7群8枚 | 12群17枚 | 7群8枚 |
対応マウント | マイクロフォーサーズ | マイクロフォーサーズ | マイクロフォーサーズ | マイクロフォーサーズ | マイクロフォーサーズ | マイクロフォーサーズ |
レンズデザイン | 単焦点 | 単焦点 | 単焦点 | 単焦点 | ズーム | 単焦点 |
最小焦点距離 | 25 millimeters | 9 millimeters | 12 millimeters | 25 millimeters | 10 millimeters | 25 millimeters |
最長焦点距離 | 25 millimeters | 9 millimeters | 12 millimeters | 25 millimeters | 25 millimeters | 25 millimeters |
固定焦点距離 | 25 millimeters | 9 millimeters | 24 millimeters | 25 millimeters | 10 millimeters | 25 millimeters |
メーカーによる説明
大口径F1.4から高速・高精度AFが可能な単焦点レンズ
■マイクロフォーサーズ用交換レンズとして最も明るい(※1) 25mm/F1.4
人物、風景、スナップ等の幅広い撮影領域で、ピント面の鮮鋭さとアウトフォーカス面の柔らかいボケ味を生かしたライカレンズ独特の表現が可能です。
※1 2011年7月21日現在。AF対応の交換レンズとして。
■開放F1.4から安心してAFが使用可能
位相差AFでは苦手とした大口径レンズでのAF精度をコントラストAFで克服。
写真品質の一層の向上を実現しました。
■高い光学性能と小型軽量化を実現する超高屈折率UHRレンズ(Ultra High Refractive Index Lens)/非球面レンズ
新たに開発した超高屈折率ガラスレンズ、UHRレンズ(Ultra High Refractive Index Lens)とガラスモールド非球面レンズの採用により、画面中心から周辺まで描写の均一性を実現しました。
■フレアやゴーストを削減するナノサーフェスコーティング
新開発のコーティング技術「ナノサーフェスコーティング」を採用しました。
ナノレベルの微細構造を持つ、超低屈折率の薄膜をレンズ表面に形成することで、可視光域(380nm~780nm)の全領域で光線の反射を飛躍的に低減しました。
これによりゴースト、フレアを大幅に低減し、ヌケの良いクリアーな描写を実現します。
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イメージ付きのレビュー
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
ただし最新モデルは、25mm/F1.4 II ASPH. H-XA025です。ご注意下さいませ。
マイクロフォーサーズなのでボケ量が気になっていました。
45mm辺りも検討してましたがこれだけボケるなら満足です。
パナライカは初めてですがオリンパスとは違い発色に深みがあると感じました。
気になった点は天気が良いとパープルフリンジが出やすいこと。
それでもなんとも言えない雰囲気のある写真が撮れるのでお気に入りのレンズになりそうです。
本体出現。プチプチに包まれているだけで他にもなんもなし
明らかな中古です。返品お願いしておきます。
他の国からのトップレビュー
Único defeito é o ruído que a objetiva faz ao mudar a abertura (impossibilita mudança de abertura durante vídeo por exemplo). Não há firmware disponível para essa objetiva (liberaram somente para a versão mais recente dela).
Before we go any further, I'll just give you a little background on my photography needs / experience. I've been doing hobby photography for the better part of 6 years now. I avoid external flash like the plague. I'm not a studio photographer. I'm not a professional photographer. I just really love taking photos and being a historian. I almost always have my Olympus OM-D E-M5 16MP Live MOS Interchangeable Lens Camera with 3.0-Inch Tilting OLED Touchscreen and 12-50mm Lens (Silver) on me, thanks to the compactness of the M4/3 camera system and my handy-dandy Black Rapid RS-7 Camera Strap (Black) camera strap.
Now for the review of the actual lens. To make things easy, I'll make a bullet list of features worth mentioning and factors with considering.
Build quality / esthetics: The first thing I noticed about this lens was the smoothness of the focusing ring. When I used this lens, I was stepping up from the panasonic 20mm, which while a M4/3 legend, had a gritty feel to the focusing ring. Not so with the DG summilux. It's smooth as butter. If you're ever used a fluid-head tripod mount, you'll know what I mean. The ring is dampened ever-so-smoothly. Although 99% of the time, I'm using a UV filter ( B+W 46mm Clear UV Haze with Multi-Resistant Coating (010M) ) to protect it, the front element is gorgeous. Of course, it's nowhere near as huge as the Olympus M.ZUIKO DIGITAL ED 75mm f1.8 (Silver) Lens for Olympus and Panasonic Micro 4/3 Cameras , it's still pleasing to look at, for what it's worth. There's no getting around the size of this lens. It's a weird analogy, but the lens kind of reminds me of the Nolan-era batmobile. It's unapologetically big, both in length and width, especially when you're using the included plastic lens hood. If compactness of your camera setup is your #1 priority, stick with the panasonic 20mm. The lens feels solid though. It's not so heavy that you'e sacrificing the lightness of the M4/3 camera system, but it's not so light that it feels cheap. It strikes a fine balance between feeling solid and still being light enough to not weigh you down. Although it's made of black plastic, it still looks great on my silver E-M5 as it blends in well with the black leatherette texturing. My one gripe about this lens is that it's not made of metal, like the M. Zuiko 12,17 and 75mm. Although it ultimately makes no difference in the final image, there's just no denying the charm of all-metal construction.
Autofocus: Excellent. When I purchased this lens, I was stepping up from my panasonic 20mm primarily because I was frustrated with the relative slowness of the 20mm's external focusing motor- especially when focus-hunting with that annoying AF-assist lamp in low-light situations (think karaoke bars). The difference between the two lenses is dramatic. Paired with the E-M5, quickly acquiring accurate focus is almost an afterthought. For the most part, focusing with this lens feels nearly instantaneous. It feels just a hair slower than the 12mm and 17mm M. Zuiko lenses, but only by a hair. I'd consider it extremely unlikely that the difference in focusing speeds between the premium M. Zuiko lenses and this lens would result in a missed moment.
Image quality: in a word, outstanding. When I started taking pictures with this lens, it felt like it was reading my mind. This is likely due to the 50mm equivalent focal length. It's the focal length that most accurately simulates how the human eye sees. I've noticed that with this lens, I spend significantly less time recomposing than I would with lenses of differing focal lengths. To put it simply, it feels like the lens gets me. It sees the world as I do, which has resulted in two effects: One, I'm able to capture more spur-of-the-moment shots than I had before, and two- I'm taking more pictures because I know that my camera is more likely to show me what I want to see right away. For the most part, I don't concern myself with sharpness. What I do concern myself with is contrast, which this lens rocks- especially macrocontrast. It's not overblown and melodramatic- it's just what you see, how you see it. Neither do I particularly care about things like chromatic aberration. I've never had anyone look at a picture of mine and tell me that the image would be great if it weren't for the edge-fringing of a telephone pole. One warning though: Shooting at f/1.4 can be a bit challenging. F/1.4 at 50mm can result in a very shallow depth of field which could be confused for image softness- particularly if your subject is close and moving around.
Video: The lens does terrific at video. The focusing motor is fast as it needs to be, with minimal-yet-occasionally noticeable focus searching.
If you're looking at reviews for this lens, chances are you're still somewhat on the fence about it. And you're probably torn between this, the Panasonic Lumix G H-H020AK 20mm F/1.7 II ASPH Lens for Panasonic/Olympus Micro Four Thirds Cameras (Black) and the Olympus M.Zuiko 17mm f1.8 (Silver) for Olympus and Panasonic Micro 4/3 Cameras .
Before we go any further, I'll just give you a little background on my photography needs / experience. I've been doing hobby photography for the better part of 6 years now. I avoid external flash like the plague. I'm not a studio photographer. I'm not a professional photographer. I just really love taking photos and being a historian. I almost always have my Olympus OM-D E-M5 16MP Live MOS Interchangeable Lens Camera with 3.0-Inch Tilting OLED Touchscreen and 12-50mm Lens (Silver) on me, thanks to the compactness of the M4/3 camera system and my handy-dandy Black Rapid RS-7 Camera Strap (Black) camera strap.
Now for the review of the actual lens. To make things easy, I'll make a bullet list of features worth mentioning and factors with considering.
Build quality / esthetics: The first thing I noticed about this lens was the smoothness of the focusing ring. When I used this lens, I was stepping up from the panasonic 20mm, which while a M4/3 legend, had a gritty feel to the focusing ring. Not so with the DG summilux. It's smooth as butter. If you're ever used a fluid-head tripod mount, you'll know what I mean. The ring is dampened ever-so-smoothly. Although 99% of the time, I'm using a UV filter (B+W 46mm Clear UV Haze with Multi-Resistant Coating (010M)) to protect it, the front element is gorgeous. Of course, it's nowhere near as huge as the Olympus M.ZUIKO DIGITAL ED 75mm f1.8 (Silver) Lens for Olympus and Panasonic Micro 4/3 Cameras, it's still pleasing to look at, for what it's worth. There's no getting around the size of this lens. It's a weird analogy, but the lens kind of reminds me of the Nolan-era batmobile. It's unapologetically big, both in length and width, especially when you're using the included plastic lens hood. If compactness of your camera setup is your #1 priority, stick with the panasonic 20mm. The lens feels solid though. It's not so heavy that you'e sacrificing the lightness of the M4/3 camera system, but it's not so light that it feels cheap. It strikes a fine balance between feeling solid and still being light enough to not weigh you down. Although it's made of black plastic, it still looks great on my silver E-M5 as it blends in well with the black leatherette texturing. My one gripe about this lens is that it's not made of metal, like the M. Zuiko 12,17 and 75mm. Although it ultimately makes no difference in the final image, there's just no denying the charm of all-metal construction.
Autofocus: Excellent. When I purchased this lens, I was stepping up from my panasonic 20mm primarily because I was frustrated with the relative slowness of the 20mm's external focusing motor- especially when focus-hunting with that annoying AF-assist lamp in low-light situations (think karaoke bars). The difference between the two lenses is dramatic. Paired with the E-M5, quickly acquiring accurate focus is almost an afterthought. For the most part, focusing with this lens feels nearly instantaneous. It feels just a hair slower than the 12mm and 17mm M. Zuiko lenses, but only by a hair. I'd consider it extremely unlikely that the difference in focusing speeds between the premium M. Zuiko lenses and this lens would result in a missed moment.
Image quality: in a word, outstanding. When I started taking pictures with this lens, it felt like it was reading my mind. This is likely due to the 50mm equivalent focal length. It's the focal length that most accurately simulates how the human eye sees. I've noticed that with this lens, I spend significantly less time recomposing than I would with lenses of differing focal lengths. To put it simply, it feels like the lens gets me. It sees the world as I do, which has resulted in two effects: One, I'm able to capture more spur-of-the-moment shots than I had before, and two- I'm taking more pictures because I know that my camera is more likely to show me what I want to see right away. For the most part, I don't concern myself with sharpness. What I do concern myself with is contrast, which this lens rocks- especially macrocontrast. It's not overblown and melodramatic- it's just what you see, how you see it. Neither do I particularly care about things like chromatic aberration. I've never had anyone look at a picture of mine and tell me that the image would be great if it weren't for the edge-fringing of a telephone pole. One warning though: Shooting at f/1.4 can be a bit challenging. F/1.4 at 50mm can result in a very shallow depth of field which could be confused for image softness- particularly if your subject is close and moving around. On the subject of blur, the bokeh of this lens is something else. It's creamy and transitions gracefully from areas of sharpness. You're going to love it.
Video: The lens does terrific at video. The focusing motor is fast as it needs to be, with minimal-yet-occasionally noticeable focus searching.
On building your "holy trinity". I initially purchased this lens to upgrade the normal lens in my 3-prime setup. I went up buying this lens because the Olympus 17mm was sold out. I was happy as a clam with it. But then I got wind that the Olympus 17mm was back in stock. So I sold my 25mm and used it to pay for the 17mm. Yes, the 17mm was sleek and looked great on my silver E-M5. I eventually realized that the 17mm focal length was just a bit too close to the 12mm focal length, and so now I've sold the 17mm to pay for the 25mm. I've experimented around, and the Oly 12, Panasonic/Leica 25, and Oly 45mm complement each other magnificently. The wider angle of the 17 is useful, but as I already own the 12mm, I found the 17mm to be redundant. If I'm going for a wide shot, I'm going all-in with the 12mm. If I'm going for a normal shot, I'm using the focal length that most closely simulates what the human eye sees. If I'm going for a tight portrait, I'm using the 45mm portrait. Lens. With this 12/25/45 setup, I've got 3 distinct lenses with loads of character that can handle virtually any situation life throws at me.