Vicious Lies & Dangerous
69パーセントの割引で¥588 -69% ¥588 税込
参考価格: ¥1,885 参考価格: ¥1,885¥1,885
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詳細はこちら
詳細はこちら
仕様 | 価格 | 新品 | 中古品 |
CD, CD, インポート, 2012/12/18
"もう一度試してください。" | CD, インポート | ¥645 | ¥150 |
CD, リミックス含む, インポート, 2012/12/11
"もう一度試してください。" | インポート, リミックス含む |
—
| — | ¥3,915 |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.2 x 1 x 12.5 cm; 100 g
- メーカー : Def Jam
- EAN : 0602537249329
- レーベル : Def Jam
- ASIN : B00A501PO0
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 730,353位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 10,390位ヒップホップ (ミュージック)
- - 256,461位輸入盤
- カスタマーレビュー:
他の国からのトップレビュー
Amazon Customer
5つ星のうち5.0
Five Stars
2017年8月15日にカナダでレビュー済みAmazonで購入
Excellent
Shelldbow
5つ星のうち5.0
Big Boi knocks out a classic here
2013年4月16日にアメリカ合衆国でレビュー済みAmazonで購入
After I heard Big Boi's first solo album "Chico Dusty", I was disappointed some; all the right ingredients were there but only half of the album was really good. This time around though, I'm blown away and pleasantly surprised with "Vicious Lies and Dangerous Rumors". This sounds like what should've came after "Speakerboxx" initially.
Basically, Big Boi holds nothing back here; the music dabbles in funk, electronic, rock, R&B, soul, and straight-up rap. Big Boi's rhymes are some of the best he's ever done in my opinion; still rapping about sex/street mentality but acknowledges that he's more mature now and there's more to life (God is praised a lot). The guests on here are amazing and compliment Big Boi's rhymes or are great in their own right.
A lot of people are still waiting for the next Outkast album but I have to say, if Big Boi keeps making records this good, he doesn't need Andre 3000 to help him lift the music up (even though I'd love to hear another Outkast album). That's how good this record is.
If you're a fan of Outkast, don't sleep on this album. This is a must-have.
If you're new to Big Boi, I'd recommend getting either "ATliens" or "Aquemini" to see if you like the style of his group Outkast.
If you like good hip hop that's creative and pushes boundaries, listen to the samples and see how good this is.
Recommended.
Basically, Big Boi holds nothing back here; the music dabbles in funk, electronic, rock, R&B, soul, and straight-up rap. Big Boi's rhymes are some of the best he's ever done in my opinion; still rapping about sex/street mentality but acknowledges that he's more mature now and there's more to life (God is praised a lot). The guests on here are amazing and compliment Big Boi's rhymes or are great in their own right.
A lot of people are still waiting for the next Outkast album but I have to say, if Big Boi keeps making records this good, he doesn't need Andre 3000 to help him lift the music up (even though I'd love to hear another Outkast album). That's how good this record is.
If you're a fan of Outkast, don't sleep on this album. This is a must-have.
If you're new to Big Boi, I'd recommend getting either "ATliens" or "Aquemini" to see if you like the style of his group Outkast.
If you like good hip hop that's creative and pushes boundaries, listen to the samples and see how good this is.
Recommended.
Ndiaye
5つ星のうち5.0
Du trés bon
2013年2月2日にフランスでレビュー済みAmazonで購入
Son deuxième album révèle son talent d'artiste,
un excellent album, le style, le professionnalisme y sont.
Par rapport à son premier album solo , rien à envier
un excellent album, le style, le professionnalisme y sont.
Par rapport à son premier album solo , rien à envier
Matze
5つ星のうち5.0
Würdiger Nachfolger!
2013年1月20日にドイツでレビュー済みAmazonで購入
Wenngleich sehr experimentell im Gegensatz zum Vorgänger, beweist der outkaster ein weiteres mal sein ungemein gutes Gespür für Beats. Diesmal ein wenig mehr in Richtung Pop und elektronische Klänge, trotzdem ein konsequent durchdachtes Klangbild. Aber auch die representer an die alte Hood, sowie einen Track für den stripclub lässt Big boi nicht vermissen.
Einen Vergleich zum Vorgänger zu ziehen fällt mir fast schwer.
Das Motto hinter der Scheibe hieß laut Big Boi selbst aber auch "einfach mal machen und sehen was dabei rauskommt".
Meiner Meinung nach beschert uns dies einige Überraschungen, jedoch im positiven Sinne.
Wer immer noch auf eine outkast Réunion hofft, kann sich hiermit sehr gut über Wasser halten.
Und der Rest hat einfach so Spaß mit der Platte.
Einen Vergleich zum Vorgänger zu ziehen fällt mir fast schwer.
Das Motto hinter der Scheibe hieß laut Big Boi selbst aber auch "einfach mal machen und sehen was dabei rauskommt".
Meiner Meinung nach beschert uns dies einige Überraschungen, jedoch im positiven Sinne.
Wer immer noch auf eine outkast Réunion hofft, kann sich hiermit sehr gut über Wasser halten.
Und der Rest hat einfach so Spaß mit der Platte.
Jan Mulder "Jam"
5つ星のうち5.0
Soulful Lies and Powerful Rumours!
2012年12月10日に英国でレビュー済みAmazonで購入
I don't seem to understand why Big Boi doesn't get the recognition he deserves. He was one half of the biggest rap duo to ever come out of Atlanta, Outkast, and had relative success with his debut album. However, this release has been pretty low key. But, it doesn't mean it doesn't serve an amazing review. Here are my thoughts.
ASCENDING: A spoken word introduction to the album. (5/5) THE THICKETS: The soft blend of the soulful, catchy hook provided by Sleepy Brown with three lyrically masterful verses, making this one of the most radio friendly tracks on the album. Later down the line, this deserves to be a single. (5/5) APPLE OF MY EYE: Boi relieves the heydays of Outkast with one of the catchiest, pop-influenced tracks on the album, relevant of the Outkast classics 'The Whole World' and 'So Fresh, So Clean'. This definitely deserves to become the next single. I guarantee the hook will get you singing along after a couple of listens. Something like this could easily reignite Boi's chart career. (5/5) OBJECTUM SEXUALITY: Another blend of powerfully structured electronic beats to an anthemic hook from collaborator Phantogram makes this one of the darkest, moodiest yet stadium-like tracks on the album, that is very reminiscent of the 'Atliens' era. (5/5) IN THE A: Boi takes it right back to basics with this link up with fellow rappers T.I. and Ludacris, making it one of the hardest, hip-hop based tracks on the record. Not completely my cup of tea, but as collaborations go, it's not a bad one. (3.5/5) SHE HATES ME: Boi takes on what is known as a 'rap ballad' in the industry with this powerfully successful colloboration with Kid Cudi. At this point to start to wonder why Boi hasn't chosen to promote this album here in the UK. Another track worthy of being released as a single. (5/5) CPU: Phantogram returns with another electronically structured rap link-up. Something that appeals to both the rap enthusiast and the downtown clubber. You can just imagine a futuristic visual to accompany this for television airplay. (5/5) THOM PETTIE: Blasted right back into the days of 'Stankonia' with this link-up with long-time collaborator Killer Mike. For me, this one has slightly too many explitives and too much of an unusual structure to become one of the album's stand out tracks. (3.5/5)
MAMA TOLD ME: Boi takes on the world of mainstream pop with a link up with pop lothario and Destiny's Child star Kelly Rowland. After being released as the album's lead single, it achieved moderate success around the world. It's one of the best tracks on the album, and it's highly worthy of five stars. (5/5) LINES: By now, we start to realise that Boi's anthemic hookups with Phantogram are some of his best solo tracks. This time, he also enlists rising star A$AP Rocky to join him on the rap offensive. It's perhaps not as strong as some of the other tracks on the album, but it shines enough not to just be listed as a filler. (4/5) SHOES FOR RUNNING: Boi fulfills his promise of making another street anthem after the popularity of 'Follow Us' from his debut album. This time, worldwide star B.o.B joins him to take it up to another level. In a competition, it would be very difficult to choose between the two. (5/5) RASPBERRIES: The introduction, as haunting as 'Ms Jackson' almost thirteen years ago, sets the stage for another dark southern rap ballad. This time, Boi takes on the talents of Mouche and Scar to add some flavour to the otherwise plain electronic bass chord. It surprises me more than it pleases me, as it features little Boi, and more of the two featured artists. Perhaps the weakest track on the standard album. (3/5) TREMENDOUS DAMAGE: The super ballad of the album. An anthemic piano riff combined with an inspirational hook from collaborator Bokso makes this prime candidate for a Billboard Hot 100 chart topper. The key change towards the end is also enough to lift you from your feet. (5/5) DESCENDING: The acoustic guitar comes out for the close of the standard album. This pretty much instrumental close is a pleasing solution to a rollercoaster ride of an album. (5/5) HIGHER RES: Now we move on the deluxe edition of the album, which usually features tracks that are sub-standard or not good enough to make the standard album. And this is clearly one of them. The autotuned vocals combined with a completely unstructured instrumental make this the worst track on the album. (2/5) GOSSIP: One of two promotional singles released prior to the album. Now, i can't understand why this didn't make the standard edition. It's flashes of brilliance combined with some classic OutKast beats makes this one of the most successful hip-hop tracks Boi has produced in the last couple of years. (5/5) SHE SAID OK: The second of two promotional singles released prior to the album. The most expletive of the album tracks, but perhaps the most soulful, blending essences of throwback soul and jazz to make this a perfect close to the deluxe edition of the album. (5/5)
After all of the ups and downs, you can clearly see that Big Boi has a high level of talent. From his time with OutKast to his own solo projects, he really has seen both sides of the musical spectrum. "Higher Res" and "Raspberries" are weakest tracks of the album, but apart from that, everything else is pretty much solid. So, a great effort. I can't wait to see more from both Boi as a solo artist and OutKast.
ASCENDING: A spoken word introduction to the album. (5/5) THE THICKETS: The soft blend of the soulful, catchy hook provided by Sleepy Brown with three lyrically masterful verses, making this one of the most radio friendly tracks on the album. Later down the line, this deserves to be a single. (5/5) APPLE OF MY EYE: Boi relieves the heydays of Outkast with one of the catchiest, pop-influenced tracks on the album, relevant of the Outkast classics 'The Whole World' and 'So Fresh, So Clean'. This definitely deserves to become the next single. I guarantee the hook will get you singing along after a couple of listens. Something like this could easily reignite Boi's chart career. (5/5) OBJECTUM SEXUALITY: Another blend of powerfully structured electronic beats to an anthemic hook from collaborator Phantogram makes this one of the darkest, moodiest yet stadium-like tracks on the album, that is very reminiscent of the 'Atliens' era. (5/5) IN THE A: Boi takes it right back to basics with this link up with fellow rappers T.I. and Ludacris, making it one of the hardest, hip-hop based tracks on the record. Not completely my cup of tea, but as collaborations go, it's not a bad one. (3.5/5) SHE HATES ME: Boi takes on what is known as a 'rap ballad' in the industry with this powerfully successful colloboration with Kid Cudi. At this point to start to wonder why Boi hasn't chosen to promote this album here in the UK. Another track worthy of being released as a single. (5/5) CPU: Phantogram returns with another electronically structured rap link-up. Something that appeals to both the rap enthusiast and the downtown clubber. You can just imagine a futuristic visual to accompany this for television airplay. (5/5) THOM PETTIE: Blasted right back into the days of 'Stankonia' with this link-up with long-time collaborator Killer Mike. For me, this one has slightly too many explitives and too much of an unusual structure to become one of the album's stand out tracks. (3.5/5)
MAMA TOLD ME: Boi takes on the world of mainstream pop with a link up with pop lothario and Destiny's Child star Kelly Rowland. After being released as the album's lead single, it achieved moderate success around the world. It's one of the best tracks on the album, and it's highly worthy of five stars. (5/5) LINES: By now, we start to realise that Boi's anthemic hookups with Phantogram are some of his best solo tracks. This time, he also enlists rising star A$AP Rocky to join him on the rap offensive. It's perhaps not as strong as some of the other tracks on the album, but it shines enough not to just be listed as a filler. (4/5) SHOES FOR RUNNING: Boi fulfills his promise of making another street anthem after the popularity of 'Follow Us' from his debut album. This time, worldwide star B.o.B joins him to take it up to another level. In a competition, it would be very difficult to choose between the two. (5/5) RASPBERRIES: The introduction, as haunting as 'Ms Jackson' almost thirteen years ago, sets the stage for another dark southern rap ballad. This time, Boi takes on the talents of Mouche and Scar to add some flavour to the otherwise plain electronic bass chord. It surprises me more than it pleases me, as it features little Boi, and more of the two featured artists. Perhaps the weakest track on the standard album. (3/5) TREMENDOUS DAMAGE: The super ballad of the album. An anthemic piano riff combined with an inspirational hook from collaborator Bokso makes this prime candidate for a Billboard Hot 100 chart topper. The key change towards the end is also enough to lift you from your feet. (5/5) DESCENDING: The acoustic guitar comes out for the close of the standard album. This pretty much instrumental close is a pleasing solution to a rollercoaster ride of an album. (5/5) HIGHER RES: Now we move on the deluxe edition of the album, which usually features tracks that are sub-standard or not good enough to make the standard album. And this is clearly one of them. The autotuned vocals combined with a completely unstructured instrumental make this the worst track on the album. (2/5) GOSSIP: One of two promotional singles released prior to the album. Now, i can't understand why this didn't make the standard edition. It's flashes of brilliance combined with some classic OutKast beats makes this one of the most successful hip-hop tracks Boi has produced in the last couple of years. (5/5) SHE SAID OK: The second of two promotional singles released prior to the album. The most expletive of the album tracks, but perhaps the most soulful, blending essences of throwback soul and jazz to make this a perfect close to the deluxe edition of the album. (5/5)
After all of the ups and downs, you can clearly see that Big Boi has a high level of talent. From his time with OutKast to his own solo projects, he really has seen both sides of the musical spectrum. "Higher Res" and "Raspberries" are weakest tracks of the album, but apart from that, everything else is pretty much solid. So, a great effort. I can't wait to see more from both Boi as a solo artist and OutKast.