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フォーマット	色, ドルビー, 限定版, ワイドスクリーン
コントリビュータ	ヒース・レジャー, アーロン・エッカート, ジョナサン・ノーラン, マギー・ギレンホール, ゲイリー・オールドマン, クリストファー・ノーラン, マイケル・ケイン, クリスチャン・ベール, モーガン・フリーマン表示を増やす
言語	日本語, 英語
稼働時間	2 時間 32 分

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【初回生産限定スペシャル・パッケージ】ダークナイト(2枚組) [Blu-ray]

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商品の説明

特典として『ダークナイトライジング』のオリジナルポストカード封入

登録情報

アスペクト比 ‏ : ‎ 2.35:1
メーカーにより製造中止になりました ‏ : ‎ いいえ
言語 ‏ : ‎ 日本語, 英語
製品サイズ ‏ : ‎ 25 x 2.2 x 18 cm; 120 g
EAN ‏ : ‎ 4988135936851
監督 ‏ : ‎ クリストファー・ノーラン
メディア形式 ‏ : ‎ 色, ドルビー, 限定版, ワイドスクリーン
時間 ‏ : ‎ 2 時間 32 分
発売日 ‏ : ‎ 2012/6/27
出演 ‏ : ‎ クリスチャン・ベール, マイケル・ケイン, ヒース・レジャー, ゲイリー・オールドマン, モーガン・フリーマン
字幕: ‏ : ‎ 日本語, 英語
言語 ‏ : ‎ 日本語 (Dolby Digital 5.1), 英語 (Dolby Digital 5.1)
販売元 ‏ : ‎ ワーナー・ホーム・ビデオ
ASIN ‏ : ‎ B00840I5D2
ディスク枚数 ‏ : ‎ 2

Amazon 売れ筋ランキング: - 116,642位DVD (DVDの売れ筋ランキングを見る)
- - 8,681位ブルーレイ外国映画
- - 9,051位外国のアクション映画

カスタマーレビュー:
25,920

カスタマーレビュー

5つのうち4.5つ

25,920グローバルレーティング

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カスタマーレビューを書く

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すべての写真を見る

レビューのソート基準

上位レビュー、対象国：日本

すべてのレビューを日本語に翻訳

レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。

Nody

永遠に映画史に名を残す金字塔的名作

2024年4月10日に日本でレビュー済み

Amazonで購入

数多あるアメリカンコミックの映像化と比べるのが失礼なほどの金字塔的傑作。的確な配役、陰翳深き重厚な演出と映像、深淵なテーマ性。全てが揃った映画史に残る内容はヒース・レジャーの白鳥の歌に相応しい。

2024年3月18日に日本でレビュー済み

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ヒース・レンジャーだあ〜ジョーカーは彼の為にあると再確認。

2024年3月10日に日本でレビュー済み

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My all time favourite

2023年4月17日に日本でレビュー済み

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考えさせられる。
そして、このジョーカー好き。

1人のお客様がこれが役に立ったと考えています

役に立った

マシロ

まさに名作

2024年2月20日に日本でレビュー済み

Amazonで購入

バットマンとスーパーヴィランのジョーカーをもとにゴッサムの光と闇を描いた映画。
バットマン、ジョーカー、そしてトゥーフェイスの３人の対立により正義とは？悪とは？を考えさせられる。
ストーリーも2時間は超えているが重厚感があり飽きさせず、音楽も映画にあっていて素晴らしかった。

バットマンが主役でありバットスーツやバットモービル・ポッドも非常にかっこいいが、ジョーカー役のヒース・レジャーの演技が素晴らしく惹き込まれ、完全にバットマンが負けている…（良い意味で）

非常に素晴らしい映画。

2人のお客様がこれが役に立ったと考えています

役に立った

nakanaka

後味悪い

2024年4月13日に日本でレビュー済み

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注目の監督作品だから観たけどなんだかなあ…　悪を美談にしてほしくないなあ　親ガチャで悪かったから他の人へ逆恨みですか？　日本の戦いに悩む主人公を間違えてまねしませんでしたか？

2024年1月11日に日本でレビュー済み

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C ノーラン監督3部作中の大傑作。The　Batmanも良いけど、やはり、こちらの方が好みです。

1人のお客様がこれが役に立ったと考えています

役に立った

Amazon カスタマー

一家に一枚は持っていても損はない作品。

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もはや言わずと知れたクリストファー・ノーラン監督の出世作。本作以降、ビッグバジェット系へとシフトしていくことになります。
特筆すべき点も、言及すべき箇所もありますが、1枚は持っていて損はない映画だと思います。
何度も観ることができる作品ですし、対応機器があるのであればBlu-rayを。
配信でも観ることはできますが、円盤として保有しておくことが大事です。

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他の国からのトップレビュー

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Super film !

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Encore un super film pour les passionnés de Batman !

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ENMANUEL KALIL

The Joker (Heath Ledger) pushes himself ever farther from the distant bounds of morality.

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Even before The Dark Knight opened in theaters, it had taken on a macabre mystique. Heath Ledger's untimely death and glimpses of his makeup and performance created part of a box office draw rarely equaled in motion picture history. But not even the trailers and TV ads could prepare audiences for Ledger's inspired and disturbing performance. The previous incarnation of the Joker, played by Jack Nicholson, was nothing but a violent, hyperactive clown. Nicholson overplayed the role and made the character conform to his larger-than-life persona. But Ledger nailed the real essence of the Joker and bore no resemblance to Nicholson's caricature. The Joker of The Dark Knight is not a simple murderer and bank robber. His goal is to inspire evil in others so that even the most law abiding citizen will be driven to commit acts of crime or murder.

At any opportunity, the Joker tries to drive crime fighters toward crime by sowing the seeds of terror and chaos. He allows himself to fall into a police trap so that he can spring a more diabolical plot. He arranges to have two ferries full of passengers forced into committing mass murder against one another. He dresses restrained civilians as criminals so police will be responsible for murdering innocents. To portray such a character, Ledger adopted mannerisms that at times seemed insect-like, similar to Jeff Goldblum's performance in The Fly. At other times, Ledger's performance invoked Malcolm McDowell in A Clockwork Orange. But the combination of nihilism and violent eruption that defined the Joker was achieved purely by Ledger's own artistry and for that he should be considered for a posthumous Academy Award. Despite Christian Bale getting top billing, Ledger played a more important, challenging role in the film. Wayne is well defined from Batman Begins and the Joker is firmly established in the prologue, a bank heist in which all the accomplices are shot and the Joker issues his tenet, which is a twist on Nietzsche: "What doesn't kill you makes you stranger."

But the central character in The Dark Knight is neither the Joker nor Batman. It's Harvey Dent. The film follows the major changes that transform him from the public attorney into DC comic book villain Two-Face. The bulk of the character development focuses on Dent's complicated descent from a dedicated, fearless political figure, passionate about defeating criminals using the rule of law. This white knight of Gotham lives by his tenet, "you either die a hero or you live long enough to see yourself become the villain." Dent is able to achieve popularity and make good on his promise to put violent mafia figures behind bars mainly because Batman is willing to do the dirty work and get no credit for it. As Batman's success in the streets and Dent's success in the courtroom push the mob organizations into an increasingly small corner, the Joker appeals to the mob bosses and rallies them against Batman. In the ensuing chaos, it becomes clear that Dent lacks ethical principles. When he loses his girlfriend, Rachel Dawes (Maggie Gyllenhaal), and damages half his face in one of the Joker's vicious schemes, Dent turns his back on the law altogether. With some words of inspiration from the Joker, Dent transforms himself into Two-Face. Dent had gone after criminals. But Two-Face preys upon cops, including Lt. Jim Gordon (Gary Oldman), using a two-headed coin similar to the one Nolan and Bale used in The Prestige. Instead of magic tricks, however, Two-Face uses the coin to determine the fate of his victims.

The significance of the coin and of Dent's prophetic quote about becoming a villain is to show how easy it is to succumb to chance and chaos in the absence of real principles. One of the themes of The Dark Knight is to evaluate how different characters respond to the pressures of leadership and of fighting evil. Nolan hits upon a truth seemingly missed by the entire press corps: leaders must be willing to sacrifice their popularity to do what's right. This core message of The Dark Knight is demonstrated in a subplot about telecommunications surveillance taken right from the front pages of newspapers during the US debate about the Homeland Security Act of 2007. Bruce Wayne uses government contractors to build an advanced telecom technology that taps into ordinary cellphones to triangulate and illuminate the location of anyone in Gotham. The technology is the only way to locate and catch the Joker. But when Wayne Enterprises' most trusted official, Lucius Fox (Morgan Freeman), finds out what Wayne is up to, he says that no man should have that much power and tenders his resignation.

Faced with an adversary who is threatening countless lives and the future of Gotham, Wayne understands the consequences if he doesn't do what's necessary to end the Joker's campaign of terror. Dent proves to be an unprincipled politician with a rotten core and no one but Wayne/Batman is willing to sacrifice popularity to win the fight against evil. Ultimately, Batman decides he must take the blame for the actions of Two-Face in order to defeat the Joker and restore faith to the people of Gotham. The decision has major consequences. Gordon ultimately describes Batman as, "not a hero. He's a silent guardian, a watchful protector...a dark knight." Public perception is always secondary to Batman. His principles guide him to defeat evil and save lives, but the result is his loss of popularity and respect. Some things are more important than public perception.Approximating the viewing experience in IMAX theaters, the Blu-ray version of The Dark Knight shifts between 1.78:1 and 2.4:1 sequences, which is a tremendous asset in preserving the vision of the filmmaker and in attempting to get an IMAX-like experience in viewers' home theaters. The prologue, as well as other 1.78:1 sequences, appear with lifelike detail and good depth. Some have complained about the subtle use of edge enhancement as detracting from the overall picture quality, but I believe what they are seeing is an ever-so-slight glow effect that makes the bright areas of some scenes appear heightened. Deducting points for this type of brightness would be silly. Meanwhile, the black level is remarkable as it conveys all gradations of grey and retains very good definition. Since so much of the film has dark, dimly lit scenes, the inky blacks contribute greatly to the depth and weight of the picture.

So how does the resolution of the 2.4:1 content compare to the 1.78:1 picture quality? Believe it or not, the detail remains nearly consistent in both aspect ratios--there's just more presence in the scenes shot using the IMAX cameras. Non-IMAX sequences give up surprisingly little in definition. Perhaps the most extraordinary scene to view the differences is when Batman raids the high rise building in Hong Kong to extract Lau (Chin Han). In the full IMAX resolution, with much of the screen enveloped in deep black, Batman is shown perched above the city. He then descends through the air, breaking through the window nearby the desk where Lau is working and quickly dispatches Lau's body guards. Finally, as he holds Lau near the broken windows, both men are whisked out of the building by a floating device and a passing aircraft. The complicated, busy action coupled with poor lighting would be problematic if not for the detail delivered both by the 1.78:1 and 2.4:1 shots that make up the scene. While the IMAX picture is preferable because of a greater sense of depth and resolution, the 2.4:1 content shares its small, gentle grain and otherwise clean, highly detailed presentation. Some element of the grain has a digital sheen to it, but I cannot justify deducting a point or half-point for that. In keeping with the dark visuals, the sound throughout The Dark Knight is weighted toward the lower registers with heavy LFE content. While the audio across the dynamic range is delivered in good detail, with plenty of resolution, the Dolby TrueHD content is clearly bass-heavy. It doesn't have quite the 3D impact one might expect in an action movie, with very little content assigned assigned to the rear channels. But it is preferable to err on the conservative side than to have an overly aggressive surround soundstage where it is really not warranted. On the other hand, some multichannel audiophiles may nitpick that the surrounds are underutilized. The anchoring across the center channel delivers all the dialog, while the front left and right speakers provide the bulk of the score. The music by Hans Zimmer and James Newton Howard is less thematic and more of a mood amplifier to make the story more hard-hitting. Aside from the sound effects and subwoofer content, the soundtrack mostly disappears in the action and visuals. Looking back on it, that is a unique accomplishment for an action film, to be such a visual work of art that one hardly notices the score as sound. While all detail of the dialog and music is clearly articulated across the front channels, it often sounds diminutive in comparison to deeper content.

Listen to the scene where Batman, Lt. Gordon and Dent have a rooftop meeting together. Gordon's and Dent's voices are perfectly reproduced, crisp and detailed, yet they sound slightly anemic compared to Batman's deeper, more open voice. While the audio engineering is actually very good, the bass emphasis can overshadow the more relaxed dialog, especially Gordon's voice. This is a minor complaint, as all dialog is plainly audible and every word and breath expertly recorded. And of course, the advantage of having a pronounced LFE channel is on display throughout The Dark Knight. Listen to the scene where the 18 wheeler flips over its horizontal axis--an impressive bit of stuntwork--creating a cacaphony of deep bass rumble, crashing steel and other sound effects. Explosions, breaking glass, gunshots and other effects are impressively engineered. The amazing feature of the Dolby TrueHD track is that nothing gets lost in the mix, regardless of the minimal use of surrounds.Warner's BD is a must-have for your collection. The film is truly unique and riveting, and Warner did a great job integrating the IMAX footage for 1080p. Highest recommendations.

9人のお客様がこれが役に立ったと考えています

レビューを日本語に翻訳する

Jozef Garcia

IMAX scenes look amazing in 4K

2024年2月17日にカナダでレビュー済み

Amazonで購入

Not much different from watching this in IMAX cinema and that's a good thing. This transfer is true to the theatrical release.

レビューを日本語に翻訳する

Mickey

Super edición a precio razonable

2023年10月20日にスペインでレビュー済み

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Es una edición completísima que me parece que hace justicia a su precio, sobre todo con los precios que se manejan en España en cuanto una edición trae un par de chuches, menos mal que es de Francia y tiene su perfecto castellano incluido.

レビューを日本語に翻訳する

AditC

A classic

2024年2月17日にカナダでレビュー済み

Amazonで購入

Probably the best movie out of DC. An instant classic to be enjoyed for years to come.

レビューを日本語に翻訳する

レビューをすべて見る

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