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The Flaming Lips and Heady Fwends
仕様 | 価格 | 新品 | 中古品 |
CD, CD, インポート, 2012/8/7
"もう一度試してください。" | CD, インポート | ¥904 | ¥672 |
CD, 2012/7/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥1,260 |
よく一緒に購入されている商品
この商品をチェックした人はこんな商品もチェックしています
曲目リスト
1 | 2012 (You Must Be Upgraded) |
2 | Ashes in the Air |
3 | Helping the Retarded to Know God |
4 | Supermom Made Me Want to Pee |
5 | Children of the Moon |
6 | That Ain't My Trip |
7 | You, Man? Human? |
8 | I'm Working at Nasa on Acid |
9 | Do It! |
10 | Is David Bowie Dying |
11 | The First Time Ever I Saw Your Face |
12 | Girl, You're So Weird |
13 | Tasered and Maced |
商品の説明
In between one-off shows scattered around the world in the past several months The Flaming Lips have still found time to record a series of unique and experimental sessions for an album featuring a diverse cross-section of heavy friends from every corner of the musical cosmos. The Flaming Lips AND HEADY FWENDS includes vocal and musical assistance from such disparate playmates as Yoko Ono, Nick Cave, Bon Iver, Ke$ha and many more.
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.4 x 14.2 x 1.4 cm; 96.1 g
- メーカー : Warner Records
- EAN : 0093624951957
- 製造元リファレンス : 093624951957
- オリジナル盤発売日 : 2012
- レーベル : Warner Records
- ASIN : B007P3BM3E
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 524,073位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 113,185位ロック (ミュージック)
- - 163,714位輸入盤
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
日本盤はボーナストラックなしなのである程度の英語力があれば輸入単品CDが安くていいと思います。
この作品は、オノ・ヨーコやChris Martin(Coldplay)、Ke$haといったビッグネームから、Erykah Badu、Biz Markieといったヒップホップ/アーバン系のアーティスト、Bon IverやNick Cave、Jim James(My Morning Jacket)のロック系、Lightning BoltやPrefuse 73、Neon Indianといった前衛インディー系などジャンルを越えた様々なアーティストとのコラボレーション作品。 全収録曲のうち、4曲は前作『Embryonic』発表後にEPとしてリリースされた作品です。
その他は<レコード・ストア・デイ>のためにレコーディングされた本邦初公開の音源となっています。
曲目リスト
1. 2012 (You Must Be Upgraded) (w/ Ke$ha, Biz Markie & Hour Of The Time Majesty 12)
2. Ashes In The Air” (Featuring Bon Iver)
3. Helping The Retarded To Know God” (Featuring Edward Sharpe and The Magnetic Zeros)
4. Supermoon Made Me Want To Pee” (Featuring Prefuse 73)
5. Children Of The Moon” (Featuring Tame Impala)
6. That Ain’t My Trip” (Featuring Jim James of My Morning Jacket)
7. You, Man? Human???” (Featuring Nick Cave)
8. I’m Working At NASA On Acid” (Featuring Lightning Bolt)
9. Do It!” (Featuring Yoko Ono/Plastic Ono Band)
10. Is David Bowie Dying?” (Featuring Neon Indian)
11. The First Time Ever I Saw Your Face” (Featuring Erykah Badu)
12. Girl, You’re So Weird” (Featuring New Fumes)
13. Tasered And Maced” (Featuring Aaron Behrens of Ghostland Observatory)
この作品は、オノ・ヨーコやChris Martin(Coldplay)、Ke$haといったビッグネームから、Erykah Badu、Biz Markieといったヒップホップ/アーバン系のアーティスト、Bon IverやNick Cave、Jim James(My Morning Jacket)のロック系、Lightning BoltやPrefuse 73、Neon Indianといった前衛インディー系などジャンルを越えた様々なアーティストとのコラボレーション作品。 全収録曲のうち、4曲は前作『Embryonic』発表後にEPとしてリリースされた作品です。
その他は<レコード・ストア・デイ>のためにレコーディングされた本邦初公開の音源となっています。
曲目リスト
1. 2012 (You Must Be Upgraded) (w/ Ke$ha, Biz Markie & Hour Of The Time Majesty 12)
2. Ashes In The Air” (Featuring Bon Iver)
3. Helping The Retarded To Know God” (Featuring Edward Sharpe and The Magnetic Zeros)
4. Supermoon Made Me Want To Pee” (Featuring Prefuse 73)
5. Children Of The Moon” (Featuring Tame Impala)
6. That Ain’t My Trip” (Featuring Jim James of My Morning Jacket)
7. You, Man? Human???” (Featuring Nick Cave)
8. I’m Working At NASA On Acid” (Featuring Lightning Bolt)
9. Do It!” (Featuring Yoko Ono/Plastic Ono Band)
10. Is David Bowie Dying?” (Featuring Neon Indian)
11. The First Time Ever I Saw Your Face” (Featuring Erykah Badu)
12. Girl, You’re So Weird” (Featuring New Fumes)
13. Tasered And Maced” (Featuring Aaron Behrens of Ghostland Observatory)
他の国からのトップレビュー
I personally love this album. However, if you aren't already that familiar with The Flaming Lips, you may find it hard to enjoy. I would definitely recommend listening to their albums The Soft Bulletin, Yoshimi Battles the Pink Robots, and Embryonic before giving this a listen.
2011 saw a myraid of hard-to-get, hard-to-afford, and often hard-to-enjoy, fetished releases. A 24 hour song wrapped inside a $3,000 jellied lifesize skull. A Live album inside a $200 jellied skull. A 6 hour "EP" inside a stroboscopic device. The $150 Gummy Song Brain. The $30 USB Jelly Foetus. And, not forgetting, coloured vinyl collaboration 12" EP's with Yoko Ono, Prefuse 73, Lightning Bolt, Neon Indian, and so on. And here is the latest one : a double, coloured splatter vinyl LP with no artwork, 9,500 released in US retail shops only on Record Store Day, and in a limited edition of 500 on their website (the latter of which sold out in less than an hour).
Has being a Flaming Lips fan ever been quite so difficult? At last this has been released on an accessable, non-limited format.
Then again, back in 1995, their CD singles came in fake honeycomb sleeves. The 2008 film "Christmas On Mars" came with a box of popcorn -which is still, no doubt inedibly, sealed in my record museum at the back of the house.
You might then be forgiven for thinking that,l since these records are so absurdly limited and expensive, that they may be justified with the excuse of "Any old rubbish" will do. Their studio output in 2011 totalled 33 hours and 9 separate fetish objects, as well as an insane amount of highly sugared sweets, that delivered music on every format apart from cassette.
You might also be forgiven that, given their dalliance with mainstream pop success was shattered irrevocably to pieces by 2009's weird, largely improvised, free-form jazz fest "Embryonic" - and 2010's bonkers recreation of "Dark Side Of The Moon" - that the Flaming Lips simply don't care about being accessable. It's a fallacy to think they ever did. It took them 20 years to have more than one hit. It just so happened that their world collided with the pop mainstream and high street stores for a fraction of a decade before they sheared off into their own universe. Again, as ever, following their own muse, which I suppose you must admire, or at least, respect.
The quality of what is in here is betrayed by the absurd, and limited, legitimate ways in which this album could be experienced, until this final, widespread release.
Largely made of colloborations with guest musicians, vocalists, and friends - including Nick Cave - "The Flaming Lips! With Heady Fwends" is the most accessable, pop, fun thing they've done since 2006. Starting with Ke$ha's guest vocal over a gonzoid full on freakout remix of The Stooges "1969", entitled "2012", it owes a debt to weirdness - and The Weirdness - the size of Greece. By the time they get to "Children of The Moon", another, brilliant, silly, song feature Tame Impala, I'm sold.
Sure, the release mechanisms for the recent Flaming Lips output is appalling, elitest and borderline abusive of the fan that isn't both lucky, and stinking rich, we still have MP3's, and best of all, we have these great, stupid songs. As was once said of Sonic Yoof, "Clever People Playing Stupid Music" is the modus operandi here, and this record is made of 13 pieces, no slabs, of immense, fat grooves, immaculately dirty fuzz geetar, and Wayne Coyne and friends talking weird, transcendental nonsense. Imagine, if you will, that Pink Floyd moved from something as masterful as "Wish You Were Here" to the crazed bonkerness of "Atom Heart Mother". Clearly its the same band, but a flipside of the coin, yin to yang. And with little concern for conquering charts or having hits, they are off, on their own adventure, on the far side of the moon if you want to come. "I'm Working At NASA On Acid" does, by title alone, give the game away.
It isn't an easy record, or a quick one, but a dense, rewarding set of noise that bears repeated listening and will open your ears. I get it. This is artistic liberation and art fetishism. And it's never sounded so good.