現象学的社会学(げんしょうがくてきしゃかいがく)とは - コトバンク
日本大百科全書(ニッポニカ)の解説
現象学的社会学
げんしょうがくてきしゃかいがく
phenomenological sociology
現代社会学の一潮流。構造機能主義、シンボリック相互作用論などと並び今日の社会学の主要なアプローチ、方法、パースペクティブ（人間論的視角）の一つを形づくっている。フッサールの現象学の眼目「事象そのものへ」および意識の志向性（志向的意識）を存立の基盤とする「意味の社会学」であり、相互主観的（間主観的ともいう）な日常の生活世界の探究が試みられてきている。現象学的社会学の出発点は、客体化された社会的世界にあるのではなく、生きられた（体験された）社会的世界にあり、人間（人生の旅人、生活者）による世界体験の記述を通して、実存の領域である世界の地平と生活の領域、現実の諸様相が照らし出されるのである。
現象学的社会学はフッサールの現象学に根ざした方法に基づく、まさに独自の社会学だが、フッサールの影響下にあるということでは、フィーアカント、知識社会学や哲学的人間学などで知られるシェラー、「視界の相互性」について論じたリットなどの業績がまず注目される。こうした人々の業績を現象学と社会学の名のもとに考察することもできるが、今日、現象学的社会学という場合には、フッサールとウェーバーの2人からとくに大きな影響を受けたシュッツの業績が注目されている。シュッツはベルクソン、ジェームズ、サムナー、クーリー、タマスなど多くの人々からも影響を受けている。フッサールのアプローチと方法は「事象そのものへ」ということばによく表れている。フッサールの後期思想に入る生活世界論、シュッツの多元的現実論などが現象学的社会学のモチーフと方法としてとくに注目される。シュッツの流れにたつバーガーやルックマンの仕事、さらにシュッツの影響を受けてもいるガーフィンケルのエスノメソドロジーethnomethodologyなどを現象学的社会学の場面と文脈において理解することもできる。
現象学の諸現象は経験の諸事実ではなく、意味なのであり、記述さるべき諸現象はもろもろの意味にほかならない。現象学的社会学では、人間は意味の付与、意味の理解と解釈などの主体なのであり、人間存在、日常の生活世界、生活誌の状況、生活史、自我、アイデンティティ、身体、他者、多元的現実、生活の場面と諸領域などの考察が行われてきている。現象学的社会学の舞台に姿をみせる人間は、アクティブな創造的人間、意味のなかで生きている生活者なのであり、世界や生活、他者や道具や作品、また風景などに巻き込まれた状態にある世界体験の主体である人間と人間の生存領域が、クローズアップされてくるのである。［山岸 健］
『P・L・バーガー、T・ルックマン著、山口節郎訳『日常世界の構成』（1977・新曜社） ▽A・シュッツ著、佐藤嘉一訳『社会的世界の意味構成』（1982・木鐸社） ▽M・ナタンソン他編、渡部光・那須壽・西原和久訳『アルフレッド・シュッツ著作集』第1〜4巻（1983〜98・マルジュ社） ▽江原由美子・山岸健編『現象学的社会学』（1985・三和書房） ▽江原由美子著『生活世界の社会学』（1985・勁草書房） ▽H・ガーフィンケル、山田富秋他編訳『エスノメソドロジー』（1987・せりか書房） ▽西原和久編著『現象学的社会学の展開』（1991・青土社） ▽廣松渉著『現象学的社会学の祖型』（1991・青土社） ▽山岸健著『社会的世界の探究』新増補（1997・慶応義塾大学出版会） ▽那須壽著『現象学的社会学への道』（1997・恒星社厚生閣） ▽A・シュッツ著、桜井厚訳『現象学的社会学の応用』新装版（1997・御茶の水書房） ▽好井裕明著『批判的エスノメソドロジーの語り』（1999・新曜社）』
https://kotobank.jp/word/%E7%8F%BE%E8%B1%A1%E5%AD%A6%E7%9A%84%E7%A4%BE%E4%BC%9A%E5%AD%A6-60676
Justina M. Barnicke Gallery, Hart House, University of Toronto
CONTINENTAL DRIFT
Conceptual Art in Canada: The 1960s and 70s
Badischer Kunstverein
Waldstraße 3, Karlsruhe, Germany
Part I: April 19 - June 23 2013
Opening: Thursday 18 April, 2013, 7 pm
Part II: June 28 - September 8 2013
Opening: Thursday 27 June, 2013, 8 pm
From April to September 2013, Badischer Kunstverein is hosting a major exhibition and series of events on conceptual art in Canada with a special focus on the 1960s and 1970s. This exhibition is the first comprehensive presentation of Canadian conceptual art in Europe and is part of Badischer Kunstverein's ongoing interest in histories of conceptual art, explored in exhibitions such as 'Why here is always somewhere else' (2008) and 'Nancy Holt: Sightlines' (2011). CONTINENTAL DRIFT presents works of more than 100 artists on all three floors of the Kunstverein. Featured artists include important Canadian protagonists Vera Frenkel, General Idea, Garry Neill Kennedy, Ken Lum, N.E. Thing Co., Michael Snow, Françoise Sullivan, Jeff Wall, Ian Wallace, and Joyce Wieland, as well as American and European artists who realized important pieces in Canada during this time and had a lasting effect on conceptual art there, such as John Baldessari, Dan Graham, Sol LeWitt, Martha Rosler and Robert Smithson.
CONTINENTAL DRIFT is devoted to a significant and hitherto underrepresented period in Canadian art. Involving a broad spectrum of materials and media, the exhibition sheds light on some of the most unique characteristics of Canadian conceptual art - especially the role of artists' collectives and the network of artist-run centers, but also the development of new artistic mediums and the influence of Canadian media theorist Marshall McLuhan. The exhibition accentuates a diversity of local vantage points in the ongoing project of revisiting the history of conceptual art globally.
Organized thematically, CONTINENTAL DRIFT features five intertwined chapters in two consecutive parts. The first part will be dedicated to the artistic exploration of geography, mapping, landscape, and sites. The political implications of language, communication, and discourse are the focus of a second, large constellation of artworks. A third chapter centers on the critical scrutiny of conventional approaches of teaching and pedagogy with a view to the alternative concepts applied at the Nova Scotia College of Art & Design (NSCAD) in Halifax. For the second part of the exhibition, which opens in late June, two points of thematic focus will be added. First, the relationship between conceptual art and body politics will be seen against the backdrop of feminist and queer strategies. Second, the intensification of artists' networking activities and collaborative projects will be thematized.
http://www.jmbgallery.ca/ExContinentalDrift.html
バーゼルのレジデンス時に見逃した展示のうちの一つ。レジデンス・メイトのXiaさん（夏彦国）は見に行ったはず。今考えると無理しても見に行っておけば良かったかなと。
◇ Artnews.org: CONTINENTAL DRIFT: Conceptual Art in Canada: The 1960s and 70s at Badischer Kunstverein Karlsruhe
Participating artists:
Vito Acconci, Bas Jan Ader, David Askevold, John Baldessari, Bruce Barber, Arthur Bardo and Gary Coward, Marcella Bienvenue, Robert Bowers, Wallace Brannen, Eric Cameron, Colin Campbell, Ian Carr-Harris, Melvin Charney, Tim Clark, Robin Collyer, Carole Condé and Karl Beveridge, Michael de Courcy, Sylvain P. Cousineau and Francis Coutelier, Kenneth Coutts-Smith, Kate Craig, Stephen Cruise, Greg Curnoe, Max Dean, Tom Dean, Jean-Marie Delavalle, Jan Dibbets, Christos Dikeakos, Brian Dyson, Dean Ellis, Gathie Falk, Gerald Ferguson, Michael Fernandes, Vera Frenkel, Jeff Funnell, Charles Gagnon, General Idea, Raymond Gervais, Dan Graham, Rodney Graham, John Greer, Hans Haacke, Noel Harding, John Heward, Douglas Huebler, Image Bank (Michael Morris and Vincent Trasov), Carole Itter, Richards Jarden, Bill Jones, Pat Kelly, Garry Neill Kennedy, Roy Kiyooka, Robert Kleyn, Suzy Lake, Gordon Lebredt, Les Levine, Glenn Lewis, Sol LeWitt, Lee Lozano, Ken Lum, Duane Lunden, Don Mabie, Allan Harding MacKay, Arnaud Maggs, John McEwen, Bruce McLean, Albert McNamara, Ian Murray, N.E. Thing Co., Gunter Nolte, Dennis Oppenheim, Andy Patton, Harold Pearse, Clive Robertson, Martha Rosler, Tom Sherman, Robert Smithson, Michael Snow, Lisa Steele, Françoise Sullivan, David Tomas, Serge Tousignant, John Van Saun, Bill Vazan, Jeff Wall, Ian Wallace, Theodore Wan, Douglas Waterman, John Watt, Lawrence Weiner, Irene F. Whittome, Joyce Wieland, Martha Wilson, Paul Woodrow, Jon Young, Tim Zuck.
◇ IAIN BAXTER&: "How I Became the &MAN" - YouTube
https://youtu.be/bB4vX4RUw4I
◇ Kasper König im Gespräch mit Garry Neill Kennedy - YouTube
https://youtu.be/ilR5vbB6xtI
◇ Garry Neill Kennedy: "The Last Art College. Nova Scotia College of Art and Design 1968-1978" - YouTube
https://youtu.be/d55w_45RkDg
◇ Suzy Lake: "Performing for the Camera in the 1960s and 70s: So Whose Gaze is it Now?" - YouTube
https://youtu.be/1zr19uPBcB4
◇ Lisa Steele: "I Will (Still) Make Boring Art (Redux)" - YouTube
https://youtu.be/AtMZby9Cqx8
◇ Ian Wallace: "The 'Impure' Aspects of Conceptual Art" - YouTube
https://youtu.be/10JzssnkTXE
Linda Yablonsky(@FabYab)さん | Twitter
◇ Linda Yablonsky - artforum.com / contributors
http://artforum.com/contributors/name=linda-yablonsky
ブラザーズ・クエイ - Wikipedia
ブラザーズ・クエイ(Brothes Quay, Quay Brothers, クエイ兄弟)は、スティーブン・クエイとティモシー・クエイ(Stephen and Timothy Quay, 1947年6月17日-)の一卵性双生児の兄弟で、アメリカ・ペンシルベニア州・ノリスタウン生まれの、映像作家。
主に、ストップモーション・アニメーションの分野で、独特で完成度の高い映像作品を生みだし、カルト的な人気と影響力を持つ。
また、作品以外にも判別が難しいほど良く似た双子として、ピーター・グリーナウェイの『ZOO』へのインスピレーションやデヴィッド・クローネンバーグの『戦慄の絆』に対する意欲に影響を与えた（滝本誠によるプレスから）[1]。
Universalmuseum Joanneum :: Exhibitions
Landscape in Motion
Cinematic Visions of an Uncertain Tomorrow
13.03.-26.10.2015 10:00-17:00
Opening: 12.03.2015, 7 pm
In cooperation with Camera Austria, Diagonale 2015 and the Austrian Film Museum.
Curated by: Peter Pakesch and Katrin Bucher Trantow
Space02
Landscape takes place. According to Lucius Bruckhardt, it is not the mere appearance of the environment, it is also a structure which we only perceive with the help of our pictorial memory. The architect and ‘strollologist’ thus refers to a perception of landscape which can be understood in pictorial sequences – the filmic perspective, located in time, maintains that distance to landscape needed to perceive it.
In fact we can hardly imagine these days looking at the landscape without the ‘eye’ of the camera. Alone the view of our planet from space, which shaped our consciousness following the first photograph of our globe from the moon, changed permanently our dealings with landscape: from this perspective we perceive earth as a landscape that has been recorded, tamed and appropriated by man as territory. Its definitive finiteness and the ongoing change in resources, e.g. in agricultural land, are radically brought to our attention day in, day out with the help of the camera.
Using the example of pioneering works from the 1960s, the exhibition Landscape in Motion shows that landscape is a term that is subject to continuous change in the human mind. Film plays an essential role in this – as the prerequisite for capturing the reality of landscape, but also as a kind of catalyst that fundamentally influences these processes of perception.
The exhibition is accompanied by an inter-disciplinary programme and catalogue, with approaches from the following exhibitions: Disputed Landscape as engagement with the disputed concepts of a photographic image of landscape, in the Camera Austria; HyperAmerica with a focus on the ambivalence felt towards land grabs as we recognise it in the American landscapes of the Hyperrealists and the photographers of the New Topographics, on show in Space01 in the Kunsthaus Graz; Landscape: Transformation of an Idea, which offers an overview of the historical development of the image of landscape, to be seen in the Neue Galerie Graz; and finally, the Political Landscape of the Ausseerland, which is treated in an exhibition of the same name, at the Institute for Art in Public Space.
With works by Darren Almond, Rosa Barba, James Benning, Ursula Biemann, Lucius Burckhardt, Leo Calice und Gerhard Treml, Center for Land Use Interpretation, Tacita Dean, Marine Hugonnier, Mathias Kessler, Markus Jeschaunig, Armin Linke, Lukas Marxt, David Nez, Walter Niedermayr, Qiu Anxiong, Ed Ruscha, Klaus Schafler, Allan Sekula, Robert Smithson, Shi Guorui, Michael Snow, Guido van der Werve.
http://www.museum-joanneum.at/en/kunsthaus-graz/exhibitions/exhibitions/events/event//landschaft-in-bewegung?tx_msevent_list%5Bcontroller%5D=Event&cHash=05e359f62a2f2d73c16bc61a0e49a873
http://www.museum-joanneum.at/en/kunsthaus-graz/
http://www.museum-joanneum.at/
129 | 2015 | Camera Austria
EMMA BALKIND
Communitas: The Commons Subject and the Subject of Community
Communitas
TOM HOLERT
Art Is Concrete: How Concrete. Art and Efficacy
ART IS CONCRETE
BORIS BUDEN
Unexpected Encounters: Contemporary in the Past?
UNEXPECTED ENCOUNTERS
JALEH MANSOOR
The Militant Image: Notes on Anti-Representation, Negative Articulation, and Political Resistance
THE MILITANT IMAGE
THE SHELL
Eiko Grimberg, Marco Poloni, Clemens von Wedemeyer
