トリオとはいえ、Charlie Haden(bass)、Jan Garbarek(sax)、Egberto Gismonti(guitar.piano)というECMならではの特異な編成。
かつ、彼らの国籍も、アメリカ、ノルウェー、ブラジルと昨今のグローバリゼーションを先取りしたようなメンバーによる、豊かな音楽世界。
本作は、1979年に2枚のアルバム「Magico」、「Folk Songs」を録音した彼らの、1981年4月はミュンヘンでのライブで、30年の歳月を経て我々に届けられた贈り物です。
ドラムスが不在なので、明確なリズムが刻まれるでもなく、抒情的なメロディーがひたすら奏でられていく展開。
Gismontiの切なげなguitar(曲によりpiano)とGarbarekの透明なsaxが耳に心地よい。
そんな中で、ベースがパーカッシブな響きを聴かせ、全員の躍動感が伝わってくる1枚目のラスト「Spor」は、ライブの山場となる力作。アマゾン奥地の鼓動が伝わってくるような曲調でGismontiの作品と思いきや、作者はJan Garbarekでした。メンバー間の融和がはかられた結果だと思います。
80年代初期に、彼らのアルバムは「情感の垂れ流し」などと揶揄されたものですが、ECMがその地位を確立し、また、アンビエントな楽曲が世間に認知されてからは、傑作として人々の心に留められてきました。
Garbarek、Gismontiともに新作がリリースされない今は、本作を聴き、当時の音楽シーンに思いを馳せるしかありません。
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Magico: Carta De Amor
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対象商品: Magico: Carta De Amor
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登録情報
- 製品サイズ : 14.07 x 0.69 x 12.67 cm; 122.47 g
- メーカー : Ecm Records
- EAN : 0602527890043
- 商品モデル番号 : 25734144
- オリジナル盤発売日 : 2012
- SPARSコード : AAD
- レーベル : Ecm Records
- ASIN : B008M1GBIY
- 原産国 : 英国
- ディスク枚数 : 2
- Amazon 売れ筋ランキング: - 130,688位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2012年12月2日に日本でレビュー済み
Amazonで購入
2013年4月15日に日本でレビュー済み
Amazonで購入
Fork SongとMagicoを20年以上も愛聴してきた私にとっては、このリリース自体が事件です。ライヴということでアグレッシヴさ(あるいはインプロ的要素)がやや増加しているものの、本来このトリオが持つ雰囲気や世界観は保持されています。Janのテナーをもう少し聴きたい気もしますが(3曲だけかな?あとは全部ソプラノ)、もちろんソプラノもたまりません。音楽的には・・・やはり3人のインタープレイが素晴らしい!!!特に、タイトル・チューンは2つのヴァージョンが収録されてますが、どちらも甲乙付けがたい。
まだこういう音源残ってるなら、全部聴いてみたい・・・頼むよマンフレッド〜!
まだこういう音源残ってるなら、全部聴いてみたい・・・頼むよマンフレッド〜!
2012年11月13日に日本でレビュー済み
This set is a live recording from Munich, 1981.
It is such kind of music: it was never made by anyone before, and also, would never be made again, even by Jan and Egberto themselves.
It contained perfect skills and musical aspects, the real treasure of 197X-198X's ECM, and multi-Genre music.
It is such kind of music: it was never made by anyone before, and also, would never be made again, even by Jan and Egberto themselves.
It contained perfect skills and musical aspects, the real treasure of 197X-198X's ECM, and multi-Genre music.
他の国からのトップレビュー
Peru 64
5つ星のうち5.0
Bellissimo Cd
2021年10月21日にイタリアでレビュー済みAmazonで購入
Compro molti Cd di musica classica/lirica su Amazon e tutti quelli acquistati, oltre a funzionare alla perfezione con registrazioni eccellenti, sono stupendi. Pertanto troverete questa mia recensione in quasi tutte le mie compere di cd musicali. Per quelli che non apprezzo evito di fare recensioni che potrebbero essere fuorvianti. La musica è tutta bella, ma ognuno ha i suoi gusti.
Markus Heller
5つ星のうち5.0
Highlight
2014年7月15日にドイツでレビュー済みAmazonで購入
Habe Teile dieses Albums vergangenes Wochenende auf BR Jazztime (Bayerischer Rundfunk, BR2 / Hörfunk) gehört und war so begeistert, daß ich dieses Album einfach haben mußte. Während der Autofahrt bin ich stehen geblieben, um Egberto Gismonti zu genießen. Einfach fantastische Musik. Persönlich finde ich Gismonti am Piano fast etwas besser als an der Gitarre, aber natürlich ist er auch dort großartig und ein begabter Virtuose. Das ist aber Geschmackssache des Zuhörers. Die Tatsache, daß er auch mit McLaughlin zusammen spielte, hebt ihn auf jeden Fall auf eine Ebene mit Lucia de Paco. Wie auch immer, dieses Album ist ein MUST HAVE.
Drury Road
5つ星のうち3.0
Not so Magico
2013年1月7日にカナダでレビュー済みAmazonで購入
I really wanted to love this album. I really did. But after several listens, I'm left feeling rather bored with it. Can't fault the playing, or the engineering/mix, but the compositions and improvisations tend to meander. Over two long discs, one's patience is tested. Then there is the audience: perhaps there was a nasty virus going around the hall the night this was recorded? There is a lot of coughing going on, and it is particularly noticeable in the quieter sections, of which there are many.
If you're interested in seeing what other ECM recent live recordings can be like, then check out "Sleeper" by Jarrett, and "Live" by Nik Bartsch's Ronin. Both are double live discs, like Magico, but, in my opinion, have much more to offer musically.
If you're interested in seeing what other ECM recent live recordings can be like, then check out "Sleeper" by Jarrett, and "Live" by Nik Bartsch's Ronin. Both are double live discs, like Magico, but, in my opinion, have much more to offer musically.
Brian Whistler
5つ星のうち5.0
A Stunningly Beautiful Lost Treasure
2012年11月14日にアメリカ合衆国でレビュー済みAmazonで購入
For the uninitiated, there are no words to describe the majesty and chemistry of this trio. For those like myself, who who have lived for three decades with those two desert island discs, Magico and Folk Songs, this is an unexpected bonanza. It has all the qualities of those two classic discs, the extraordinary simpatico, the breathing as one, deep listening, space, the understated tenderness, all of it and something more: It has the feeling of a group that has been playing together, touring, getting to know one another and exploring the material, going in even deeper than the studio recordings. It's a profound, dynamic and virtuosic performance with moments of great intensity, but for the most part it is contemplative and searching, redolent of the inarticulate longings of the heart.
The album starts off with the title track, the austere and brooding ballad, Carta de Amor, a haunting, emotionally searching love letter which sets the mood for what is to follow. There are several pieces from the two aforementioned studio albums, including Garbarek's arrangements, Folk song and Two Folk Songs, which are treated much like the album versions, expressing an understated grandeur. However, the live version of his composition Spor is wild and edgy, culminating in a long modal jungle trip down the Amazon River, replete with berimbau like drones from Gismonti's guitar and Haden's bass and monkey cries from Garbarek's soprano sax. It is a beautiful thing to hear. One of my favorite Gismonti ballads, Palhaco is a vehicle for Gismonti's marvelous piano inventions, diverging from the sedate approach of the album version, favoring a much more rhythmic approach that adds a surprisingly muscular energy to this otherwise tender ballad.
Branquinho, a Gismonti tune that the group never recorded, is a pretty thing that is as elegiac as anything the group ever recorded- same with Don Quixote. And Haden's La Pasionaria from his Liberation Orchestra album, reduced to a trio setting loses nothing in the translation- indeed it gains poignancy in the hands of these three master musicians. Clocking in at around 16 minutes, it is wonderful example of the astonishing variety of colors this group is capable of achieving. Haden's "All that is Beautiful" is an epic that goes to some pretty unexpected and free places. Again, Gismonti's imaginative and uniquely rhythmic approach to the piano is given lots room to stretch. The rapport between Gismonti and Haden on this tune is nothing short of telepathic.
The sound quality is gorgeous. Besides a few polite coughs the audience is nearly silent. Garbarek's unique tone which to my ears on occasion sounds too forward and strident on some ECM recordings, here is mellow and lustrous, sitting perfectly in the mix. You can hear every nuance of Haden's subtle bass, every strum, even the occasional finger tap on the soundboard. Gismonti's piano and "super 8 string" guitar sounds clear and balanced. It is as good a live sound as one could ever hope for.
Why Manfred Eicher decided to hold this (and the recently released Jarrett quartet concert,) back for three decades remains a mystery to me. Anything by this group would've been worth hearing, but this, this is nothing short of a revelation. It is everything I hoped it would be and more.
As a footnote, I just want to add that now that I have been living with this music for a few weeks, it just gets better and better. It is the perfect companion for this rainy weather;I listen to it just about every morning. This is easily one of the best" jazz" (world jazz chamber music?) releases of 2012, all the more astounding because this music was created in 1981.
The album starts off with the title track, the austere and brooding ballad, Carta de Amor, a haunting, emotionally searching love letter which sets the mood for what is to follow. There are several pieces from the two aforementioned studio albums, including Garbarek's arrangements, Folk song and Two Folk Songs, which are treated much like the album versions, expressing an understated grandeur. However, the live version of his composition Spor is wild and edgy, culminating in a long modal jungle trip down the Amazon River, replete with berimbau like drones from Gismonti's guitar and Haden's bass and monkey cries from Garbarek's soprano sax. It is a beautiful thing to hear. One of my favorite Gismonti ballads, Palhaco is a vehicle for Gismonti's marvelous piano inventions, diverging from the sedate approach of the album version, favoring a much more rhythmic approach that adds a surprisingly muscular energy to this otherwise tender ballad.
Branquinho, a Gismonti tune that the group never recorded, is a pretty thing that is as elegiac as anything the group ever recorded- same with Don Quixote. And Haden's La Pasionaria from his Liberation Orchestra album, reduced to a trio setting loses nothing in the translation- indeed it gains poignancy in the hands of these three master musicians. Clocking in at around 16 minutes, it is wonderful example of the astonishing variety of colors this group is capable of achieving. Haden's "All that is Beautiful" is an epic that goes to some pretty unexpected and free places. Again, Gismonti's imaginative and uniquely rhythmic approach to the piano is given lots room to stretch. The rapport between Gismonti and Haden on this tune is nothing short of telepathic.
The sound quality is gorgeous. Besides a few polite coughs the audience is nearly silent. Garbarek's unique tone which to my ears on occasion sounds too forward and strident on some ECM recordings, here is mellow and lustrous, sitting perfectly in the mix. You can hear every nuance of Haden's subtle bass, every strum, even the occasional finger tap on the soundboard. Gismonti's piano and "super 8 string" guitar sounds clear and balanced. It is as good a live sound as one could ever hope for.
Why Manfred Eicher decided to hold this (and the recently released Jarrett quartet concert,) back for three decades remains a mystery to me. Anything by this group would've been worth hearing, but this, this is nothing short of a revelation. It is everything I hoped it would be and more.
As a footnote, I just want to add that now that I have been living with this music for a few weeks, it just gets better and better. It is the perfect companion for this rainy weather;I listen to it just about every morning. This is easily one of the best" jazz" (world jazz chamber music?) releases of 2012, all the more astounding because this music was created in 1981.
Roland
5つ星のうち5.0
Superb !
2013年10月7日に英国でレビュー済みAmazonで購入
If you like Garbarek and Charlie Haden, you will love this album. I really enjoy listening to it when I get a quiet moment to myself !