ザ・フェイセス

Stay With Me: The Faces Anthology

ザ・フェイセス

36曲 • 2時間26分 • SEP 28 2012

  • 楽曲
    楽曲
  • 詳細
    詳細
楽曲
詳細
1
Stay with Me (2006 Remaster)
04:38
2
Miss Judy's Farm (2006 Remaster)
03:38
3
Cindy Incidentally (2006 Remaster)
02:35
4
You're So Rude (2006 Remaster)
03:42
5
Flying (2006 Remaster)
04:13
6
That's All You Need (2004 Remaster)
05:05
7
My Fault (2006 Remaster)
03:05
8
Had Me a Real Good Time (2006 Remaster)
05:48
9
Richmond (2004 Remaster)
03:04
10
Too Much Woman (For a Henpecked Man) [Live at Fillmore East, New York 11/10/70]
05:26
11
Love Lives Here (2006 Remaster)
03:06
12
Debris (2006 Remaster)
04:34
13
Just Another Honky (2006 Remaster)
03:32
14
On the Beach (2004 Remaster)
04:15
15
Wicked Messenger (2006 Remaster)
04:06
16
Too Bad (2006 Remaster)
03:13
17
Rear Wheel Skid (2004 Remaster)
04:44
18
Love in Vain (Live at Fillmore East, New York 11/10/70)
06:22
19
Ooh La La (2006 Remaster)
03:31
20
Maybe I'm Amazed (2004 Remaster)
03:37
21
Memphis, Tennessee (2006 Remaster)
05:28
22
Pool Hall Richard (Single Version) [2006 Remaster]
04:23
23
Bad 'n' Ruin (2006 Remaster)
05:23
24
You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, or Any Other Domestic Short Comings) [Single Version] [2006 Remaster]
04:30
25
Last Orders Please (2006 Remaster)
02:35
26
Around the Plynth (2006 Remaster)
05:49
27
Three Button Hand Me Down (2006 Remaster)
05:44
28
As Long as You Tell Him (Single Version)
04:19
29
Glad and Sorry (2006 Remaster)
03:07
30
Pineapple and the Monkey (2006 Remaster)
04:22
31
Flags and Banners (Alternate Version) [2006 Remaster]
02:00
32
Sweet Lady Mary (2006 Remaster)
05:46
33
Silicone Grown (2006 Remaster)
03:06
34
Shake, Shudder Shiver (2006 Remaster)
03:13
35
Borstal Boys (2006 Remaster)
02:53
36
Gasoline Alley (Live at Fillmore East, New York 11/10/70)
02:05
℗© 2012 Rhino Entertainment Company, A Warner Records Inc. Music Group Company. All Rights Reserved.

アーティスト略歴

When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like "Had Me a Real Good Time," a blues ballad like "Tell Everyone," or a folk number like "Richmond" all in one album. Stewart, already becoming a star in his own right, let himself go wild with the Faces, tearing through covers and originals with abandon. While his voice didn't have the power of Stewart, bassist Ronnie Lane's songs were equally as impressive and eclectic. Wood's rhythm guitar had a warm, fat tone that was as influential and driving as Keith Richards' style.

Notorious for their hard-partying, boozy tours and ragged concerts, the Faces lived the rock & roll lifestyle to the extreme. When Stewart's solo career became more successful than the Faces, the band slowly became subservient to his personality; after their final studio album, Ooh La La, in 1973, Lane left the band. After a tour in 1974, the band called it quits. Wood joined the Rolling Stones, drummer Kenny Jones eventually became part of the Who, and keyboardist Ian McLagan became a sought-after supporting musician; Stewart became a superstar, although he never matched the simple charm of the Faces.

While they were together, the Faces never sold that many records and were never considered as important as the Stones, yet their music has proven extremely influential over the years. Many punk rockers in the late '70s learned how to play their instruments by listening to Faces records; in the '80s and '90s, guitar rock bands from the Replacements to the Black Crowes took their cue from the Faces as much as the Stones. Their reckless, loose, and joyous spirit stayed alive in much of the best rock & roll of the subsequent decades.

Lane was diganosed with multiple sclerosis in the 1970s but continued to work. He relocated to Austin, Texas in the 1980s and worked until the disease claimed his life in 1997.

MacLagan also relocated to Austin, where he became an integral part of the city's vibrant music scene. In addition to leading his own group, the Bump Band, he collaborated with musicians--well known and obscure--in recording sessions and on the stage. He suffered a stroke on December 2, 2014, and passed away a day later. ~ Stephen Thomas Erlewine

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