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福居伸宏 Nobuhiro Fukui https://fknb291.info/

Barnett Newman, Philadelphia Museum of Art, 2002. | Kenji Kajiya - Academia.edu

http://www.academia.edu/4687120/Barnett_Newman_Philadelphia_Museum_of_Art_2002


kenji_kajiya: 昔書いたフィラデルフィア美術館のバーネット・ニューマン展の展 ... - Twitter

昔書いたフィラデルフィア美術館のバーネット・ニューマン展の展評をオンラインで公開します。展評ですが、2003年までの研究動向や略歴・展覧会史もまとめています。 http://www.academia.edu/4687120/Barnett_Newman_Philadelphia_Museum_of_Art_2002

https://twitter.com/kenji_kajiya/status/386757120059650048

Hans-Ulrich Obrist - 24 Hours in LA - The Artist's Studio - MOCAtv - YouTube

The impossibly influential Hans Ulrich Obrist is known first for his pace, and perhaps secondly for his enthusiasm. Since his 1991 "Kitchen Show," a group exhibition he put together in his kitchen, Obrist has spent two decades mounting site-sensitive shows the world over and is rightfully credited with turning curatorial practice into an art form in its own right. Here, MOCAtv keeps up with Obrist and ForYourArt's Bettina Korek on a 24-hour, art-star studded tour of Los Angeles -- he visits with Fritz Haeg, Paul McCarthy, Sam Falls, John Baldessari, Frank Gehry, 89 Plus, and more. Hosting salons at daybreak and studio visits until dusk, Obrist is our breakneck interlocutor, our eager sponge, and the keeper of contemporary art history.

http://youtu.be/9L4TYYNY6jw

Kaldor Public Art Project 16: Gregor Schneider (2012 interview) on Vimeo

2012 interview with Gregor Schneider about his installation at the Art Gallery of NSW, John Kaldor Family Gallery
'Basement Keller Haus u r'
(Basement cellar house)
1985 - 2012

http://vimeo.com/45043825


◇ Gregor Schneider installs BASEMENT KELLER Haus u r - YouTube

'BASEMENT KELLER Haus ur' was installed in the Contemporary galleries of the Art Gallery of NSW during June 2012. The artwork is an immersive installation made up of dimly lit rooms, dark cavernous spaces and paths leading to dead ends.

http://youtu.be/EsPCp6aUvlk


◇ Gregor Schneider: HAUS u r - YouTube
(Teil 1) http://youtu.be/QSD6vxrBQ08
(Teil 2) http://youtu.be/Y-kdXfv-FCw

観者 - 現代美術用語辞典ver.2.0

美術作品を観る者を意味する美術史学用語。英語ではbeholder、viewer、spectator、observerなどに対応する語。一定の語義や用法があるわけではなく、論者や論点、文脈によりさまざまに用いられるが、モダニズム的な芸術観を前提とし、芸術の自律性や純粋性を重視する文脈で用いられる場合が多い。そこでは、美術作品とそれを観る者との関係が一対一の関係として想定され、美術作品の芸術的側面、特に視覚的効果に重点が置かれることが少なくない。しかし作品と観者との一対一の関係は、多くの観客が訪れる展覧会場といった現実の公共的空間では成立しにくく、そうした点についてこの語が伴う理念的な操作、限界には留意が必要となる。また作品の芸術的側面を重視することは、本来は美術作品が複合的に併せ持っている別の側面、例えば礼拝の対象としての宗教的側面や、権力のイメージ装置としての政治的側面、財産や投機対象としての経済的側面、制作・流通の背景や、作者・観者の階級・ジェンダー・性差といった社会的側面を看過しかねない。美術作品を純粋に視覚的な芸術としてのみ捉えることも、作品の触覚的要素などを捨象してしまう場合がある。なお「観者」の類語として、優れた作品を賞賛するという含意を伴うときには「鑑賞者」、美術館や展覧会の来場者には「観客」、美術外の社会的背景を踏まえる場合には「観衆」、ほかにも「受容者」「観賞者」などが用いられることがある。
著者: 太田智己

http://artscape.jp/artword/index.php/%E8%A6%B3%E8%80%85

PAUL SCHIMMEL - SFAQ Online

-Interview by Charles Desmarais


Paul Schimmel, one of the world’s most respected curators of up-to-the-minute contemporary art, lives at the northernmost edge of the Los Angeles Basin in a quiet community with a decidedly Old California feeling. The lovely, art-filled 1927 Spanish Colonial Revival home he shares with his wife of thirty four years, Yvonne, embraces a peaceful interior veranda, where I conducted an interview with him on June 22 of this year. The recording captures perfectly the contrast between the tranquil background sound of water in the patio garden fountain and Schimmel’s powerfully delivered, New York-accented, rapid-fire locution.


The interview took place shortly after it was announced that the former Chief Curator of the Museum of Contemporary Art will enter the commercial gallery world in forming Hauser Wirth & Schimmel, but before the announcement that his former boss, Jeffrey Deitch, will soon also leave MOCA.


My personal and professional relationship with Paul Schimmel goes back a quarter century. In a May 2013 commencement ceremony, the Trustees of the San Francisco Art Institute, where I am President, bestowed the honorary Doctor of Fine Arts degree on Schimmel and the film director Kathryn Bigelow.

http://www.sfaqonline.com/2013/09/paul-schimmel/