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Debussy - Nocturnes and other works

Debussy, C. (アーティスト) 形式: CD
3.5 5つ星のうち3.5 3個の評価
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新品 中古品
CD, CD, Hybrid SACD, 2019/6/7 CD, Hybrid SACD
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￥3,225 ￥3,550
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商品の説明

The works on this recording were written at various periods in Claude Debussy's life, and reflect different aspects of him: from a young man stylistically unsure of himself to the confident maître, from a jobbing composer struggling to fulfill sometimes incongruous commissions to a man worn down by illness and outer events. The disc opens with Printemps - a work originally for choir, piano and orchestra written in 1887 during Debussy's stay in Italy as a winner of the Prix de Rome, but only published 25 years later in an orchestration made by Henri Büsser under the composer's supervision. Three of the works that follow were commissions - the Rapsodie from a lady saxophonist, the Marche écossaise from an American general of Scottish descent and the Deux Dances from the instrument-maker Pleyel wanting to market a new model for a chromatic harp. Chronologically the last work on the programme, Berceuse héroique is Debussy's contribution to a tribute to the king of Belgium at the beginning of the Great War. Having rejected the idea of writing a heroic march in the safety of his own home he instead opted for a lullaby for piano, which he orchestrated the following year. The closing work on the disc, however, is Nocturnes, for which Debussy borrowed the title from a series of atmospheric paintings by James Whistler. Made up of three equally atmospheric movements, it is today one of Debussy's best-loved compositions for orchestra. Nocturnes also forms the end of a trilogy of Debussy albums from the Singapore Symphony Orchestra and Lan Shui. Critical acclaim for the team range from 'superb' (BBC Music Magazine, about La mer) and 'unquestionably world-class' (Klassik-Heute. De, about the orchestra) to 'a magnificent disc' - the French magazine Classica's verdict on the three ballet scores Jeux, Khamma and La Boîte à joujoux.

登録情報

  • 製品サイズ ‏ : ‎ 12.8 x 14 x 0.79 cm; 62.08 g
  • メーカー ‏ : ‎ Bis
  • EAN ‏ : ‎ 7318599922324
  • 製造元リファレンス ‏ : ‎ unknown
  • オリジナル盤発売日 ‏ : ‎ 2019
  • レーベル ‏ : ‎ Bis
  • ASIN ‏ : ‎ B07QVNKF1J
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    3.5 5つ星のうち3.5 3個の評価

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Larry VanDeSande
5つ星のうち5.0 Heady yet subtle and wonderful Debussy
2021年7月6日に英国でレビュー済み
Amazonで購入
Lan Shui has developed a reputation as a subtle and understanding interpreter of Claude Debussy's music and this tribute verifies it. The subtlety and wonder of compositions typically done poorly, such as Printemps and the Saxophone Rhapsody, are here realized to full bloom. To me Shui is the best modern interpreter of Debussy since the days of Piero Coppola, another Debussy specialist that understood his idiom.

While Gulnara Mashurova's harp in Deux Danses is perhaps not the match for the great Marcel Grandjany, the musicmaking is again expert and delicate. Shui's Noctures, with the exception of Sirenes where the singers are too tangible and not atmospheric enough, is also first rate. Altogether this is a wonderful concert of Debussy orchestral pieces not typically gathered together.

The super audio sound is not the best I've heard but also does not detract from the wonderment of playing or interpretation. The timpani are often a little muddy or lost in the shuffle. Yet the Singapore Symphony, Shui's orchestra where he first recorded La Mer in super audio sound, is right with him all the way and knows how he intends to project the impressionistic qualities of this music.
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brissaud
5つ星のうち1.0 DEBUSSY / NOCTURNES - PRINTEMPS - Danses ETC. / ORCHESTRE SYMPHONIQUE DE SINGAPOUR - LAN SHUI
2019年6月15日にフランスでレビュー済み
Amazonで購入
L’excellente maison Bis nous annonce fièrement en deuxième de couverture de ce disque sa contribution au sauvetage de la planète avec « cette pochette certifiée FSC/PEFC ( ?) utilisant de l’encre de soja, de la colle écologique et un vernis à base d’eau, facile à recycler et sans aucun plastique utilisé ». Il est dommage que le contenu soit aussi recyclable que le contenant : je crois n’avoir jamais entendu un Debussy à l’émollience rose bonbon aussi plate que fade. Le pompon se trouve dans « Sirènes » où les glapissements des dames du Chœur Philharmonique d’Europe (sans doute déboussolées par le décalage horaire, le disque ayant été enregistré à Singapour) inspireraient une fuite immédiate à n’importe quel Ulysse. Jetable, absolument.
1人のお客様がこれが役に立ったと考えています
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