リマスタリングの効果があるのか、聞いた印象が以前に発売されたCDと音が違いクリアーで芳醇になっている。
個人的には、このアルバム後にリリースされるフュージョン・フュージョンした歌い方とは違う自然な歌唱で好感が持てる。
バックの演奏では、ビブラフォン・オルガン奏者リン・ブレッシングはこのアルバムを最後に亡くなった。(60年代にソロ作があり、ジュディー・シルやティム・ワイスバーグとの共演でも知られる人)1曲目のビブラフォンの音が小さく聞こえるも、バンドサウンドが強調されていてこれもプラス。全曲が新鮮に聴こえる好盤となった。
風のメルヘン
仕様 | 価格 | 新品 | 中古品 |
CD, 限定版, オリジナルレコーディングのリマスター, 2012/5/23
"もう一度試してください。" | SHM-CD, オリジナルレコーディングのリマスター | ¥6,900 | — |
CD, 1990/8/25
"もう一度試してください。" | 1枚組 |
—
| — | ¥549 |
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曲目リスト
1 | 陽気なダンス |
2 | アイム・ホーム |
3 | 真夏の女 |
4 | アイ・ドゥ |
5 | フライ |
6 | ウェイト・ア・リトル・ホワイル |
7 | シーズ・リーヴィング・ホーム |
8 | オール |
9 | ドック・オブ・ベイ |
商品の説明
フュージョンの宝庫、ワーナーミュージックが保有する膨大なカタログから
70年代、80年代の全盛期を代表する名盤から現在入手困難なレア作品、初CD化作品までを厳選した新シリーズ。
・24ビット・デジタル・リマスタリング
・新ミニ解説付き
・完全限定盤
・特別価格 各¥1,000+税(一部商品を除く)
※メーカー特典のステッカーシートは付きません。予めご了承ください。
登録情報
- 製品サイズ : 12.4 x 14.3 x 1.19 cm; 83.91 g
- メーカー : ワーナーミュージック・ジャパン
- EAN : 4943674180783
- 時間 : 39 分
- レーベル : ワーナーミュージック・ジャパン
- ASIN : B00K0PDRE6
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 328,359位ミュージック (ミュージックの売れ筋ランキングを見る)
- カスタマーレビュー:
カスタマーレビュー
星5つ中4.7つ
5つのうち4.7つ
14グローバルレーティング
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2016年11月13日に日本でレビュー済み
Amazonで購入
配送も早く梱包も丁寧でした。ありがとうございました
またよろしくお願いします。
またよろしくお願いします。
2005年4月6日に日本でレビュー済み
Amazonで購入
アル・ジャロウが実験的な歌唱をしていた時期の作品。ぼくは、このアルバムでアル・ジャロウを知ったので、てっきりジャズ・シンガーだと思っていました。どっちかというとアダルト・コンテンポラリー系なんですね。
でも、このアルバムではそういうおっとりした感じをほとんど受けません。あくまでも挑戦的です。ビートルズのカバー「シーズ・リーヴィング・ホーム」のようなじっくりと歌い上げている曲でさえ、聴いて驚くテクニカルな歌唱を聴かせます。ほとんど人間の声とは思えない楽曲の連続。酔いしれてください。
でも、このアルバムではそういうおっとりした感じをほとんど受けません。あくまでも挑戦的です。ビートルズのカバー「シーズ・リーヴィング・ホーム」のようなじっくりと歌い上げている曲でさえ、聴いて驚くテクニカルな歌唱を聴かせます。ほとんど人間の声とは思えない楽曲の連続。酔いしれてください。
他の国からのトップレビュー

Beatlenik
5つ星のうち5.0
Masterpiece Of Vocalese Jazz
2016年10月11日にアメリカ合衆国でレビュー済みAmazonで購入
ALL FLY HOME is, in my opinion, Al Jarreau's jazz masterpiece. Incorporating all three words of the title into a loose "concept" album weaving a tapestry around the words and infusing his vocalese (invented by Eddie Jefferson and popularized by Al and Manhattan Transfer) jazz stylings and Fitzgeraldesque scats with just enough pop and classical splashes to create a real work of art. The Beatles She's Leaving Home then becomes a centerpiece of this work interpreting the ALL FLY HOME motif in an exciting new manner, and Redding's Dock Of The Bay ends the trip comfortably home at last and contemplating whether or not the journey was indeed a waste of time.
While 81's BREAKIN' AWAY is a terrific record with just as much jazz as pop influence, it lacks the artistic genius (save for Roof Garden and his wonderful interpretation of Brubeck's Blue Rondo) to be found on ALL FLY HOME. What Al does on this album is for vocalese what Miles' Pangea/Panthalassa phase did for fusion jazz, he creates a new sound garden in which to walk. Al Jarreau and George Benson created more fields of crossover jazz than probably anyone else in the industry, they both, during the same period, stepped commercial listeners easily over the boundaries from pop to jazz and as is hinted at in other reviews, probably are most responsible for the "smooth jazz" genre which would popularize in the 80's.
Regardless if you are a diehard jazz fan who hates this kind of music and snub you nose at words like "fusion" and jazz-pop, you have to understand that jazz IS, WAS, and ALWAYS HAS BEEN about fusion. Go all the way back to the big band era and you will find jazz bands and world class jazz artists, infusing "pop" songs and "classical" motifs into the melodies which jazz by nature improvises on. Brubeck and others in the 50's became famous for noodling on pop tunes like Jeepers Creepers and Pennies From Heaven. What Miles did on Bitches Brew, what Coltrane did with "Eastern Classical" and what experimenters like McLlaughlin and even Santana did in the early 70's, this isn't "fusion" jazz! That's like calling it Jazz Jazz because jazz IS fusion by its very nature, so leave off ridiculing artists like Jarreau and Benson and Metheny and Di Meola or Ponty. Al Jarreau belongs in the ranks of these men and is tops of his craft, and ALL FLY HOME is top of his art, pinnacle of his creativity, and one of the best darned albums to be released in the 70's under any genre!
My original vinyl album was an MFSL (Mobile Fidelity Sound Lab) direct to disc master recording with incredibly awesome sound. I urge anyone contemplating purchasing this CD, if they are anything of an audiophile, and if you have the patience to wait a month for your purchase, to avail yourself of the 2014 limited edition 24 bit Japanese remastering import version (sold here on Amazon ASIN: B00K0PDRE6), as you will be astounded by the audio quality which is as close to (if not better than) the MFSL version as you can get.
Fantastic Sound!
If you are a fan of the kinds of music and artists discussed above, I recommend you purchase this album blind without reading too much reviewing and interpreting of the tracks on this album, take the plunge and enjoy this treat as a big surprise. It is essentially incomparable with other jazz works which makes it unique in its own genre. If you enjoy the real "jazz" sets from BREAKIN AWAY then this album will take you miles further on the journey, and again, if you enjoy high standard definition in your recordings, this import is the version to own. FLY and enjoy!
While 81's BREAKIN' AWAY is a terrific record with just as much jazz as pop influence, it lacks the artistic genius (save for Roof Garden and his wonderful interpretation of Brubeck's Blue Rondo) to be found on ALL FLY HOME. What Al does on this album is for vocalese what Miles' Pangea/Panthalassa phase did for fusion jazz, he creates a new sound garden in which to walk. Al Jarreau and George Benson created more fields of crossover jazz than probably anyone else in the industry, they both, during the same period, stepped commercial listeners easily over the boundaries from pop to jazz and as is hinted at in other reviews, probably are most responsible for the "smooth jazz" genre which would popularize in the 80's.
Regardless if you are a diehard jazz fan who hates this kind of music and snub you nose at words like "fusion" and jazz-pop, you have to understand that jazz IS, WAS, and ALWAYS HAS BEEN about fusion. Go all the way back to the big band era and you will find jazz bands and world class jazz artists, infusing "pop" songs and "classical" motifs into the melodies which jazz by nature improvises on. Brubeck and others in the 50's became famous for noodling on pop tunes like Jeepers Creepers and Pennies From Heaven. What Miles did on Bitches Brew, what Coltrane did with "Eastern Classical" and what experimenters like McLlaughlin and even Santana did in the early 70's, this isn't "fusion" jazz! That's like calling it Jazz Jazz because jazz IS fusion by its very nature, so leave off ridiculing artists like Jarreau and Benson and Metheny and Di Meola or Ponty. Al Jarreau belongs in the ranks of these men and is tops of his craft, and ALL FLY HOME is top of his art, pinnacle of his creativity, and one of the best darned albums to be released in the 70's under any genre!
My original vinyl album was an MFSL (Mobile Fidelity Sound Lab) direct to disc master recording with incredibly awesome sound. I urge anyone contemplating purchasing this CD, if they are anything of an audiophile, and if you have the patience to wait a month for your purchase, to avail yourself of the 2014 limited edition 24 bit Japanese remastering import version (sold here on Amazon ASIN: B00K0PDRE6), as you will be astounded by the audio quality which is as close to (if not better than) the MFSL version as you can get.
Fantastic Sound!
If you are a fan of the kinds of music and artists discussed above, I recommend you purchase this album blind without reading too much reviewing and interpreting of the tracks on this album, take the plunge and enjoy this treat as a big surprise. It is essentially incomparable with other jazz works which makes it unique in its own genre. If you enjoy the real "jazz" sets from BREAKIN AWAY then this album will take you miles further on the journey, and again, if you enjoy high standard definition in your recordings, this import is the version to own. FLY and enjoy!

Zbigniew Szturemski
5つ星のうち5.0
Five Stars
2016年4月28日に英国でレビュー済みAmazonで購入
SUPER

MagiSci
5つ星のうち5.0
A Master Vocalist Of The Highest Order!
2017年3月18日にアメリカ合衆国でレビュー済みAmazonで購入
A superb musical performance by a master vocalist. "All Fly Home" is music of the highest order. It's overall general excellence is stunning and the exquisite quality of the music cannot be exaggerated. Even though the entire album is absolutely superb the ultra standout tracks include the dazzling cover of the Beatles "She's Leaving Home", "Thinkin' About It To", "Brite 'N' Sunny Babe", the equally dazzling Otis Redding cover "Sitting On The Dock Of The Bay" and the brilliant "All". Not to be missed. My highest recommendation!

allblackcars
5つ星のうち5.0
For the old folks -- if it was live, it would have been Memorex!
2017年3月19日にアメリカ合衆国でレビュー済みAmazonで購入
Classic Al Jarreau takes me back to my youth. The music sounds just as good today as it did then. If you are a fan of the late Al Jarreau, this is a must buy. The CD sound rivals my digitally remastered vinyl version. Beautiful!

glenn a danz
5つ星のうち5.0
Five Stars
2015年9月16日にアメリカ合衆国でレビュー済みAmazonで購入
One of my favorite Jarreau cd's... remaster has much-improved sound quality. Love it! Thank you!